Author:James Scudamore

'James Scudamore is now a force in the English novel' Hilary Mantel
'A very impressive novel' Sarah Moss
When ten-year-old Max is sent to boarding school, his idyllic childhood comes to an abrupt end. Away from the freedom of his grandfather's farm, a world of rules and punishment awaits. But so too does the companionship of a close-knit group of classmates.
Years later, as Max and his friends face down adulthood, a dark secret from their schooldays is revealed, drawing them together in unforeseen ways. Who knew what, and when? And who now wants to see justice done?
'Breathtakingly good' Observer
'Dark, tender, troubling' Guardian
James Scudamore is now a force in the English novel, his voice calm and assured. English Monsters is psychologically astute as a study of collusion and denial, and effective as a picture of time and class; but it has wider reach, as a story about the limits of empathy, the ease of retribution and the difficulty of justice
—— Hilary MantelBreathtakingly good. Imagine Edward St Aubyn writing The Secret History and you’ll get an idea of how exquisite and compelling this story about male friendship and betrayal is
—— Alex Preston , ObserverHeart-wrenching... A searing indictment of a culture that downplays and covers up horrors... Harrowing, deeply moving and richly insightful, this is Scudamore’s best novel yet
—— Philip Womack , Financial TimesThe pages bubble with quiet rage about an elite education system that wrecks even those it elevates... Scudamore is here for the long haul
—— John Self , SpectatorThere are few prizes that Scudamore hasn’t been nominated for, and English Monsters will only add to his impressive tally… Scudamore’s insights are keen and his masterfully evocative writing never less than assured… His descriptions of [Max’s schooldays] etch themselves into your brain
—— Daily MailWritten in cool, clear-eyed prose, English Monsters is a taut psychological thriller and an astute comment on the institutional neuroses that now haunt our nation
—— Amanda Craig , Daily TelegraphEnglish Monsters is a tremendously moving novel. What can be done in the face of unspeakable and complicated trauma? What if silence, action, vengeance and loyalty fail the person in need? James Scudamore has given us a timely, provocative work allowing past and present, with all their truths and apprehensions, to shift like rising waters.
—— Madeleine ThienScudamore deftly balances creepiness and tenderness…while retaining a cool anger at the imperial mindset that the boarding school system cultivates… English Monsters is one of the most well-observed novels I’ve read on the way that childhood abuse lingers into adulthood.
—— Johanna Thomas-Corr , Observer[English Monsters] has echoes of Edward St Aubyn’s (more sardonic) Patrick Melrose series and Hanya Yanagihara’s (more lurid) A Little Life. It contains resonant phrases...on almost every page
—— Sunday TimesEnglish Monsters has the pace and intensity of the best kind of thriller, married to an almost unbearable poignancy. I've never read a novel as good and wise on trauma as it moves through the generations, but with such a light touch. There are moments in it that will stay with me forever
—— Evie WyldA slow-burn chiller... An intelligent novel in which the horror lies not in explicit scenes of cruelty but rather in Scudamore’s lack of squeamishness about his subject’s queasier psychological corners
—— Anthony Cummins , MetroDark, tender, troubling... It is impossible to read these pages and not to think of the present blight of emotionally cauterised boarding-school politicians whose various pathologies, fantasies and defence mechanisms Britain must continue to endure... [English Monsters] render[s] the dense and knotted contours of pain and shame and guilt in the hearts of the victims...with commendable imaginative skill and honesty.
—— Edward Docx , GuardianA very impressive novel. Scudamore lightly, deftly conjures the closed world of an institution in which the men who spin the boys’ future are both magicians and monsters. The damage of patriarchy plays down the generations, its story told by a young outsider who more or less got away
—— Sarah MossI'd like to recommend...James Scudamore's English Monsters, a beautifully written meditation on the kind of English masculinity from which out current leaders suffer.
