Author:Marie-Elsa Bragg

After many generations, it is now Harold who runs Ard Farm. Out on the fells, he feels his father’s presence, and there is hope that he, his grandmother and his Uncle Joe will be able to take the farm forward and prosper. But their way of life is under threat: farming is undergoing huge change and increasingly harmful intervention.
Towards Mellbreak is a hymn both to the landscape of Cumbria and to a disappearing world. Poetic, beautiful and tragic, it exposes the struggle to preserve traditions and beliefs in the face of change, and an assertion of the power to be found in the rituals we pass down through our families.
A really extraordinary, beautiful meditation on place and time, tradition and identity... passionate, quiet, political
—— Rowan WilliamsThis novel is so subtly written, building up the stories of good people and their tough lives, that we feel and then understand the depth of their relationships to each other and this beautiful, hard land - and so the tragedy of what happens is all the more heartbreaking.
—— Tim PearsHow refreshing to find a first novel that does not read like the stilted product of a creative writing course… Bragg… not only displays a remarkable gift of observation – of human beings, animals, landscapes – but has written an impassioned elegy for a way of life that has come into head-on collision with the modern world
—— Max Davidson , Mail on SundayA literary force... In so richly depicting the hermetic bond between the Cumbrian landscape and the people who live there, she makes a subtle political point about the ease with which governments and big business disregard those whose lives are, for the most part, hidden from view
—— Claire Allfree , Daily MailToward Mellbreak tells the story of struggling Cumbrian fell farmers, with a blunt lyrical richness that is resonant of Ted Hughes
—— Good HousekeepingA lyrical and compelling generational story of Cumbrian hill farmers that wears its spiritual seriousness of purpose lightly but oh so movingly
—— Peter Stanford , TabletSavagely elegant… If Thomas Hardy had ventured to historic Cumberland, this is the tenor of the tale that he would have written… Bragg writes with cinematic poetry: in empathetic close-up to her few characters, in wide-angled landscape illumination of the fellscapes that both liberate and contain them. The world that she conjures so deftly is a world away from the visitors’ Lake District… Sometimes in clipped sentences like gasped breath, sometimes by unfurling parables of light over landscapes, Bragg recreates an extraordinary, often disregarded world, uniting farm and fell, work and prayer, suffering and redemption in new and powerful ways
—— Martyn Halsall , Church TimesThis is a book which stayed with me well after I finished it… A very thoughtful book with plenty to mull over
—— Cath Sell , NudgeA closely observed rural family chronicle, a fierce indictment of the ignorant authoritarianism of government agencies in recent decades promoting untried, environmentally disastrous and lethally poisonous pesticides in the countryside, and an understated but strong celebration of spiritual discovery and resilience
—— Rowan Williams , New StatesmanIn an audacious twist, Alma Katsu has made something new and suspenseful from the legendary story of the Donner Party. The Hunger is filled with terror, pity, and grue.
—— KEITH DONOHUE, author of The Boy Who Drew MonstersAlma Katsu has taken one of the darkest and most chilling episodes in our history, and made the story even darker, even more terrifying. I swear I'm still shuddering. A fantastic read!
—— R. L. STINE, author of Goosebumps and Fear StreetThe Hunger is a bold and brilliant novel, heavy with foreboding and dread, and with a rich vein of humanity at its core. I challenge you to read it without experiencing your own hunger pangs.
—— TIM LEBBON, author of The SilenceThe Revenant by way of The Walking Dead and it works.
—— Paul Connolly , METROA terrific historical novel with a thrilling, bloody twist. Alma Katsu’s brilliant reimagining of the Donner Party’s fate is rich with character, laden with imminent doom, and propelled by chilling mystery. A novel that book clubs and dark fiction fans should devour with equal relish.
—— CHRISTOPHER GOLDEN, author of AraratKatsu injects the supernatural into this brilliant retelling of the ill-fated Donner Party . . . fans of Dan Simmons’s The Terror will find familiar and welcome chills.
—— PUBLISHERS WEEKLY (starred review)A riveting drama of power struggles and shifting alliances . . . the tensions [Katsu] creates are thrilling.
—— KIRKUS REVIEWSIf you think the story of the Donner Party can’t get more horrific, think again. In this gripping, atmospheric reimagining of that dark tale, Katsu has created a deeply unsettling and truly terrifying masterpiece.
—— JENNIFER McMAHON, author of The Winter People and BurntownThe lives and stories, loves and tragedies, animating From a Low and Quiet Sea are wonderfully individual and finely alive. This is a brief book: yet one that lingers long in the reader’s mind.
—— New StatesmanAs moving as anything written about Syria
—— Mail on SundayIt is vomit-inducing, it’s so good.
—— Kit de Waal, ObserverBewitching…unforgettable...It takes a good writer to frame right and wrong within a coherent narrative and make it not feel like a finger-wagging sermon. It takes a great one, however, to make the contents heave and sigh before your eyes.’
—— Irish IndependentEmpathy shines through the work
—— Sunday IndependentRyan has the ability to shatter your heart into a million pieces with every book he writes - and even have you welcome the pain.
—— StylistAn example of masterful storytelling
—— RTE CultureWith each novel Ryan gets better, and this moving and quietly insistent work is his best yet.
—— RTE GuideYou can sense his compassion in the bones of his work
—— Sunday Business PostDevastating and masterful
—— Irish Country MagazineA hugely affecting, moving read. I was heartbroken by the end, but adored every chapter
—— Image MagazineBeautiful
—— Woman’s WayEach section displays Ryan’s range as a writer... [he] writes with brilliant empathy.
—— Boston GlobeExquisitely rendered, with raw anguish sublimated into lyrical prose.
—— Washington PostHeartbreaking … Arguably the best of the new wave of Irish writers to have emerged over the last decade
—— Irish Mail on the Sunday, Books of the YearRyan has the gift of ventriloquism - he inhabits his fictional creations thoroughly, enveloping you in their worlds
—— Sunday Business Post, Books of the YearSublime
—— Irish Independent, Books of the YearFrom a Low and Quiet Sea by Donal Ryan made me laugh and cry and forced me to look strangers in the eye
—— Liz Nugent , Irish Times, Books of the YearBeautifully bleak and characterised by his remarkable ability to write about grief and common humanities.
—— Diarmaid Ferriter , Irish Times, Books of the YearBeautiful, compassionate
—— Sinéad Crowley , RTÉ Culture, Best Books of 2018Superlatives wouldn’t do for describing From a Low and Quiet Sea … understated, and gloriously heart rendering
—— Hot Press, Books of the YearStrout turns her clear, incisive gaze on the intricacies and betrayals of small town life
—— Maggie O'FarrellAnything is Possible is predictably great because it's written by Elizabeth Strout, and brilliantly unpredictable - because it is written by Elizabeth Strout
—— Roddy Doyle






