Author:Edouard Louis,Michael Lucey

‘A brilliant novel… courageous, necessary and deeply touching’ Guardian
Édouard Louis grew up in a village in northern France where many live below the poverty line. His bestselling debut novel about life there, The End of Eddy, has sparked debate on social inequality, sexuality and violence.
It is an extraordinary portrait of escaping from an unbearable childhood, inspired by the author’s own. Written with an openness and compassionate intelligence, ultimately, it asks, how can we create our own freedom?
‘A mesmerising story about difference and adolescence’
New York Times
‘Édouard Louis…is that relatively rare thing – a novelist with something to say and a willingness to say it, without holding back’
The Times
‘Louis’ book has become the subject of political discussion in a way that novels rarely do’
Garth Greenwell, New Yorker
When new voices come from underrepresented constituencies, there’s always the hope of a new perspective... I can read Edouard Louis and know something of what it means to grow up in extreme poverty in contemporary France
—— Zadie Smith , ObserverEven in the wake of Knausgaard and Ferrante it is hard to find a literary phenomenon that has swept Europe quite like the autobiographical project of Édouard Louis
—— LitHubAn extraordinary autobiographical novel about class, violence and sexuality in France. It’s a vivid, often brutal but immensely touching book that restores my faith in the power of literature
—— Tash AwThis is the courageous story of an outsider, in equal parts frank, provocative and compelling
—— Laura Garmeson , Financial TimesStunning... A startling use of the extremely personal to convey a message that is universally relevant
—— ViceAn intelligent, revelatory book
—— Claire Lowdon , The Sunday TimesThe real achievement of the book is not its reportage, but its attitude. It is written entirely without self pity – and, astonishingly, without judgment... courageous, necessary and deeply touching
—— Neil Bartlett , GuardianIt is a brutal, forceful, gripping read. There is no hipster posing, no ironic distance; its anger and rawness make it refreshing. He has something to say – and it’s worth listening to… I suspect we’ll be hearing more of Edouard Louis. He is that relatively rare thing – a novelist with something to say and a willingness to say it, without holding back
—— Robbie Millen , The TimesA candid, necessary call against conventional definitions of masculinity and the fear of difference
—— Claire Kohda Hazelton , ObserverExtraordinary... In prose that revels in describing pain and deprivation, moments of extreme tenderness surface even in the midst of violence
—— Tash Aw , London Review of BooksThe End of Eddy portrays a childhood marked by fear and violence... His use of...language...gives it a devastating emotional force. To write the novel is at once an act of solidarity and an act of vengeance.
—— Garth Greenwell , New YorkerAn intensely autobiographical novel that spares no one...this young French writer has captured a candid, unaffected voice that resonates... Publisher's hype all to often fails to deliver, but not this time
—— Eileen Battersby , Irish TimesThe book's directness about violence, sex, his family, and those in his neighbourhood is stunning. But it is also far more than a just memoir, it is a scathing condemnation of the cycle of poverty and violence inflicted upon those he grew up with, those same people who tormented him for much of his early life
—— Bruno Bayley , ViceMichael Lucy’s translation conveys both the scorching sorrow and the cool intelligence of a book that – half-misery memoir, half radical tract – finds a voice for so much pain. The scapegoat of Hallencourt has become its spokesman
—— The EconomistIt’s more than an unflinching autobiography… it’s a sociological study, holding up a mirror to working-class life and the norms of masculinity
—— ShortlistRemarkably brave… This is a devastating achievement
—— Catherine Humble , The Times Literary SupplementA remarkable book which looks at its subject with, in equal parts, revulsion, lust, love and anger. The clarity with which Louis examines the interweaving causes and effects of masculinity, adolescence, shame and community on the working class are unparalleled in anything I’ve read before. It is ultimately the story of growing up as an economic and sexual outsider; a vital piece of work for our time
—— Andrew McMillanThe End of Eddy is a remarkable book, powerful, frank, moving and, at the same time, carefully crafted and devoid of sentimentality or self-pity. Most importantly, in writing reminiscent of the unflinching gaze of Zola's social novels, The End of Eddy reveals the huge damage done by poverty and ignorance in a society that, for all its affluence, reduces its most vulnerable to a condition of banal horror
—— John BurnsideThe End of Eddy is lean and poignant and masterfully tells the tale of growing up gay, poor, and bullied. No one has told this story as eloquently
—— Edmund WhiteLike a cannonball spilled off the side of a ship, Édouard Louis makes straight for the deeps. The End of Eddy is heart-crushing, soul-stabbing, astonishing, exhilarating. Édouard Louis is exactly the kind of writer we need right now: honest, fearless and, yes, tough
—— Laird HuntÉdouard Louis speaks of violence, both social and familial, with tremendous force and feeling. Revelatory, queerly tough, as intellectual as it is impolite, The End of Eddy is a book to shake you up
—— Justin TorresA bracingly pitiless account of the psychic and physical violence that lies at the root of masculine identity. Louis's remarkably visceral story of growing up queer in working class France quickly transcends its setting precisely because it delivers us into it with such emotional force
—— Adam HaslettIn stark, unsentimental prose Louis… unblinkingly documents the violence, masochism and racism of rural France in a book that pulses with power
—— Donal O'Donoghue , RTE GuideEdouard has produced a critical study of the conservatism of small communities, and an exploration of how we reconcile our individual nature with what is expected of us
—— UK Press SyndicationAn absorbing story… It’s become food for thought for the masses, a type of which the political elite never approve
—— Carina McNally , Irish ExaminerA scarifying joy
—— Philip Hensher , ObserverA savage account of growing up poor, gay and victimised in rural France.
