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The Georgics: A Poem of the Land
The Georgics: A Poem of the Land
Nov 27, 2025 8:20 PM

Author:Virgil,Kimberly Johnson

The Georgics: A Poem of the Land

One of the greatest poems of the classical world, Virgil's Georgics is a glorious celebration of the eternal beauty of the natural world, now brought vividly to life in a powerful new translation.

'Georgic' means 'to work the earth', and this poetic guide to country living combines practical wisdom on tending the land with exuberant fantasy and eulogies to the rhythms of nature. It describes hills strewn with wild berries in 'vine-spread autumn'; recommends watching the stars to determine the right time to plant seeds; and gives guidance on making wine and keeping bees. Yet the Georgics also tells of angry gods, bloody battles and a natural world fraught with danger from storms, pests and plagues. Expansive in its scope, lush in its language, this extraordinary work is at once a reflection on the cycles of life, death and rebirth, an argument for the nobility of labour and an impassioned reflection on the Roman Empire of Virgil's times. Kimberly Johnson's lyrical verse translation captures all the rich beauty and abundant imagery of the original, re-creating this ancient masterpiece for our times.

Reviews

Outstanding... Almost every paragraph of his poet's prose is informed by an awareness of the precariousness of life

—— Times Literary Supplement

A masterpiece... Powerful...compelling...stunning and deeply moving... It's exactly the kind of novel we need right now

—— John Burnside , Scotland on Sunday

Exquisite

—— Independent

Delineates with powerful delicacy the struggle to bear the unbearable

—— Independent on Sunday

For me, the best insight into the process of dying comes from Leo Tolstoy in his short story, The Death of Ivan Ilych, which examines the life and death of the most ordinary man

—— Oliver James , Mail on Sunday

A fitting monument to Tolstoy's battles with what it is that makes us human

—— Philip Womack , Observer

He handles words like a great poet

—— Observer

He comes near to defying all criticism

—— Sunday Times

A creature of pure light and joy

—— New Statesman

A comic genius recognised in his lifetime as a classic and an old master of farce

—— The Times

The funniest writer ever to put words to paper

—— Hugh Laurie

This is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant

—— Dr Susan Richard, author of Lost and Found in Russia

Andrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.

—— The West Australian

Completed in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.

—— Publishers Weekly

A 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.

—— Sydney Morning Herald
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