Author:Laird Hunt

Meet Ottie Lee Henshaw. Quick of mind and pleasing to the eye, she navigates a stifling marriage, a lecherous boss, and on one day in the summer of 1920, an odyssey across the countryside to witness a dark and fearful celebration.
Meet Calla Destry. A young black woman desperate to escape a place where the stench of violence hangs heavy in the air, and to find the lover who has promised her a new life.
Two remarkable women on the move through an America riven by fear and hatred. Every road leads to the bedlam of Marvel. There are buses laid on and Klan members gathering. Lives will collide and be changed forever.
The Evening Road is a vivid, disturbing book, able to subvert itself in half a line, constantly challenging the reader’s expectations. Its ghost map is quickly established in the reader’s head, and as the characters fade into the margin of the final page, it is as if an inner landscape has altered. It is mature, accomplished, impressive.
—— Hilary MantelA strange, dazzling novel, as audacious as it is lyrical, that hauls up insight, sorrow, and even – somehow – wit from the well of American history.
—— Emma DonogueHunt is an irresistibly inventive writer, slipping easily from crackling dialogue to dreamy lyricism… The Evening Road is a novel of depth and beauty, a meditation on history that speaks eloquently to the present, a book that sidles up behind you until you can feel its hot breath on the back of your neck.
—— Clare Clark , Literary ReviewA story told from three viewpoints about the banality of evil, and what ordinary people must accept for that evil to prosper… One of the finest novels so far this year
—— John Burnside , GuardianAn astute investigation into the nature of evildoing
—— Financial Times, Books of the YearIn this startling and unforgettable novel, the characters explode off the page like fireworks on a very dark and disturbing night. Days later I’m still thinking about them, still hearing the cadence of Hunt’s poetic language, and still wondering which is more enduring, the darkness or the light.
—— Charlotte Rogan, author of The LifeboatWow! Beautifully crafted, seductive, evocative language and a story that punches you in the gut and lays you low and yet leaves you wanting more. It’s rich, deep, dark, harrowing stuff and it does what all great fiction does – it lays ahold of the heart and won’t let go. You’ll think about this book for weeks, if not years, to come.
—— Daniel James Brown, author of The Boys in the BoatEngrossing...intriguing... Hunt finds history or the big events useful framing devices, but he is more interested in how words can do justice to single players and life's fraught moments... He is strange, challenging, and a joy to read.
—— Kirkus Reviews (STARRED review)[An] excellent, dreamlike novel.
—— Claire Allfree , MetroArresting and disturbing… a haunting novel packed with vivid scenes and memorable characters
—— Simon Shaw , The Mail on SundayThis darkly absurd history trucks freely with the fantastic - the city's airport is built in less than a week - but many of the more brazen events are taken straight from the news... Yan Lianke's burlesque of a nation driven insane by money is equally a satire of some of the excesses of the Chinese Revolution
—— Sam Sacks , The Wall Street JournalYan Lianke paints a metaphoric and absurd portrait of contemporary China so obsessed with growth that its moral values have been left by the wayside. Yan Lianke’s poetic prose rewards those who read to the end of this great novel of rare insight
—— Le MondeAn epic page-turner... Yan's mesmerizing ability to pull readers into this raw, subversive, not completely fictional world will continue to build his international audience. Mo Yan was the first Chinese national to be awarded the Nobel for Literature; Yan might just be next
—— Terry Hong , Library JournalYan returns with renewed vigor to the job of lampooning communist orthodoxy, capitalist ambition, and ‘contemporary China's incomprehensible absurdity.’...[The Explosion Chronicles] has the absurdist feel of an Ionesco or Dürrenmatt piece, though without any of the heavy-handed obviousness. Indeed, his satire is careful and crafty ... it can be read as a kind of Swiftian satire... Brilliant
—— Kirkus (Starred Review)This novel is a thoroughly fantastical satire where absurdity reflects the profound truth... Beautiful and strongly poetic
—— Rue 89[Yan Lianke] manipulates irony, absurdity, and the fantastical with ease
—— TelermaThis is an epic tale of miracles, madness, greed and corruption set against the backdrop of runaway urbanisation… Explosion is not as unrelentingly dark as The Four Books, but it may be even more politically daring…. In Explosion brightly hued roses may bloom out of season when something good happens, but the vision is closer to a nightmare. Even the most majestic of sights in this novel are distractions designed to mask the pervasive moral rot that lies just beneath the surface
—— Jeffrey Wasserstrom , The Times Literary SupplementAn extraordinary insight into modern China
—— David Mills , The Sunday TimesDaring and often hilarious
—— Angel Gurría-Quintana , Financial TimesBrimming with absurdity, intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the dynamics of love and hate, as well as the seemingly boundless excesses of capitalist culture.
—— Asian Art NewspaperA blistering condemnation of political corruption and excess
—— Catherine Taylor , iThe sweeping mythic style and cartoon-like effects are exhilarating, and...the realities of life in China are sharply conveyed
—— The TimesA compelling story, finely written and forensic in its search for truth... This account of one family's tragedy is a haunting story that lingers long in the memory
—— Church TimesAn example of masterful storytelling
—— RTE CultureWith each novel Ryan gets better, and this moving and quietly insistent work is his best yet.
—— RTE GuideYou can sense his compassion in the bones of his work
—— Sunday Business PostDevastating and masterful
—— Irish Country MagazineA hugely affecting, moving read. I was heartbroken by the end, but adored every chapter
—— Image MagazineBeautiful
—— Woman’s WayEach section displays Ryan’s range as a writer... [he] writes with brilliant empathy.
—— Boston GlobeExquisitely rendered, with raw anguish sublimated into lyrical prose.
—— Washington PostHeartbreaking … Arguably the best of the new wave of Irish writers to have emerged over the last decade
—— Irish Mail on the Sunday, Books of the YearRyan has the gift of ventriloquism - he inhabits his fictional creations thoroughly, enveloping you in their worlds
—— Sunday Business Post, Books of the YearSublime
—— Irish Independent, Books of the YearFrom a Low and Quiet Sea by Donal Ryan made me laugh and cry and forced me to look strangers in the eye
—— Liz Nugent , Irish Times, Books of the YearBeautifully bleak and characterised by his remarkable ability to write about grief and common humanities.
—— Diarmaid Ferriter , Irish Times, Books of the YearBeautiful, compassionate
—— Sinéad Crowley , RTÉ Culture, Best Books of 2018Superlatives wouldn’t do for describing From a Low and Quiet Sea … understated, and gloriously heart rendering
—— Hot Press, Books of the YearStrout turns her clear, incisive gaze on the intricacies and betrayals of small town life
—— Maggie O'FarrellAnything is Possible is predictably great because it's written by Elizabeth Strout, and brilliantly unpredictable - because it is written by Elizabeth Strout
—— Roddy Doyle