—— Justine Jordan , GuardianMoving, funny, with ingenious emotional intelligence, it’s one to read and read again.
—— Craig Brown , Mail on Sunday, **Books of the Year**Barnes’s novel chronicles their romance with an austere tenderness
—— Jane Shilling , Daily Mail[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.
—— Alastair Mabbott , HeraldJulian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.
—— Victoria Hislop , Good HousekeepingA solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.
—— MonocleExquisitely written, flawlessly imagined, The Mermaid & Mrs Hancock's siren song - of courtesans and merchants, shipwrecks and wonders, love and grief, ambition and passion - will echo like the ocean in a seashell long after the last page is turned.
—— Katy Darby, author of The Whores' Asylum[A] gripping debut… independence, love, class, death and gender stereotypes — are skilfully explored here through a late 18th-century lens
—— Precious Adesina , Financial TimesBeautifully written, sinuous, enchanting, brilliantly researched, The Mermaid and Mrs Hancock goes deep into the eighteenth century - its grand front rooms, the secret places, the streets and the ocean that changed everything about Britain and it lays bare the hearts of a cast of unforgettable characters
—— Kate Williams, author of The Edge of the FallThis story really is spellbinding, an unforgettable jewel of a novel, filled to the brim with intelligence, heart and wit.
—— Vintage Life MagazineBeautifully written… By turns bawdy, witty and moving this is a glorious romp through Georgian London, in “the age of unlikely ascents”. With a truly gorgeous package á la The Essex Serpent, it deserves to be huge
—— Alice O'Keeffe , BooksellerDelightful… A gloriously immersive read, bringing Georgian London vividly to life… The Mermaid and Mrs Hancock impresses with Gowar’s attention to vivid and sensual detail
—— Alice O'Keeffe , BooksellerIts energy, characterisation and great sense of period completely seduced me.
—— Fanny Blake , Woman & HomeAn utterly absorbing read.
—— Jennifer McShane , ImageA gorgeously immersive novel.
—— Sarah Manning , RedStunning.
—— Louise Rhind-Tutt , iNewsIn 2018 [mermaids] are back in vogue.
—— ObserverA terrific debut
—— Press Association, Books to look out for 2018The Mermaid And Mrs Hancock is the rare book that actually lives up to its hype and I’d be surprised if it wasn’t this year’s The Essex Serpent. Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style, it’s historical fiction even for people who don’t like historical fiction.
—— Anna James , The PoolA tale of love, family and social status movingly told.
—— Sue Price , Saga MagazineAn absorbing tale of curiosity and obsession… Gowar’s prose is marvellous… There’s a beautiful balance of rhythm and intrigue, and an eye for what brings a book alive.
—— Galen O'Hanlon , The SkinnyThe most anticipated novel of the year.
—— Eastern Daily PressAn accomplished, captivating debut novel.
—— Charlotte Heathcote , Daily Express- The Mermaid and Mrs Hancock is a roistering, swaggering, bawdy novel… [a] confident and accomplished debut
—— The TimesLush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style.
—— Anna James , The PoolProse that’s as effervescent as it is intelligent.
—— Lucy Brooks , CultureWhisperGowar’s prose shimmers.
—— Benjamin Evans , The ObserverRich and humorous, it’s a heady period whirl with a magic realist twist.
—— Marianka Swain , Move to Town & CountryA highly impressing debut… An absorbing tale of sex, money, ambition and the lure of the new.
—— Nick Rennison , BBC History MagazineGowar’s wonderful novel expertly captures that sense of a more fluid society… An engrossing and well-paced novel, shot through with melancholy, yet filled with wonder and desire. The sort of book you lose yourself in for days.
—— Sarah Hughes , iImogen Hermes Gowar’s bawdy, picturesque romp through the heady miasma of Georgian London is easily one of the most wonderfully immersive, richly drawn books I’ve read in years… This piece of historical fiction is really something special… Some truly exquisite writing.
—— Lizzie Pook , StylistAll-consuming and spellbinding.
—— Time OutGowar's writing is energetic, and she has wonderful attention both to physical and emotional detail and to the circumstances that constrain lives
—— Optima MagazineThis glittering debut novel examines every rung of 18th-century London’s social ladder with keen wit and in delicious detail
—— People MagazineA Dazzling account of dreams and desire in Georgian London
—— Justine Jordan , Guardian, **Books of the Year**






