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The Good, the Bad and the Little Bit Stupid
The Good, the Bad and the Little Bit Stupid
Jan 12, 2026 9:25 AM

Author:Marina Lewycka

The Good, the Bad and the Little Bit Stupid

A LAUGH-OUT-LOUD NOVEL FROM THE BESTSELLING AUTHOR OF A SHORT HISTORY OF TRACTORS IN UKRAINIAN

After walking out on his wife to shack up with 'Brexit Brenda' next door, George Pantis thinks he's got it made - especially when he wins millions on a Kosovan lottery he barely remembers entering.

Unfortunately, he can't access the money because he's forgotten his password. What is he meant to tell all the forceful people who keep appearing at his doorstep desperate to know his mother's maiden name?

The situation is shadier than he thinks, and George is need of rescue. But will his dysfunctional family be able to save him, and in the process, can they save each other?

______________________________________________________

'Lewycka has carved out a reputation for tackling Big Topics with wit and humour' Radio Times

'Warmly funny' Daily Mail

'Her state-of-the-nation novel crackles with zingy one-liners and shrewd humour' Mail on Sunday

Reviews

Lewycka has carved out a reputation for tackling Big Topics with wit and humour

—— Radio Times

Her state-of-the-nation novel crackles with zingy one-liners and shrewd humour

—— Mail on Sunday

This brisk Brexit fable is warmly funny

—— Daily Mail

Lewycka is a seriously talented comic writer

—— Time Out

Lively . . . a joy to read

—— The Times, on The Lubetkin Legacy

Delightful, funny, touching . . . A rare treat, all too easy to gulp down in one greedy sitting

—— Spectator, on A Short History of Tractors in Ukrainian

Immensely appealing. All but sings with zest for life . . . could hardly be more engaging, shrewd and winningly perceptive

—— Sunday Times, on Two Caravans

Extremely funny, closely observed insights, scenes of farce, tragedy and horror

—— The Times Literary Supplement

[English Monsters] has echoes of Edward St Aubyn’s (more sardonic) Patrick Melrose series and Hanya Yanagihara’s (more lurid) A Little Life. It contains resonant phrases...on almost every page

—— Sunday Times

English Monsters has the pace and intensity of the best kind of thriller, married to an almost unbearable poignancy. I've never read a novel as good and wise on trauma as it moves through the generations, but with such a light touch. There are moments in it that will stay with me forever

—— Evie Wyld

A slow-burn chiller... An intelligent novel in which the horror lies not in explicit scenes of cruelty but rather in Scudamore’s lack of squeamishness about his subject’s queasier psychological corners

—— Anthony Cummins , Metro

Dark, tender, troubling... It is impossible to read these pages and not to think of the present blight of emotionally cauterised boarding-school politicians whose various pathologies, fantasies and defence mechanisms Britain must continue to endure... [English Monsters] render[s] the dense and knotted contours of pain and shame and guilt in the hearts of the victims...with commendable imaginative skill and honesty.

—— Edward Docx , Guardian

A very impressive novel. Scudamore lightly, deftly conjures the closed world of an institution in which the men who spin the boys’ future are both magicians and monsters. The damage of patriarchy plays down the generations, its story told by a young outsider who more or less got away

—— Sarah Moss

I'd like to recommend...James Scudamore's English Monsters, a beautifully written meditation on the kind of English masculinity from which out current leaders suffer.

—— Sarah Moss , Times Literary Supplement

Scudamore is skilled at creating atmosphere… A gripping meditation on class relations and formative friendships.

—— Laura Paterson , Irish News

From the very title, English Monsters is politely merciless about that most English of traits, suppression. On relationships it is heartfelt and unshirking. What stays with me most though is the tenderness at the heart of the novel. Love we don't choose, that is just there; and how this throws all those loves we try to engineer into the wind

—— Cynan Jones

Scudamore has an eye for physical details… His ear for comforting platitudes, especially those between men and boys, is also unerring.

—— Sarah Hayes , Tablet, *Novel of the Week*

Reminiscent of Donna Tartt’s The Secret History and The Hiding Game by Naomi Wood, both in its anachronistic narrative structure and plot... Worth reading for fans of coming-of-age novels.

—— Carola Huttmann , Bookmunch

Scudamore is deft at capturing the way in which you can be drawn to someone despite knowing the worst of them. There is a bitter acknowledgement that monsters come in many forms - and many are difficult to resist.

—— Sarah Hughes , i

Steeped in violence and secrecy… This exploration of the long-term effects of abuse…is both convincing and chilling.

—— Mernie Gilmore , Daily Express

[An] affecting depiction of the dark side of Englishness

—— Nicholas Clee , Times Literary Supplement

A disquieting coming-of-age tale that, in many passages, unfurls like an English comedy of manners – only one that, at any time, can suddenly be darkened by long shadows.

—— Thomas Marks , Literary Review

Kafkaesque, unusual and packed with sex and confusion, this is high-end prose… Murakami is remarkably prolific… A weird and very wonderful descent into the madness of contemporary Tokyo.

—— Paul Critcher , Geographical

Nolan's narrator rips and picks at the threads and scabs of desire, hedonism and self-worth... in this searing first novel, Nolan is holding up a fantastically intense mirror to her protagonist and letting us make up our own mind about whether or not we will look away.

—— Tara Joshi , Quietus

There are flashes of brilliance throughout, reminiscent of John Berger.

—— Stephanie Sy-Quia , Times Literary Supplement

Acts of Desperation creates an immersive experience of toxic romance through a suffocating and addictive narrative.

—— New Statesman

Painful, sharp and absorbing.

—— Susie Mesure , i

A reflection on compulsion, addiction and what it's like to exist as a young woman in a world that is hostile to you. Read the first page and you won't be able to stop.

—— Irish Times

Nolan...stakes out thrilling new territory in an intense, unflinching novel that is always intelligent and utterly unafraid of ugliness.

—— Claire Lowdon , Spectator, *Books of the Year*

A devastating stripping back of the gendered and politicised conditions that shape desire, a revelation of the unnerving ways we are made vulnerable to others in unequal systems. Its crisp, knowing prose is unparalleled, its anger remarkable.

—— Anahit Behrooz , Skinny, *Books of the Year*

Nolan's intelligent, elegant first novel, a gripping portrait of love turned toxic.

—— Daily Telegraph

The star feature of Nolan's narration is her ability to cut through received ideas about women, relationships and even rape. Her headlong, fearless prose, feels like salt wind on cracked lips. You wince and you thrill.

—— Claire Lowdon , Sunday Times

A raw read of vulnerability, desperation, and most definitely a new voice in fiction

—— Chloe Brown , Cosmopolitan

A thrilling read...if you want a visceral, honest, unputdownable summer read then this is it. You'll devour it in a day.

—— Stylist, *Summer Reads of 2022*

A very elegant novel, with coercive control at the core. She has such a strong voice and not a sentence is extraneous

—— Emma Frost, author of BUSY BEING FREE , i

I read this in one go... I found it raw, honest, brutal and real.

—— Lykke Li , Observer

Written with acerbic style and wit, this is an intoxicatingly good look at romantic obsession, delusion and desire.

—— i

Beautifully written…and the short chapters keep things moving at an addictively fast pace. Most importantly, it’s shamelessly real

—— Crack
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