It is a gripping and worldly-wise performance from a novelist who is already well-respected but deserves to be better known.

Karnezis’ writing has intensity and directness, as he takes on the relationships between humans and their gods.

The Fugitive is subtly brilliant

An elegantly spare tale

Snares the memory long after it has been consumed.

I really enjoyed it. Neatly constructed, subtle commentary and understated hilarity.

A deceptively simple story.

Kadare is a master at braiding narrative strands… A Girl in Exile is one of Kadare’s best novels, and essential reading for our morally uneasy times’

Kadare’s fiction evades ideologies, escaping into richer realms of the past, of myth, folklore and dystopian fantasy. At their best, his works are certainly subversive; but they cannot be pigeonholed, even into that worthy category… it is profoundly intriguing — not least in the suggestion of the deep imaginative complicity with one’s subject matter that is needed by every true writer

The intricate mystery that ensues has a mythical dimension: Kadare doesn’t gloss the setting or period and he makes you work hard to figure out what’s actually happening, let alone what it might mean… While the contortions of totalitarianism are vivid…It’s the surreal psychosexual element that unsettles you most

Kadare is a writer who excels in the cataloguing of human errors and horrors… [His] work remains peculiar, local and challenging… The prose is pleasingly odd, the locutions and idioms strained and startling

Closer to the heart of the mystery, mythic allusions and one horribly convincing central concept confer a new power on an increasingly unusual tale

A withering indictment of the absurdity of totalitarianism and the plodding cowardice of its apparatchiks, and a poignant tribute to lives senselessly wrecked by the psychopathic officiousness of dogma… It is an affirmation of the dissident power of the writer word, which can be repressed but never effaced

In its primal eeriness feels like something found in an ancient ballad… The novel seem[s] to live in two planes; the body’s, constrained by politics and violence, and the soul’s, where anything is possible. If this is a kind of freedom, Kadare shows that it comes at a terrible price

Blending Kafkaesque paranoia and sombre humanism, A Girl in Exile is a withering indictment of the absurdity of totalitarianism and the plodding cowardice of its apparatchiks, and a poignant tribute to lives senselessly wrecked by the psychopathic officiousness of dogma. Above all, though, it is an affirmation of the dissident power of the written word, which can be repressed but never effaced

Will this be the year when Ismail Kadare finally gets his Nobel? Maybe A Girl in Exile…will help

A Girl in Exile is the work of a historic talent who is still at the peak of his power. It confirms Kadare to be the best writer at work today who remembers—almost aggressively so, refusing to forget—European totalitarianism.

A particularly well-drawn study of a strong-willed and abrasive young woman determined to make her way in a man’s world.

Funny and heartfelt

Really good books have a way of transporting the reader to places they'd never normally go to, opening their eyes to experiences and isssues they wouldn't otherwise consider. Meera Syal does all this and more. A beautifully written novel about female friendship, surrogacy and the problems of late parenthood.

Rich, sensual, earthy and utterly unforced. I was transported.

Alive with malice and grace, this is a taut tale reminiscent of the nightmares of Patricia Highsmith

Prey and predators circle in lush southeast Asian settings that gleam with Osborne’s dazzling skill as a travel-writer

It shines with intrigue, with investigations into the nature of the non-rational, and evil, wrapped up in taught plotting

One of Britain’s most accomplished novelists.

An ingenious and atmospheric novel.

Lawrence Osborne is an experienced, competent author with an impressive knowledge of Asia… Comparisons with Graham Greene seem to be generously offered by other reviewers and I’ve already alluded to Conrad and a Patricia Highsmith yet my impression is that Mr. Osborne has a style all of his own.

McCarthy has put his finger on something, and he’s nailed it very precisely. It’s how we live now. All the information we process every day. What it’s doing to us.