Author:Sean Borodale

Like his two previous books, Asylum was written live on-site; in this case deep within the caves, mines, quarries, geological and archaeological horizons of the Mendip Hills in Somerset. The poems stage modes of exile in the darkness of earth, enacting solidarity with those others who have made their journey into the underworld – Dante, Orpheus, blinded Oedipus, Euripides. These are semi-dramatic voicings, staged across the thirty-mile theatre of the Mendip subterranean: each an act of recovery, of rescue. Traversing the broken, collapsed, eroded stones, looking for voices that express the damaged and the damned, Asylum pays homage to the darkness of the human cave: its memories and ancient histories, and to its more contemporary signals – internationally owned quarries, abandoned coal mines, decommissioned Cold War bunkers.
As with Bee Journal and Human Work, these poems take on the nature of the experience recorded. Written blind, as it were, the diction here becomes mineral, deeply tactile – hard and granular, alert to sound in its own blackness. Descending underground with the poet is to enter a theatre of heightened senses, and these extraordinary poems feel both unearthed and unearthly.
There’s something of the performance artist about Borodale as he takes his readers step by step through every stage of his adventures.
—— Paul Bailey , Literary ReviewDead Men’s Trousers is Welsh at his scabrous, foul-mouthed best as the Trainspotting crew of
Renton, Begbie, Sick Boy and Spud are reunited in a high-velocity tale of drug dealing,
prostitution and the Hollywood art scene – with the odd compulsory organ donation casually
tossed in with sadistic aplomb.
Some things never change. Violence lurks beneath the surface. Football still resonates. And, best of all, the Scots dialect retains its colloquial zing. Welsh fans are in for another witty, scabrous treat.
—— Max Davidson , Mail on Sunday **Best New Fiction**Irresistible... No one captures the competing affections and resentments that underpin lifelong friendships like Welsh, and the original lads – Sick Boy and Spud in particular – still bring out the best in him... keeping you gripped and choking on bursts of shocked laughter.
—— EsquireA vignette-like study of modern masculinity… This final book in Welsh’s self-described “Harry Potter franchise” is as much character study as social commentary, and a sympathetic observation about how growing older doesn’t necessarily mean growing wiser.
—— Zoë Apostolides , Financial TimesBlackly funny... It’s ultimately a mark of Welsh’s magic in having created such memorable characters.
—— Anthony Cummins , ObserverRenton, Begbie, Sick Boy and Spud are back in this wildly farcical story of revenge, sentimentality and psychedelic drugs... a whooping last hurrah (possibly) for the Trainspotting gang... very funny.
—— Sam Leith , GuardianCrackling with energy and verve, it’s all brilliant fun... But the onset of middle age, and a shocking death add poignancy to [Dead Men’s Trousers].
—— Sunday MirrorFast and furious, scabrously funny and weirdly moving, this is a spectacular return of the crew from Trainspotting.
—— No.1Arresting and disturbing… a haunting novel packed with vivid scenes and memorable characters
—— Simon Shaw , The Mail on SundayThis darkly absurd history trucks freely with the fantastic - the city's airport is built in less than a week - but many of the more brazen events are taken straight from the news... Yan Lianke's burlesque of a nation driven insane by money is equally a satire of some of the excesses of the Chinese Revolution
—— Sam Sacks , The Wall Street JournalYan Lianke paints a metaphoric and absurd portrait of contemporary China so obsessed with growth that its moral values have been left by the wayside. Yan Lianke’s poetic prose rewards those who read to the end of this great novel of rare insight
—— Le MondeAn epic page-turner... Yan's mesmerizing ability to pull readers into this raw, subversive, not completely fictional world will continue to build his international audience. Mo Yan was the first Chinese national to be awarded the Nobel for Literature; Yan might just be next
—— Terry Hong , Library JournalYan returns with renewed vigor to the job of lampooning communist orthodoxy, capitalist ambition, and ‘contemporary China's incomprehensible absurdity.’...[The Explosion Chronicles] has the absurdist feel of an Ionesco or Dürrenmatt piece, though without any of the heavy-handed obviousness. Indeed, his satire is careful and crafty ... it can be read as a kind of Swiftian satire... Brilliant
—— Kirkus (Starred Review)This novel is a thoroughly fantastical satire where absurdity reflects the profound truth... Beautiful and strongly poetic
—— Rue 89[Yan Lianke] manipulates irony, absurdity, and the fantastical with ease
—— TelermaThis is an epic tale of miracles, madness, greed and corruption set against the backdrop of runaway urbanisation… Explosion is not as unrelentingly dark as The Four Books, but it may be even more politically daring…. In Explosion brightly hued roses may bloom out of season when something good happens, but the vision is closer to a nightmare. Even the most majestic of sights in this novel are distractions designed to mask the pervasive moral rot that lies just beneath the surface
—— Jeffrey Wasserstrom , The Times Literary SupplementAn extraordinary insight into modern China
—— David Mills , The Sunday TimesDaring and often hilarious
—— Angel Gurría-Quintana , Financial TimesBrimming with absurdity, intelligence and wit, The Explosion Chronicles considers the high stakes of passion and power, the consequences of corruption and greed, the dynamics of love and hate, as well as the seemingly boundless excesses of capitalist culture.
—— Asian Art NewspaperA blistering condemnation of political corruption and excess
—— Catherine Taylor , iThe sweeping mythic style and cartoon-like effects are exhilarating, and...the realities of life in China are sharply conveyed
—— The TimesA compelling story, finely written and forensic in its search for truth... This account of one family's tragedy is a haunting story that lingers long in the memory
—— Church TimesAn example of masterful storytelling
—— RTE CultureWith each novel Ryan gets better, and this moving and quietly insistent work is his best yet.
—— RTE GuideYou can sense his compassion in the bones of his work
—— Sunday Business PostDevastating and masterful
—— Irish Country MagazineA hugely affecting, moving read. I was heartbroken by the end, but adored every chapter
—— Image MagazineBeautiful
—— Woman’s WayEach section displays Ryan’s range as a writer... [he] writes with brilliant empathy.
—— Boston GlobeExquisitely rendered, with raw anguish sublimated into lyrical prose.
—— Washington PostHeartbreaking … Arguably the best of the new wave of Irish writers to have emerged over the last decade
—— Irish Mail on the Sunday, Books of the YearRyan has the gift of ventriloquism - he inhabits his fictional creations thoroughly, enveloping you in their worlds
—— Sunday Business Post, Books of the YearSublime
—— Irish Independent, Books of the YearFrom a Low and Quiet Sea by Donal Ryan made me laugh and cry and forced me to look strangers in the eye
—— Liz Nugent , Irish Times, Books of the YearBeautifully bleak and characterised by his remarkable ability to write about grief and common humanities.
—— Diarmaid Ferriter , Irish Times, Books of the YearBeautiful, compassionate
—— Sinéad Crowley , RTÉ Culture, Best Books of 2018Superlatives wouldn’t do for describing From a Low and Quiet Sea … understated, and gloriously heart rendering
—— Hot Press, Books of the YearStrout turns her clear, incisive gaze on the intricacies and betrayals of small town life
—— Maggie O'FarrellAnything is Possible is predictably great because it's written by Elizabeth Strout, and brilliantly unpredictable - because it is written by Elizabeth Strout
—— Roddy Doyle