Author:Jean Plaidy

The final title in the captivating Victorian series.
Albert is dead and the queen is preparing to spend the rest of her life in mourning. Yet the last years of her reign are to be momentous years.
Palmerston, then Gladstone and Disraeli, govern her empire through the high noon of its heyday.
The court at Windsor, Balmoral, Osborne or Buckingham Palace is perpetually shocked by the Prince of Wales, forever in pursuit of horses, women and scandal, the heady harbinger of Edwardian years to come.
Jean Plaidy doesn't just write the history, she makes it come alive
—— Julia Moffat , RNAThese books are page-turners; they offer a wonderful way to learn about history, their heroines are smart, strong and in control of their destinies and their stories will remain with you for ever...They are a celebration of women's spirit throughout history.
—— Daily ExpressFull-blooded, dramatic, exciting
—— ObserverOne of England's foremost historical novelists
—— Birmingham MailPlaidy excels at blending history with romance and drama
—— New York TimesFilled with intrigue and secret plots...Vividly capturing life under the Tudors and giving us an insight into the hearts and minds of characters long dead, it is easy to see why Jean Plaidy is still regarded as the Queen of historical fiction.
—— Claire Gaskell , Cambrian NewsHe handles words like a great poet
—— ObserverHe comes near to defying all criticism
—— Sunday TimesA creature of pure light and joy
—— New StatesmanA comic genius recognised in his lifetime as a classic and an old master of farce
—— The TimesThe funniest writer ever to put words to paper
—— Hugh LaurieThis is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant
—— Dr Susan Richard, author of Lost and Found in RussiaAndrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.
—— The West AustralianCompleted in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.
—— Publishers WeeklyA 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.
—— Sydney Morning Herald






