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The End of Eddy
The End of Eddy
Dec 30, 2025 2:44 AM

Author:Edouard Louis,Michael Lucey

The End of Eddy

‘A brilliant novel… courageous, necessary and deeply touching’ Guardian

Édouard Louis grew up in a village in northern France where many live below the poverty line. His bestselling debut novel about life there, The End of Eddy, has sparked debate on social inequality, sexuality and violence.

It is an extraordinary portrait of escaping from an unbearable childhood, inspired by the author’s own. Written with an openness and compassionate intelligence, ultimately, it asks, how can we create our own freedom?

‘A mesmerising story about difference and adolescence’

New York Times

‘Édouard Louis…is that relatively rare thing – a novelist with something to say and a willingness to say it, without holding back’

The Times

‘Louis’ book has become the subject of political discussion in a way that novels rarely do’

Garth Greenwell, New Yorker

Reviews

When new voices come from underrepresented constituencies, there’s always the hope of a new perspective... I can read Edouard Louis and know something of what it means to grow up in extreme poverty in contemporary France

—— Zadie Smith , Observer

Even in the wake of Knausgaard and Ferrante it is hard to find a literary phenomenon that has swept Europe quite like the autobiographical project of Édouard Louis

—— LitHub

An extraordinary autobiographical novel about class, violence and sexuality in France. It’s a vivid, often brutal but immensely touching book that restores my faith in the power of literature

—— Tash Aw

This is the courageous story of an outsider, in equal parts frank, provocative and compelling

—— Laura Garmeson , Financial Times

Stunning... A startling use of the extremely personal to convey a message that is universally relevant

—— Vice

An intelligent, revelatory book

—— Claire Lowdon , The Sunday Times

The real achievement of the book is not its reportage, but its attitude. It is written entirely without self pity – and, astonishingly, without judgment... courageous, necessary and deeply touching

—— Neil Bartlett , Guardian

It is a brutal, forceful, gripping read. There is no hipster posing, no ironic distance; its anger and rawness make it refreshing. He has something to say – and it’s worth listening to… I suspect we’ll be hearing more of Edouard Louis. He is that relatively rare thing – a novelist with something to say and a willingness to say it, without holding back

—— Robbie Millen , The Times

A candid, necessary call against conventional definitions of masculinity and the fear of difference

—— Claire Kohda Hazelton , Observer

Extraordinary... In prose that revels in describing pain and deprivation, moments of extreme tenderness surface even in the midst of violence

—— Tash Aw , London Review of Books

The End of Eddy portrays a childhood marked by fear and violence... His use of...language...gives it a devastating emotional force. To write the novel is at once an act of solidarity and an act of vengeance.

—— Garth Greenwell , New Yorker

An intensely autobiographical novel that spares no one...this young French writer has captured a candid, unaffected voice that resonates... Publisher's hype all to often fails to deliver, but not this time

—— Eileen Battersby , Irish Times

The book's directness about violence, sex, his family, and those in his neighbourhood is stunning. But it is also far more than a just memoir, it is a scathing condemnation of the cycle of poverty and violence inflicted upon those he grew up with, those same people who tormented him for much of his early life

—— Bruno Bayley , Vice

Michael Lucy’s translation conveys both the scorching sorrow and the cool intelligence of a book that – half-misery memoir, half radical tract – finds a voice for so much pain. The scapegoat of Hallencourt has become its spokesman

—— The Economist

It’s more than an unflinching autobiography… it’s a sociological study, holding up a mirror to working-class life and the norms of masculinity

—— Shortlist

Remarkably brave… This is a devastating achievement

—— Catherine Humble , The Times Literary Supplement

A remarkable book which looks at its subject with, in equal parts, revulsion, lust, love and anger. The clarity with which Louis examines the interweaving causes and effects of masculinity, adolescence, shame and community on the working class are unparalleled in anything I’ve read before. It is ultimately the story of growing up as an economic and sexual outsider; a vital piece of work for our time

—— Andrew McMillan

The End of Eddy is a remarkable book, powerful, frank, moving and, at the same time, carefully crafted and devoid of sentimentality or self-pity. Most importantly, in writing reminiscent of the unflinching gaze of Zola's social novels, The End of Eddy reveals the huge damage done by poverty and ignorance in a society that, for all its affluence, reduces its most vulnerable to a condition of banal horror

—— John Burnside

The End of Eddy is lean and poignant and masterfully tells the tale of growing up gay, poor, and bullied. No one has told this story as eloquently

—— Edmund White

Like a cannonball spilled off the side of a ship, Édouard Louis makes straight for the deeps. The End of Eddy is heart-crushing, soul-stabbing, astonishing, exhilarating. Édouard Louis is exactly the kind of writer we need right now: honest, fearless and, yes, tough

—— Laird Hunt

Édouard Louis speaks of violence, both social and familial, with tremendous force and feeling. Revelatory, queerly tough, as intellectual as it is impolite, The End of Eddy is a book to shake you up

—— Justin Torres

A bracingly pitiless account of the psychic and physical violence that lies at the root of masculine identity. Louis's remarkably visceral story of growing up queer in working class France quickly transcends its setting precisely because it delivers us into it with such emotional force

—— Adam Haslett

In stark, unsentimental prose Louis… unblinkingly documents the violence, masochism and racism of rural France in a book that pulses with power

—— Donal O'Donoghue , RTE Guide

Edouard has produced a critical study of the conservatism of small communities, and an exploration of how we reconcile our individual nature with what is expected of us

—— UK Press Syndication

An absorbing story… It’s become food for thought for the masses, a type of which the political elite never approve

—— Carina McNally , Irish Examiner

A scarifying joy

—— Philip Hensher , Observer

A savage account of growing up poor, gay and victimised in rural France.

