Author:Martin King
Hailed by the authorites as `the future of housing', The Estate in south London was opened with a flourish by the Lord Mayor of London in the late 1960s. The six 20-storey tower blocks were seen as the new way forward for community life in London. However, within a matter of weeks it had all started to go wrong as racial tensions built up and families of ethnic minorities clashed. Based on true stories, THE ESTATE is a novel based around 11 different families living side by side in The Estate, and their perceptions of it. We find out how the Indion family, the gypsies, the gay couple and the landlord of the local pub all deal with new homes and the dynamics of a multi racial community. Building up to a finale at The Estate's Christmas party, this is a poignant and funny account of how life really treated the occupants of the tower blocks.
[This] magnificent new novel... marks a return to the heady mixture of absorbing ideas and down-and-dirty historical detail that made The Name of the Rose such an international bestseller in the 1980's
—— Adam Lively , Sunday TimesThis is a great mystery novel about paranoia, prejudice and forgery... We gain access to a world of city streets, strange anecdotes, gourmet menus, and conspiratorial minds... Eco’s best novel since The Name of the Rose
—— IndependentA smartly entertaining fin-de-siècle romp
—— IndependentAn extremely readable narrative of betrayal, terrorism, murder and gourmadising... The great trick Eco pulls off here is to combine the most chilling of ideas - the origin of a hoax that led to genocide - with, elsewhere in the novel, an often funny lightness of touch... In other hands, this novel could have been grim. But you end up feeling, despite all the darkness, that Eco is one of literature's great optimists
—— Sinclair Mckay , Daily TelegraphImagine Dan Brown adorned with a PhD: that's Umberto Eco
—— ObserverErudite and pop, sinister and passionate... A work destined to become a classic
—— La RepubblicaThe Prague Cemetery, snakes along an underground trail that twists through the enlightened heresies and bigoted gospels respectively propagated by Freemasons and Illuminati, Jesuits and Jew-baiters, before hinting at an ideological conspiracy that underlines the deceits of contemporary politics
—— ObserverPerhaps history's first and biggest conspiracy theory
—— John Harding , Daily MailAided by a translation (from Richard Dixon) that tucks into Eco’s rich period pastiche with relish, the story weaves a fictional master of mischief into actual events… Highly enjoyable in its cunning twists
—— Boyd Tonkin , IndependentHas latterly been dubbed the thinking person's Da Vinci Code. But Eco is at home in history in a way that Dan Brown is not... Eco has a sure grasp not only of historical fact but of a period's literature. He's a dab hand at intertextuality... His intent in exposing the moment that lies at the origin of modern anti-Semitism seems to be to show how fictions can have factual consequences. Contemporary spin-doctors take note. Lies, particularly if they follow the pattern of paranoid conspiracies and create an enemy, can have dire effects... Eco is a comic master and, in his 80th year, his irreverent intelligence, if not always his plotting or scabrous taste, remains bracing
—— Lisa Appignanesi , IndependentThere is a great deal of pleasure to be taken in the games Eco plays and in the serious thinking about history and stories that lies beneath them
—— Robert Gordon , Times Literary SupplementAn extremely readable narrative of betrayal, terrorism, murder… chilling
—— Daily TelegraphA dignified performance ... in writing this novel Malouf is honouring a great work and also making a great work of his own ... his graceful fiction deals in truth and is always beautiful
—— Eileen Battersby , Irish TimesBeautifully written and very moving, Ransom is a reimagining that respects Homer's original while expanding expertly on its themes.
—— Alastair Mabbott , HeraldMalouf captures the moving humanity of Priam's grief
—— Robert Collins , Sunday TimesLyrical reworking of the final scenes of The Iliad
—— MetroThis superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity
—— Lesley McDowell , Independent on SundayAn audacious reworking of Homer's Iliad.
—— Holly Kyte , Sunday TelegraphDavid Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow
—— Eileen Battersby , Irish TimesThis novel explores the timeless motifs of epic, in miniature
—— The TimesYou know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic
—— James Smart , GuardianBreathtaking skill...an extraordinary emotional charge.
—— Colm Toibin , Guardian, Christmas round upA finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.
—— Robert Crawford , Sunday Herald, Christmas round upa potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.
—— James Urquhart , Financial Times