Author:Isaac Marion

R is recovering from death. He's learning how to read, how to speak, maybe even how to love. He can almost imagine a future with Julie, this girl who restarted his heart - building a new world from the ashes of the old one.
And then helicopters appear on the horizon. A mysterious army is coming to restore order, to bring back the good old days of stability and control and the strong eating the weak. These grinning strangers are more than they seem. The plague has many hosts, and some are far more terrifying than the Dead.
With their home in the grip of madmen, R and Julie plunge into the wastelands of America in search of answers. But there are some answers R doesn't want to find. A past life, an old shadow, crawling up from the basement.
In this long-anticipated new chapter of the Warm Bodies series, Isaac Marion expands the scope of a powerfully simple story: a dead man's search for life in all its bloody rawness.
Talk to Isaac on Twitter, Instagram, Facebook, Tumblr, Snapchat, and isaacmarion.com
Following Star Wars: Aftermath and Star Wars: Life Debt, Chuck Wendig delivers the exhilarating conclusion to the bestselling trilogy set in the years between Return of the Jedi and The Force Awakens.
—— from Publisher's DescriptionThe best book in the trilogy…perfect
—— StarburstIf you don’t read Empire’s End you will be missing out on Star Wars gold
—— Partisan CantinaA fascinating exploration of difficult subjects . . . Moriarty writes with compelling authority
—— Irish TimesThere is warmth and heart aplenty in this delicately told story
—— