Author:BBC,Graeme Garden,Tim Brooke-Taylor,John Cleese,David Hatch,Jo Kendall,Bill Oddie

A fifth volume of episodes from the irreverent radio comedy series which ran between 1964 and 1973. Starring John Cleese, Tim Brooke-Taylor, Graeme Garden, David Hatch, Jo Kendall and Bill Oddie, I'm Sorry I'll Read That Again is a mix of quickfire sketches, bad puns, humorous songs, and TV and cinema parodies. It quickly developed a cult following, and was the forerunner of The Goodies and I'm Sorry I Haven't a Clue. This volume includes the songs 'Taking My Oyster For Walkies' and 'Sick Man's Blues', as well as a host of terrible jokes, spoof news broadcasts and daft comic sketches.
2 CDs. 1 hr 55 mins.
'A true orginal among contemporary writers'
—— The Times'His jokes are the best thing since Wodehouse. His comic footnotes are still glorious'
'Pratchett's writing is a constant delight. No-one mixes the fantastical and mundane to better comic effect or offers sharper insights into the absurdities of modern endeavour'
—— Daily MailRichly ambitious . . . there isn't a dull page. A remarkable achievement
—— ScotsmanExtraordinary . . . combines a luminous delicacy of observation with raw emotional power to haunting effect
—— Sunday TelegraphVivid and exciting . . . Dunmore creates a beautiful sense of stillness . . . she conveys a passion for Finland's icy landscape
—— ObserverBeautifully written . . . a story about us all
—— Evening Standard'Sharp, painfully honest, and as funny as it is heartbreaking. I literally couldn't put it down'
—— Shane Watson, author of Other People’s MarriagesUtterly brilliant.
—— OK!In this interesting inversion of the wicked stepmother story the reader's sympathy is instantly engaged . . . Considerablr darker than its racy, pacy style suggests.
—— The Times'I read in one sitting . . . A triumph.'
—— Diane Johnson, author of LE DIVORCEA must for...any guilt-ridden, wicked stepmothers out there . . . Clever, honest...and very funny.
—— Glasgow Evening TimesGripping ... Both candid and comic.'
—— Mail on SundayAyelet Waldman isn't afraid to shock people. Quite the reverse. Her declaration last year that she loves her husband more than her children caused an international outcry and catapulted her on to Oprah Winfrey's show to defend herself. Her controversial new novel about the fractured state of family life looks set to do the same ... Honest, touching and acutely observed, it is impossible to put down. One moment I was laughing out loud...while the next I had tears pouring down my face ... But it's the growing relationship between Emilia and her stepson that forms the heart of this tale. Whether you're a parent or not, you can't fail to be moved by it.
—— Daily Express·'Ayelet Waldman is an uplifting discovery: a fantastically enjoyable new writer with no pretensions and a genuine story-telling gift . . . An absolute delight . . . A light-hearted and human book that touches on crashing emotions with a combination of tenderness and irreverence.'
—— Sunday Times·'Ayelet Waldman...has made it her mission to combat what she called "the perfect mother myth." . . . provocative and often rashly frank . . . Her literary models are Sue Miller and Dani Shapiro . . . shares some of British writer Rachel Cusk's acerbic wit . . . Can be gobbled up in just a sitting or two, zipping along toward its dependably cathartic climax.'
—— LA Times'Compelling and artfully drawn . . . Emilia's voice is terrific - sharp, witty, funny, resilient, sarcastic, passionate and very angry.'
—— Washington PostA moving and darkly funny read . . . Romantic, shocking and sometimes painful page-turner . . . says something new and interesting about women, families and love.
—— New York TimesA very good, very funny writer ... The perfect book for anyone who doesn't already know that motherhood is the hardest job in the world.
—— Irish ExaminerFunny and painful. Will strke a chord with anyone who is a member of a family.
—— Good Book Guide