—— Sarah Moss , Times Literary SupplementScudamore is skilled at creating atmosphere… A gripping meditation on class relations and formative friendships.
—— Laura Paterson , Irish NewsFrom the very title, English Monsters is politely merciless about that most English of traits, suppression. On relationships it is heartfelt and unshirking. What stays with me most though is the tenderness at the heart of the novel. Love we don't choose, that is just there; and how this throws all those loves we try to engineer into the wind
—— Cynan JonesScudamore has an eye for physical details… His ear for comforting platitudes, especially those between men and boys, is also unerring.
—— Sarah Hayes , Tablet, *Novel of the Week*Reminiscent of Donna Tartt’s The Secret History and The Hiding Game by Naomi Wood, both in its anachronistic narrative structure and plot... Worth reading for fans of coming-of-age novels.
—— Carola Huttmann , BookmunchScudamore is deft at capturing the way in which you can be drawn to someone despite knowing the worst of them. There is a bitter acknowledgement that monsters come in many forms - and many are difficult to resist.
—— Sarah Hughes , iSteeped in violence and secrecy… This exploration of the long-term effects of abuse…is both convincing and chilling.
—— Mernie Gilmore , Daily Express[An] affecting depiction of the dark side of Englishness
—— Nicholas Clee , Times Literary SupplementA disquieting coming-of-age tale that, in many passages, unfurls like an English comedy of manners – only one that, at any time, can suddenly be darkened by long shadows.
—— Thomas Marks , Literary ReviewKafkaesque, unusual and packed with sex and confusion, this is high-end prose… Murakami is remarkably prolific… A weird and very wonderful descent into the madness of contemporary Tokyo.
—— Paul Critcher , GeographicalNolan's narrator rips and picks at the threads and scabs of desire, hedonism and self-worth... in this searing first novel, Nolan is holding up a fantastically intense mirror to her protagonist and letting us make up our own mind about whether or not we will look away.
—— Tara Joshi , QuietusThere are flashes of brilliance throughout, reminiscent of John Berger.
—— Stephanie Sy-Quia , Times Literary SupplementActs of Desperation creates an immersive experience of toxic romance through a suffocating and addictive narrative.
—— New StatesmanPainful, sharp and absorbing.
—— Susie Mesure , iA reflection on compulsion, addiction and what it's like to exist as a young woman in a world that is hostile to you. Read the first page and you won't be able to stop.
—— Irish TimesNolan...stakes out thrilling new territory in an intense, unflinching novel that is always intelligent and utterly unafraid of ugliness.
—— Claire Lowdon , Spectator, *Books of the Year*A devastating stripping back of the gendered and politicised conditions that shape desire, a revelation of the unnerving ways we are made vulnerable to others in unequal systems. Its crisp, knowing prose is unparalleled, its anger remarkable.
—— Anahit Behrooz , Skinny, *Books of the Year*Nolan's intelligent, elegant first novel, a gripping portrait of love turned toxic.
—— Daily TelegraphThe star feature of Nolan's narration is her ability to cut through received ideas about women, relationships and even rape. Her headlong, fearless prose, feels like salt wind on cracked lips. You wince and you thrill.
—— Claire Lowdon , Sunday TimesA raw read of vulnerability, desperation, and most definitely a new voice in fiction
—— Chloe Brown , CosmopolitanA thrilling read...if you want a visceral, honest, unputdownable summer read then this is it. You'll devour it in a day.
—— Stylist, *Summer Reads of 2022*A very elegant novel, with coercive control at the core. She has such a strong voice and not a sentence is extraneous
—— Emma Frost, author of BUSY BEING FREE , iI read this in one go... I found it raw, honest, brutal and real.
—— Lykke Li , ObserverWritten with acerbic style and wit, this is an intoxicatingly good look at romantic obsession, delusion and desire.
—— iBeautifully written…and the short chapters keep things moving at an addictively fast pace. Most importantly, it’s shamelessly real
—— Crack