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Gastronomicon/The Ugly Sister (Storycuts)
Gastronomicon/The Ugly Sister (Storycuts)
Aug 17, 2025 9:45 PM

Author:Joanne Harris

Gastronomicon/The Ugly Sister (Storycuts)

In 'Gastronomicon', Ernest's wife is a wonderful cook, aided by recipes from the ancient leather book - a family treasure - passed down to her by her mother-in-law. To celebrate their twenty-fifth wedding anniversary, she undertakes to cook a very special meal - but what are the sounds of deep pounding and tolling bells that come from beyond the kitchen wall?

In 'The Ugly Wife' some important questions are posed: What does it feel like to be the Ugly Sister? Will she spend her life looking for love in vain? Or will she finally find her happily-ever-after: a man who sees past appearances and who will love her for who she really is?

Part of the Storycuts series, these short stories were previously published in the collection Jigs & Reels.

Reviews

[This] magnificent new novel... marks a return to the heady mixture of absorbing ideas and down-and-dirty historical detail that made The Name of the Rose such an international bestseller in the 1980's

—— Adam Lively , Sunday Times

This is a great mystery novel about paranoia, prejudice and forgery... We gain access to a world of city streets, strange anecdotes, gourmet menus, and conspiratorial minds... Eco’s best novel since The Name of the Rose

—— Independent

A smartly entertaining fin-de-siècle romp

—— Independent

An extremely readable narrative of betrayal, terrorism, murder and gourmadising... The great trick Eco pulls off here is to combine the most chilling of ideas - the origin of a hoax that led to genocide - with, elsewhere in the novel, an often funny lightness of touch... In other hands, this novel could have been grim. But you end up feeling, despite all the darkness, that Eco is one of literature's great optimists

—— Sinclair Mckay , Daily Telegraph

Imagine Dan Brown adorned with a PhD: that's Umberto Eco

—— Observer

Erudite and pop, sinister and passionate... A work destined to become a classic

—— La Repubblica

The Prague Cemetery, snakes along an underground trail that twists through the enlightened heresies and bigoted gospels respectively propagated by Freemasons and Illuminati, Jesuits and Jew-baiters, before hinting at an ideological conspiracy that underlines the deceits of contemporary politics

—— Observer

Perhaps history's first and biggest conspiracy theory

—— John Harding , Daily Mail

Aided by a translation (from Richard Dixon) that tucks into Eco’s rich period pastiche with relish, the story weaves a fictional master of mischief into actual events… Highly enjoyable in its cunning twists

—— Boyd Tonkin , Independent

Has latterly been dubbed the thinking person's Da Vinci Code. But Eco is at home in history in a way that Dan Brown is not... Eco has a sure grasp not only of historical fact but of a period's literature. He's a dab hand at intertextuality... His intent in exposing the moment that lies at the origin of modern anti-Semitism seems to be to show how fictions can have factual consequences. Contemporary spin-doctors take note. Lies, particularly if they follow the pattern of paranoid conspiracies and create an enemy, can have dire effects... Eco is a comic master and, in his 80th year, his irreverent intelligence, if not always his plotting or scabrous taste, remains bracing

—— Lisa Appignanesi , Independent

There is a great deal of pleasure to be taken in the games Eco plays and in the serious thinking about history and stories that lies beneath them

—— Robert Gordon , Times Literary Supplement

An extremely readable narrative of betrayal, terrorism, murder… chilling

—— Daily Telegraph

A dignified performance ... in writing this novel Malouf is honouring a great work and also making a great work of his own ... his graceful fiction deals in truth and is always beautiful

—— Eileen Battersby , Irish Times

Beautifully written and very moving, Ransom is a reimagining that respects Homer's original while expanding expertly on its themes.

—— Alastair Mabbott , Herald

Malouf captures the moving humanity of Priam's grief

—— Robert Collins , Sunday Times

Lyrical reworking of the final scenes of The Iliad

—— Metro

This superb novel goes by in a heartbeat, so smooth and engrossing is David Malouf's prose...It is a touching tale, full of pain, but rendered beautifully by Malouf's humanity

—— Lesley McDowell , Independent on Sunday

An audacious reworking of Homer's Iliad.

—— Holly Kyte , Sunday Telegraph

David Malouf...has given Homer's epic fresh life in this haunting mood piece...a graceful, eloquent text dominated by rage and sorrow

—— Eileen Battersby , Irish Times

This novel explores the timeless motifs of epic, in miniature

—— The Times

You know it ends in death, and so do Malouf's haunted protagonists, but this telling, at once unfussy and wonderfully poetic, breathes warm life into a great epic

—— James Smart , Guardian

Breathtaking skill...an extraordinary emotional charge.

—— Colm Toibin , Guardian, Christmas round up

A finely honed, writerly and wise revisiting of one of the most famous episodes in The Iliad, when Priam the King of Troy goes to bring home the body of his dead son Hector. No-one in prose has managed to better Malouf's imaginative recreation of the Homeric world.

—— Robert Crawford , Sunday Herald, Christmas round up

a potent new yarn... Beautifully written in simple language freighted with meaning, Ransom explores a king's impulse to act as a mourning father.

—— James Urquhart , Financial Times
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