Author:W B Yeats

'But I, being poor, have only my dreams; / I have spread my dreams under your feet...'
By turns joyful and despairing, some of the twentieth century's greatest verse on fleeting youth, fervent hopes and futile sacrifice.
Powerful, empathetic, at times harrowing... executed with an elegant combination of horror, absurdity, indignation, and other-worldliness... A chilling, humane and strangely beautiful work
—— Independent[Kadare] captures the paranoid nature of life under constant surveillance...and produces an ironic masterpiece
—— Daily MailFilled with striking images and conceits… a powerful Kafkaesque charge… Kadare’s imaginative intelligence ensures that it is chilling and intriguing
—— Theo Tait , Sunday TimesA compelling amalgam of realism, dreaminess and elegiac, white-hot fury. Kadare communicates with awful immediacy the nature of tyranny and the accommodations that those subject to it must make - as Kadare himself had to do
—— John Banville , Financial TimesThe literature Kadare has produced in the face of obstacles lesser writers would find insuperable, is, genuinely, of world significance... Invites comparison with Milan Kundera's recent satire on Stalinism, The Festival of Insignificance. Both writers are favourites, year-in, year-out for the Nobel prize. Kadare will not damage his prospects with A Girl in Exile
—— John Sutherland , The TimesCoolly ironic writing, which traverses ominous themes of censorship and state control… Kadare masterfully conjures an atmosphere of paranoia… This powerful novel is a monument
—— Francesca Wade , Daily TelegraphMelodrama, tragedy and myth illuminate the relationship between individual and state in a fine novel from the great Albanian writer
—— GuardianKadare is a master at braiding narrative strands… A Girl in Exile is one of Kadare’s best novels, and essential reading for our morally uneasy times’
—— Alberto Manguel , Times Literary SupplementKadare’s fiction evades ideologies, escaping into richer realms of the past, of myth, folklore and dystopian fantasy. At their best, his works are certainly subversive; but they cannot be pigeonholed, even into that worthy category… it is profoundly intriguing — not least in the suggestion of the deep imaginative complicity with one’s subject matter that is needed by every true writer
—— Caroline Moore , SpectatorThe intricate mystery that ensues has a mythical dimension: Kadare doesn’t gloss the setting or period and he makes you work hard to figure out what’s actually happening, let alone what it might mean… While the contortions of totalitarianism are vivid…It’s the surreal psychosexual element that unsettles you most
—— Anthony Cummins , ProspectKadare is a writer who excels in the cataloguing of human errors and horrors… [His] work remains peculiar, local and challenging… The prose is pleasingly odd, the locutions and idioms strained and startling
—— Ian Sansom , GuardianCloser to the heart of the mystery, mythic allusions and one horribly convincing central concept confer a new power on an increasingly unusual tale
—— John Hughes Wilson , HeraldA withering indictment of the absurdity of totalitarianism and the plodding cowardice of its apparatchiks, and a poignant tribute to lives senselessly wrecked by the psychopathic officiousness of dogma… It is an affirmation of the dissident power of the writer word, which can be repressed but never effaced
—— New InternationalistIn its primal eeriness feels like something found in an ancient ballad… The novel seem[s] to live in two planes; the body’s, constrained by politics and violence, and the soul’s, where anything is possible. If this is a kind of freedom, Kadare shows that it comes at a terrible price
—— Adam Kirsch , New StatesmanBlending Kafkaesque paranoia and sombre humanism, A Girl in Exile is a withering indictment of the absurdity of totalitarianism and the plodding cowardice of its apparatchiks, and a poignant tribute to lives senselessly wrecked by the psychopathic officiousness of dogma. Above all, though, it is an affirmation of the dissident power of the written word, which can be repressed but never effaced
—— Houman Barekat , New InternationalistWill this be the year when Ismail Kadare finally gets his Nobel? Maybe A Girl in Exile…will help
—— Arminta Wallace , Irish TimesA Girl in Exile is the work of a historic talent who is still at the peak of his power. It confirms Kadare to be the best writer at work today who remembers—almost aggressively so, refusing to forget—European totalitarianism.
—— The New Republic , Josephine LivingstoneA particularly well-drawn study of a strong-willed and abrasive young woman determined to make her way in a man’s world.
—— Simon Shaw , Mail on SundayFunny and heartfelt
—— i (The paper for today)Really good books have a way of transporting the reader to places they'd never normally go to, opening their eyes to experiences and isssues they wouldn't otherwise consider. Meera Syal does all this and more. A beautifully written novel about female friendship, surrogacy and the problems of late parenthood.
—— Eastern EyeRich, sensual, earthy and utterly unforced. I was transported.
—— MICHAEL ATTENBOROUGH, CBEAlive with malice and grace, this is a taut tale reminiscent of the nightmares of Patricia Highsmith
—— MrsD-DailyPrey and predators circle in lush southeast Asian settings that gleam with Osborne’s dazzling skill as a travel-writer
—— Peter Kemp , Sunday TimesIt shines with intrigue, with investigations into the nature of the non-rational, and evil, wrapped up in taught plotting
—— Arifa Akbar , IndependentOne of Britain’s most accomplished novelists.
—— Ed Cumming , ObserverAn ingenious and atmospheric novel.
—— Simon Shaw , Mail on SundayLawrence Osborne is an experienced, competent author with an impressive knowledge of Asia… Comparisons with Graham Greene seem to be generously offered by other reviewers and I’ve already alluded to Conrad and a Patricia Highsmith yet my impression is that Mr. Osborne has a style all of his own.
—— Gill Chedgey , NudgeMcCarthy has put his finger on something, and he’s nailed it very precisely. It’s how we live now. All the information we process every day. What it’s doing to us.
—— William Leith , Evening Standard