—— Justine Jordan , Guardian

Moving, funny, with ingenious emotional intelligence, it’s one to read and read again.

—— Craig Brown , Mail on Sunday, **Books of the Year**

Barnes’s novel chronicles their romance with an austere tenderness

—— Jane Shilling , Daily Mail

[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.

—— Alastair Mabbott , Herald

Julian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.

—— Victoria Hislop , Good Housekeeping

A solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.

—— Monocle

Exquisitely written, flawlessly imagined, The Mermaid & Mrs Hancock's siren song - of courtesans and merchants, shipwrecks and wonders, love and grief, ambition and passion - will echo like the ocean in a seashell long after the last page is turned.

—— Katy Darby, author of The Whores' Asylum

[A] gripping debut… independence, love, class, death and gender stereotypes — are skilfully explored here through a late 18th-century lens

—— Precious Adesina , Financial Times

Beautifully written, sinuous, enchanting, brilliantly researched, The Mermaid and Mrs Hancock goes deep into the eighteenth century - its grand front rooms, the secret places, the streets and the ocean that changed everything about Britain and it lays bare the hearts of a cast of unforgettable characters

—— Kate Williams, author of The Edge of the Fall

This story really is spellbinding, an unforgettable jewel of a novel, filled to the brim with intelligence, heart and wit.

—— Vintage Life Magazine

Beautifully written… By turns bawdy, witty and moving this is a glorious romp through Georgian London, in “the age of unlikely ascents”. With a truly gorgeous package á la The Essex Serpent, it deserves to be huge

—— Alice O'Keeffe , Bookseller

Delightful… A gloriously immersive read, bringing Georgian London vividly to life… The Mermaid and Mrs Hancock impresses with Gowar’s attention to vivid and sensual detail

—— Alice O'Keeffe , Bookseller

Its energy, characterisation and great sense of period completely seduced me.

—— Fanny Blake , Woman & Home

An utterly absorbing read.

—— Jennifer McShane , Image

A gorgeously immersive novel.

—— Sarah Manning , Red

Stunning.

—— Louise Rhind-Tutt , iNews

In 2018 [mermaids] are back in vogue.

—— Observer

A terrific debut

—— Press Association, Books to look out for 2018

The Mermaid And Mrs Hancock is the rare book that actually lives up to its hype and I’d be surprised if it wasn’t this year’s The Essex Serpent. Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style, it’s historical fiction even for people who don’t like historical fiction.

—— Anna James , The Pool

A tale of love, family and social status movingly told.

—— Sue Price , Saga Magazine

An absorbing tale of curiosity and obsession… Gowar’s prose is marvellous… There’s a beautiful balance of rhythm and intrigue, and an eye for what brings a book alive.

—— Galen O'Hanlon , The Skinny

The most anticipated novel of the year.

—— Eastern Daily Press

An accomplished, captivating debut novel.

—— Charlotte Heathcote , Daily Express

- The Mermaid and Mrs Hancock is a roistering, swaggering, bawdy novel… [a] confident and accomplished debut

—— The Times

Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style.

—— Anna James , The Pool

Prose that’s as effervescent as it is intelligent.

—— Lucy Brooks , CultureWhisper

Gowar’s prose shimmers.

—— Benjamin Evans , The Observer

Rich and humorous, it’s a heady period whirl with a magic realist twist.

—— Marianka Swain , Move to Town & Country

A highly impressing debut… An absorbing tale of sex, money, ambition and the lure of the new.

—— Nick Rennison , BBC History Magazine

Gowar’s wonderful novel expertly captures that sense of a more fluid society… An engrossing and well-paced novel, shot through with melancholy, yet filled with wonder and desire. The sort of book you lose yourself in for days.

—— Sarah Hughes , i

Imogen Hermes Gowar’s bawdy, picturesque romp through the heady miasma of Georgian London is easily one of the most wonderfully immersive, richly drawn books I’ve read in years… This piece of historical fiction is really something special… Some truly exquisite writing.

—— Lizzie Pook , Stylist

All-consuming and spellbinding.

—— Time Out

Gowar's writing is energetic, and she has wonderful attention both to physical and emotional detail and to the circumstances that constrain lives

—— Optima Magazine

This glittering debut novel examines every rung of 18th-century London’s social ladder with keen wit and in delicious detail

—— People Magazine

A Dazzling account of dreams and desire in Georgian London

—— Justine Jordan , Guardian, **Books of the Year**
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