Author:Angelica Garnett

Real life and fiction meet as Angelica Garnett vividly evokes what it is to grow up in the shadow of artists. Her family appear in different guises in the stories, but at the centre of each one is Garnett herself. She is naïve and foolish as Bettina, desperately seeking acceptance into the grown-ups circle ('When All the Leaves Were Green, My Love'); shy and cautious, but finally disloyal, as Agnes ('Aurore'); a hesitant, uncomfortable Emily ('The Birthday Party'); and a contemplative, even witty older woman, full of appetite and guilt, as Helen ('Friendship'). Spanning an entire life, each story reveals a figure trying to understand her place not only within the polished circle of her family, but in an ever-changing world.
Sharply observing a colourful social milieu and the vibrant characters that populate it, these are stories about family and friendships, yet also curdled relationships and small betrayals. A fictional counterpoint to her acclaimed memoir, Deceived with Kindness, here is a portrait of a woman seeking an understanding and acceptance of her past.
Darkness at Noon is the sort of novel that transcends ordinary limitations...written with such dramatic power, with such warmth of feeling, and with such persuasive simplicity
—— New York Times, 1941A piece of brilliant literature
—— George OrwellA remarkable book, a grimly fascinating interpretation of...all revolutionary dictatorships, and at the same time a tense and subtly intellectualised drama of prison psychology
—— Times Literary Supplement[Darkness At Noon] is written from terrible experience. From knowledge of the men whose struggles of mind and body he describes. Apart from its sociological importance, it is written with a subtlety and an economy which class it as great literature. I have read it twice without feeling that I have learned more than half of what it has to offer me- Koestler approaches the problem of ends and means, of love and truth and social organisation, through the thoughts of an old Bolshevik, Rubashov, as he awaits death in a GPU prison
—— New StatesmanAlong with Animal Farm and 1984, this book formed part of the essential bookshelf of those intellectuals who repudiated their early illusions about the Soviet Union
—— Christopher Hitchens , The WeekDarkness at Noon [is] a guided tour of a totalitarian mind... it gave me a deep, life-long interest in politics
—— Rafael Behr , GuardianOne of the few books written in this epoch which will survive it.
—— New StatesmanOne of the most celebrated political novels of the 20th century
—— GuardianBrilliantly plotted, beautifully written
—— Daily MailThe makings of a fascination tale are certainly present, and Cep writes with wonderful evocation and intelligence about the racial, political and cultural backgrounds against which this drama too place … Casey Cep has elegantly filled in the gaps.
—— Sarah Churchwell , SpectatorLee spent many years working on the project, but it never saw the light of day. Instead, more than four decades later, we have Cep’s absorbing new volume, which succeeds in telling the story that Nelle Harper Lee could not and offers an affecting account of Lee’s attempt to give meaning to a startling series of events … It’s a rich, ambitious, beautifully written book … A gifted journalist who has written frequently for the New Yorker, Cep has imposed order here by providing biographical portraits of three figures: Maxwell, Radney and Lee. Each section moves the intrigue forward while rendering the lives of these real people, and the forces at work within them, as fully and fairly as possible … The result is a revealing triptych, one that tells a crime story but also says a great deal about the racial, cultural and political history of the South. As a portrayal of the life of a writer, the section on Lee is by itself worth the price of admission.
—— Washington PostA brilliant account of Harper Lee’s failed attempt to write a true crime book … Along the way, Cep relates the history of courthouses, voodoo, and everything one needs to know about the insanity defence … Meticulously researched, this is essential reading for anyone interested in [Harper] Lee and American literary history.
—— Publishers Weekly[A] stunning tale
—— Nilanjana Roy , Financial TimesCasey Cep’s painstakingly researched book is a gripping account of both the trial and Lee’s obsession with it.
—— ObserverCasey Cep has created a book that’s totally astounding and deeply moving.
—— StylistAstounding
—— Emerald StreetSuperb, sparklingly intelligent
—— Daily TelegraphIn Furious Hours, her brilliant and gripping account, Casey Cep details and analyses [Harper] Lee’s increasingly desperate efforts to write that second book … Furious Hours is probably the nearest we will get to the book Harper Lee tried so hard to complete. It is a tacit tribute to Harper Lee but even more, an attempt, largely successful, to bring her abandoned project to final fruition … A book of compelling portraits … Cep’s narrative swarms with other characters, all credibly realised in their often cantankerous and eccentric ways … Painstakingly researched and beautifully written.
—— Times Literary SupplementIt’s as gripping as a thriller and as coolly dissected as a forensics report.
—— Robert Doulgas-Fairhurst , The SpectatorThe inside scoop on Harper Lee’s long, post-Mockingbird silence. After working with Truman Capote on his true-crime book In Cold Blood, Lee attempted something similar, taking a murderous preacher, the Rev Willie Maxwell, as her subject. Despite years of research, Lee never produced a book – but Cep’s beautifully written offering goes a long way to making up for that. Utterly gripping, this is the ideal Christmas treat for anyone who loves Harper Lee.
—— Claire Lowdon , Sunday Times, Best Literary Books of the YearAn ingeniously structured, beautifully written double mystery
—— The EconomistFascinating true story
—— The TimesThe astonishing account of murders in Alabama and Harper Lee's attempt to unravel the story.
—— Hugo Vickers , The TelegraphFascinating ... Riveting.
—— Evening StandardA glorious book of heart-warming philosophy and heart-rending sadness
—— Sainsbury’s MagazineAn excellent novel...thrilling reading...incredibly entertaining
—— Bookgeeks.co.ukSurely one of the most versatile novelists writing today
—— Daily ExpressVivid, original and always engaging
—— The TimesRose Tremain writes comedy that can break your heart
—— Literary ReviewSteps inside the mind of Sir Robert Merivel
—— Sunday Business PostFor a second time this is one to cherish
—— Boyd Tonkin , IndependentA Pepysian romp of the first order
—— Independent RadarContinues in the same superior vein as Restoration… The fusion of such an engrossing character, and the minutiae of another time, remains a marvel
—— Daily TelegraphIn this evocative and beautifully drawn novel of family and loyalty in the face of an uncertain future Tremain continues the story of a wonderfully unique character
—— Hannah Britt , Daily ExpressHugely enjoyable
—— Reader's DigestMerivel’s hapless charm remains intact in this tour de force of literary technique
—— Sunday Telegraph (Seven)A sequel that looks back to the earlier novel without ever quite recapturing its spirit is the perfect form in which to evoke that feeling of having to carry on, and of trying to make yourself have fun even with it eventually begins to hurt
—— Colin Burrow , GuardianA marvelllously rollicking good read, and it is such a pleasure to meet Robert Merivel again. Rose Tremain brings the character to life in a way that makes you want to find out even more about the period. Enormously skilled and deft
—— Good Book Guide






