Author:Leo Tolstoy,Richard Pevear,Larissa Volokhonsky

'As good as anything Tolstoy ever wrote... Self-assured, vital, unforgettable' Guardian
The title story of this collection is about a man battling a mysterious illness. His family visit his bedside, their faces masks of concern. His colleagues pay their respects but only think of the advantages created by his death. This intensely moving story of Ivan Ilyich's lonely end is one of the masterpieces of Tolstoy's late fiction.
The ten other stories in this collection include 'The Kreutzer Sonata', 'The Devil', and 'Hadji Murat' which has been described by Harold Bloom as 'the best story in the world'.
As good as anything Tolstoy ever wrote... Self-assured, vital, unforgettable
—— GuardianThe simplicity and power of this novella, the story of the terrible encroachment of death on a shallow man spiritually unprepared for it, has staggered millions
—— Sunday TelegraphI don't read Russian, but I think Tolstoy's writing comes over whatever translation you read...he wrote the great, terrible story The Death of Ivan Illyich
—— Redmond O'Hanlon , IndependentAn indubitable masterpiece
—— Yann MartelFor me, the best insight into the process of dying comes from Leo Tolstoy in his short story, The Death of Ivan Ilych, which examines the life and death of the most ordinary man
—— Oliver James , Mail on SundayA fitting monument to Tolstoy's battles with what it is that makes us human
—— Philip Womack , ObserverHe handles words like a great poet
—— ObserverHe comes near to defying all criticism
—— Sunday TimesA creature of pure light and joy
—— New StatesmanA comic genius recognised in his lifetime as a classic and an old master of farce
—— The TimesThe funniest writer ever to put words to paper
—— Hugh LaurieThis is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant
—— Dr Susan Richard, author of Lost and Found in RussiaAndrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.
—— The West AustralianCompleted in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.
—— Publishers WeeklyA 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.
—— Sydney Morning Herald