Author:Annalena McAfee

Hame, n. Scottish form of ‘home’: a valued place regarded as a refuge or place of origin
After her relationship breaks down, Mhairi McPhail dismantles her life in New York and moves with her nine-year-old daughter, Agnes, to the remote Scottish island of Fascaray to write the biography of Grigor McWatt, the late Bard of Fascaray.
But who was the cantankerous Grigor McWatt? Despite his international reputation, details of his past are elusive. As Mhairi struggles to adapt to her new life she begins to unearth the astonishing secret history of the poet regarded by many as the custodian of Fascaray’s – and Scotland’s – soul.
Transportive and immersive.
—— Jonathan McAloon , Financial TimesThis searching and eloquent novel muses on identity, love and belonging.
—— Hepzibah Anderson , Mail on SundayBristling with life and passion and wit.
—— The HeraldHame treads a line between light-hearted satire and a discussion on notions of home and belonging… A hugely entertaining, roller-coaster of a ride through poetry and language
—— Liam Carson , The Irish TimesRichly textured… The emotional complexity of the writing matches the landscape of the island and its surroundings.
—— Philip Womack , Literary ReviewThere are joyful winks and allusions everywhere... an affectionate rebuke to Scots nationalists who pretend that questions of national identity are straightforward... 'hame' isn't so much where you're born, as where you hing yer bunnet'
—— Sam Kitchener , Daily TelegraphReal historical figures interact with the fictional ones, blurring the book’s boundaries. It’s an immersive world, from smoky pubs in 1960s Edinburgh, filled with arguing poets, to the lovely descriptions of the island of Fascaray... Settle in your own home and explore.
—— Emerald StreetUltimately, Hame is a novel about identity; both with specific regard to Scottish character and nationalism and to broader questions of how we attach ourselves to people over place, or vice versa, and of how we construct our personal life stories.
—— Will Gore , Evening StandardA remarkable performance.
—— Allan Massie , ScotsmanExploration of the idea that identity is a creative construct, not just the product of geography, but the imagination.
—— Claire Allfree , Daily MailHame is a sweet and quaint novel, full of just-in-time revelations and obvious fondness.
—— Stuart Kelly , GuardianHame is an ambitious and multi-layered tome… McAfee’s attention to detail is remarkable. She covers great swathes of history and goes to enormous lengths to flesh out even minor characters… McAfee’s deadpan humour means much of the book is wryly amusing.
—— Dani Garavelli , The HeraldIf Hame often comes over like a more cheerful version of a Sarah Moss novel, it’s also sneakily political at a time when a hard Brexit dangles the prospect of a Great British break-up… Be careful what you wish for – or at least how you wish for it – seems to be the message; but while Hame’s pivotal revelation first lands with the force of a raspberry blown in the face of nationalism, it’s typical of the novel’s generosity that it finally feels like more of a kiss.
—— Anthony Cummins , ObserverA clever patchwork blanket of narratives… It’s very convincing, despite being entirely fictional.
—— UK Press SyndicationGorgeous
—— Samantha Irby , Marie Claire USPartly a gentle satire and partly a genuine celebration of Scotland written by the London-born daughter of Scottish parents, Hame is written with wit and intelligence.
—— Alastair Mabbott , The HeraldA remarkable book which looks at its subject with, in equal parts, revulsion, lust, love and anger. The clarity with which Louis examines the interweaving causes and effects of masculinity, adolescence, shame and community on the working class are unparalleled in anything I’ve read before. It is ultimately the story of growing up as an economic and sexual outsider; a vital piece of work for our time
—— Andrew McMillanThe End of Eddy is a remarkable book, powerful, frank, moving and, at the same time, carefully crafted and devoid of sentimentality or self-pity. Most importantly, in writing reminiscent of the unflinching gaze of Zola's social novels, The End of Eddy reveals the huge damage done by poverty and ignorance in a society that, for all its affluence, reduces its most vulnerable to a condition of banal horror
—— John BurnsideThe End of Eddy is lean and poignant and masterfully tells the tale of growing up gay, poor, and bullied. No one has told this story as eloquently
—— Edmund WhiteLike a cannonball spilled off the side of a ship, Édouard Louis makes straight for the deeps. The End of Eddy is heart-crushing, soul-stabbing, astonishing, exhilarating. Édouard Louis is exactly the kind of writer we need right now: honest, fearless and, yes, tough
—— Laird HuntÉdouard Louis speaks of violence, both social and familial, with tremendous force and feeling. Revelatory, queerly tough, as intellectual as it is impolite, The End of Eddy is a book to shake you up
—— Justin TorresA bracingly pitiless account of the psychic and physical violence that lies at the root of masculine identity. Louis's remarkably visceral story of growing up queer in working class France quickly transcends its setting precisely because it delivers us into it with such emotional force
—— Adam HaslettIn stark, unsentimental prose Louis… unblinkingly documents the violence, masochism and racism of rural France in a book that pulses with power
—— Donal O'Donoghue , RTE GuideEdouard has produced a critical study of the conservatism of small communities, and an exploration of how we reconcile our individual nature with what is expected of us
—— UK Press SyndicationAn absorbing story… It’s become food for thought for the masses, a type of which the political elite never approve
—— Carina McNally , Irish ExaminerA scarifying joy
—— Philip Hensher , ObserverA savage account of growing up poor, gay and victimised in rural France.
