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Darkness at Noon
Darkness at Noon
Jan 14, 2026 8:13 AM

Author:Arthur Koestler,Philip Boehm

Darkness at Noon

A brilliant new translation of Koestler's long-lost original manuscript. A chilling and unforgettable 20th century classic.

From a prison cell in an unnamed country run by a totalitarian government Rubashov reflects. Once a powerful player in the regime, mercilessly dispensing with anyone who got in the way of his party’s aims, Rubashov has had the tables turned on him. He has been arrested and he’ll be interrogated, probably tortured and certainly executed.

Darkness at Noon is as gripping as a thriller and a seminal work of twentieth-century literature. Published in Great Britain in 1940, it was feted by George Orwell, went on to be translated into thirty languages and is considered the finest work of pre-eminent European master, Arthur Koestler. And yet the novel’s worldwide reputation has, for over seventy years, been based on the first incomplete and inexpert English translation – Koestler’s original manuscript was lost when he fled the German occupation of Paris in 1940.

In 2016, a student discovered that long-lost manuscript in a Zurich archive. At last, with the publication of this new translation of the rediscovered original, Koestler’s masterpiece can be experienced afresh and in its entirety for the first time.

THE NEW TRANSLATION BY PHILIP BOEHM

Reviews

Darkness at Noon is the sort of novel that transcends ordinary limitations...written with such dramatic power, with such warmth of feeling, and with such persuasive simplicity

—— New York Times, 1941

A piece of brilliant literature

—— George Orwell

A remarkable book, a grimly fascinating interpretation of...all revolutionary dictatorships, and at the same time a tense and subtly intellectualised drama of prison psychology

—— Times Literary Supplement

[Darkness At Noon] is written from terrible experience. From knowledge of the men whose struggles of mind and body he describes. Apart from its sociological importance, it is written with a subtlety and an economy which class it as great literature. I have read it twice without feeling that I have learned more than half of what it has to offer me- Koestler approaches the problem of ends and means, of love and truth and social organisation, through the thoughts of an old Bolshevik, Rubashov, as he awaits death in a GPU prison

—— New Statesman

Along with Animal Farm and 1984, this book formed part of the essential bookshelf of those intellectuals who repudiated their early illusions about the Soviet Union

—— Christopher Hitchens , The Week

Darkness at Noon [is] a guided tour of a totalitarian mind... it gave me a deep, life-long interest in politics

—— Rafael Behr , Guardian

One of the few books written in this epoch which will survive it.

—— New Statesman

One of the most celebrated political novels of the 20th century

—— Guardian

Brilliantly plotted, beautifully written

—— Daily Mail

The makings of a fascination tale are certainly present, and Cep writes with wonderful evocation and intelligence about the racial, political and cultural backgrounds against which this drama too place … Casey Cep has elegantly filled in the gaps.

—— Sarah Churchwell , Spectator

Lee spent many years working on the project, but it never saw the light of day. Instead, more than four decades later, we have Cep’s absorbing new volume, which succeeds in telling the story that Nelle Harper Lee could not and offers an affecting account of Lee’s attempt to give meaning to a startling series of events … It’s a rich, ambitious, beautifully written book … A gifted journalist who has written frequently for the New Yorker, Cep has imposed order here by providing biographical portraits of three figures: Maxwell, Radney and Lee. Each section moves the intrigue forward while rendering the lives of these real people, and the forces at work within them, as fully and fairly as possible … The result is a revealing triptych, one that tells a crime story but also says a great deal about the racial, cultural and political history of the South. As a portrayal of the life of a writer, the section on Lee is by itself worth the price of admission.

—— Washington Post

A brilliant account of Harper Lee’s failed attempt to write a true crime book … Along the way, Cep relates the history of courthouses, voodoo, and everything one needs to know about the insanity defence … Meticulously researched, this is essential reading for anyone interested in [Harper] Lee and American literary history.

—— Publishers Weekly

[A] stunning tale

—— Nilanjana Roy , Financial Times

Casey Cep’s painstakingly researched book is a gripping account of both the trial and Lee’s obsession with it.

—— Observer

Casey Cep has created a book that’s totally astounding and deeply moving.

—— Stylist

Astounding

—— Emerald Street

Superb, sparklingly intelligent

—— Daily Telegraph

In Furious Hours, her brilliant and gripping account, Casey Cep details and analyses [Harper] Lee’s increasingly desperate efforts to write that second book … Furious Hours is probably the nearest we will get to the book Harper Lee tried so hard to complete. It is a tacit tribute to Harper Lee but even more, an attempt, largely successful, to bring her abandoned project to final fruition … A book of compelling portraits … Cep’s narrative swarms with other characters, all credibly realised in their often cantankerous and eccentric ways … Painstakingly researched and beautifully written.

—— Times Literary Supplement

It’s as gripping as a thriller and as coolly dissected as a forensics report.

—— Robert Doulgas-Fairhurst , The Spectator

The inside scoop on Harper Lee’s long, post-Mockingbird silence. After working with Truman Capote on his true-crime book In Cold Blood, Lee attempted something similar, taking a murderous preacher, the Rev Willie Maxwell, as her subject. Despite years of research, Lee never produced a book – but Cep’s beautifully written offering goes a long way to making up for that. Utterly gripping, this is the ideal Christmas treat for anyone who loves Harper Lee.

—— Claire Lowdon , Sunday Times, Best Literary Books of the Year

An ingeniously structured, beautifully written double mystery

—— The Economist

Fascinating true story

—— The Times

The astonishing account of murders in Alabama and Harper Lee's attempt to unravel the story.

—— Hugo Vickers , The Telegraph

Fascinating ... Riveting.

—— Evening Standard

A glorious book of heart-warming philosophy and heart-rending sadness

—— Sainsbury’s Magazine

An excellent novel...thrilling reading...incredibly entertaining

—— Bookgeeks.co.uk

Surely one of the most versatile novelists writing today

—— Daily Express

Vivid, original and always engaging

—— The Times

Rose Tremain writes comedy that can break your heart

—— Literary Review

Steps inside the mind of Sir Robert Merivel

—— Sunday Business Post

For a second time this is one to cherish

—— Boyd Tonkin , Independent

A Pepysian romp of the first order

—— Independent Radar

Continues in the same superior vein as Restoration… The fusion of such an engrossing character, and the minutiae of another time, remains a marvel

—— Daily Telegraph

In this evocative and beautifully drawn novel of family and loyalty in the face of an uncertain future Tremain continues the story of a wonderfully unique character

—— Hannah Britt , Daily Express

Hugely enjoyable

—— Reader's Digest

Merivel’s hapless charm remains intact in this tour de force of literary technique

—— Sunday Telegraph (Seven)

A sequel that looks back to the earlier novel without ever quite recapturing its spirit is the perfect form in which to evoke that feeling of having to carry on, and of trying to make yourself have fun even with it eventually begins to hurt

—— Colin Burrow , Guardian

A marvelllously rollicking good read, and it is such a pleasure to meet Robert Merivel again. Rose Tremain brings the character to life in a way that makes you want to find out even more about the period. Enormously skilled and deft

—— Good Book Guide
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