Author:Per Petterson,Anne Born

Early one morning Arvid finds himself standing outside the bookshop where he used to work, drunk, dirty, with two fractured ribs, and no idea how he came to be there. He does not even recognise his face in the mirror. It is as if he has dropped out of the flow of life.
Slowly, uncontrollably, the memories return to him, and Arvid struggles under the weight of the tragedy which has blighted his life - the death of his parents and younger siblings in an accident six years previously.
At times almost unbearably moving, In the Wake is nonetheless suffused with unexpected blessings: humour, wisdom, human compassion, and a sense of the perpetual beauty of the natural world.
By the winner of both the IMPAC Award and the Independent Foreign Fiction Prize.
Outstanding... Almost every paragraph of his poet's prose is informed by an awareness of the precariousness of life
—— Times Literary SupplementA masterpiece... Powerful...compelling...stunning and deeply moving... It's exactly the kind of novel we need right now
—— John Burnside , Scotland on SundayExquisite
—— IndependentDelineates with powerful delicacy the struggle to bear the unbearable
—— Independent on SundayFor me, the best insight into the process of dying comes from Leo Tolstoy in his short story, The Death of Ivan Ilych, which examines the life and death of the most ordinary man
—— Oliver James , Mail on SundayA fitting monument to Tolstoy's battles with what it is that makes us human
—— Philip Womack , ObserverHe handles words like a great poet
—— ObserverHe comes near to defying all criticism
—— Sunday TimesA creature of pure light and joy
—— New StatesmanA comic genius recognised in his lifetime as a classic and an old master of farce
—— The TimesThe funniest writer ever to put words to paper
—— Hugh LaurieThis is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant
—— Dr Susan Richard, author of Lost and Found in RussiaAndrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.
—— The West AustralianCompleted in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.
—— Publishers WeeklyA 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.
—— Sydney Morning Herald