—— Justine Jordan , GuardianMoving, funny, with ingenious emotional intelligence, it’s one to read and read again.
—— Craig Brown , Mail on Sunday, **Books of the Year**Barnes’s novel chronicles their romance with an austere tenderness
—— Jane Shilling , Daily Mail[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.
—— Alastair Mabbott , HeraldJulian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.
—— Victoria Hislop , Good HousekeepingA solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.
—— MonocleExquisitely written, flawlessly imagined, The Mermaid & Mrs Hancock's siren song - of courtesans and merchants, shipwrecks and wonders, love and grief, ambition and passion - will echo like the ocean in a seashell long after the last page is turned.
—— Katy Darby, author of The Whores' Asylum[A] gripping debut… independence, love, class, death and gender stereotypes — are skilfully explored here through a late 18th-century lens
—— Precious Adesina , Financial TimesBeautifully written, sinuous, enchanting, brilliantly researched, The Mermaid and Mrs Hancock goes deep into the eighteenth century - its grand front rooms, the secret places, the streets and the ocean that changed everything about Britain and it lays bare the hearts of a cast of unforgettable characters
—— Kate Williams, author of The Edge of the FallThis story really is spellbinding, an unforgettable jewel of a novel, filled to the brim with intelligence, heart and wit.
—— Vintage Life MagazineBeautifully written… By turns bawdy, witty and moving this is a glorious romp through Georgian London, in “the age of unlikely ascents”. With a truly gorgeous package á la The Essex Serpent, it deserves to be huge
—— Alice O'Keeffe , BooksellerDelightful… A gloriously immersive read, bringing Georgian London vividly to life… The Mermaid and Mrs Hancock impresses with Gowar’s attention to vivid and sensual detail
—— Alice O'Keeffe , BooksellerIts energy, characterisation and great sense of period completely seduced me.
—— Fanny Blake , Woman & HomeAn utterly absorbing read.
—— Jennifer McShane , ImageA gorgeously immersive novel.
—— Sarah Manning , RedStunning.
—— Louise Rhind-Tutt , iNewsIn 2018 [mermaids] are back in vogue.
—— ObserverA terrific debut
—— Press Association, Books to look out for 2018The Mermaid And Mrs Hancock is the rare book that actually lives up to its hype and I’d be surprised if it wasn’t this year’s The Essex Serpent. Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style, it’s historical fiction even for people who don’t like historical fiction.
—— Anna James , The PoolA tale of love, family and social status movingly told.
—— Sue Price , Saga MagazineAn absorbing tale of curiosity and obsession… Gowar’s prose is marvellous… There’s a beautiful balance of rhythm and intrigue, and an eye for what brings a book alive.
—— Galen O'Hanlon , The SkinnyThe most anticipated novel of the year.
—— Eastern Daily PressAn accomplished, captivating debut novel.
—— Charlotte Heathcote , Daily Express- The Mermaid and Mrs Hancock is a roistering, swaggering, bawdy novel… [a] confident and accomplished debut
—— The TimesLush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style.
—— Anna James , The PoolProse that’s as effervescent as it is intelligent.
—— Lucy Brooks , CultureWhisperGowar’s prose shimmers.
—— Benjamin Evans , The ObserverRich and humorous, it’s a heady period whirl with a magic realist twist.
—— Marianka Swain , Move to Town & CountryA highly impressing debut… An absorbing tale of sex, money, ambition and the lure of the new.
—— Nick Rennison , BBC History MagazineGowar’s wonderful novel expertly captures that sense of a more fluid society… An engrossing and well-paced novel, shot through with melancholy, yet filled with wonder and desire. The sort of book you lose yourself in for days.
—— Sarah Hughes , iImogen Hermes Gowar’s bawdy, picturesque romp through the heady miasma of Georgian London is easily one of the most wonderfully immersive, richly drawn books I’ve read in years… This piece of historical fiction is really something special… Some truly exquisite writing.
—— Lizzie Pook , StylistAll-consuming and spellbinding.
—— Time OutGowar's writing is energetic, and she has wonderful attention both to physical and emotional detail and to the circumstances that constrain lives
—— Optima MagazineThis glittering debut novel examines every rung of 18th-century London’s social ladder with keen wit and in delicious detail
—— People MagazineA Dazzling account of dreams and desire in Georgian London
—— Justine Jordan , Guardian, **Books of the Year**






