Author:Thomas Hardy,Sally Shuttleworth,Sally Shuttleworth,Patricia Ingham

TWO ON A TOWER (1882) is a tale of star-crossed love in which Hardy sets the emotional lives of his two lovers against the background of the stellar universe. The unhappily married Lady Constantine breaks all the rules of social decorum when she falls in love with Swithin St. Cleeve, an astronomer who is ten years her junior. Her husband's death leaves the lovers free to marry, but the discovery of a legacy forces them apart. This is Hardy's most complete treatment of the theme of love across the class and age divide and the fullest expression of his fascination with science and astronomy.
Threads of romance, social comment, country lore and intrigue both above and below stairs are cunningly worked together to create a brilliant tapestry... I have seldom enjoyed a book so much
—— Sunday TelegraphColegate has found a perfect metaphor for the passing of a way of life
—— SpectatorA modern classic
—— The TimesA minor masterpiece
—— Daily MailExtraordinary . . . combines a luminous delicacy of observation with raw emotional power to haunting effect
—— Sunday TelegraphVivid and exciting . . . Dunmore creates a beautiful sense of stillness . . . she conveys a passion for Finland's icy landscape
—— ObserverBeautifully written . . . a story about us all
—— Evening Standard'Sharp, painfully honest, and as funny as it is heartbreaking. I literally couldn't put it down'
—— Shane Watson, author of Other People’s MarriagesUtterly brilliant.
—— OK!In this interesting inversion of the wicked stepmother story the reader's sympathy is instantly engaged . . . Considerablr darker than its racy, pacy style suggests.
—— The Times'I read in one sitting . . . A triumph.'
—— Diane Johnson, author of LE DIVORCEA must for...any guilt-ridden, wicked stepmothers out there . . . Clever, honest...and very funny.
—— Glasgow Evening TimesGripping ... Both candid and comic.'
—— Mail on SundayAyelet Waldman isn't afraid to shock people. Quite the reverse. Her declaration last year that she loves her husband more than her children caused an international outcry and catapulted her on to Oprah Winfrey's show to defend herself. Her controversial new novel about the fractured state of family life looks set to do the same ... Honest, touching and acutely observed, it is impossible to put down. One moment I was laughing out loud...while the next I had tears pouring down my face ... But it's the growing relationship between Emilia and her stepson that forms the heart of this tale. Whether you're a parent or not, you can't fail to be moved by it.
—— Daily Express·'Ayelet Waldman is an uplifting discovery: a fantastically enjoyable new writer with no pretensions and a genuine story-telling gift . . . An absolute delight . . . A light-hearted and human book that touches on crashing emotions with a combination of tenderness and irreverence.'
—— Sunday Times·'Ayelet Waldman...has made it her mission to combat what she called "the perfect mother myth." . . . provocative and often rashly frank . . . Her literary models are Sue Miller and Dani Shapiro . . . shares some of British writer Rachel Cusk's acerbic wit . . . Can be gobbled up in just a sitting or two, zipping along toward its dependably cathartic climax.'
—— LA Times'Compelling and artfully drawn . . . Emilia's voice is terrific - sharp, witty, funny, resilient, sarcastic, passionate and very angry.'
—— Washington PostA moving and darkly funny read . . . Romantic, shocking and sometimes painful page-turner . . . says something new and interesting about women, families and love.
—— New York TimesA very good, very funny writer ... The perfect book for anyone who doesn't already know that motherhood is the hardest job in the world.
—— Irish ExaminerFunny and painful. Will strke a chord with anyone who is a member of a family.
—— Good Book Guide






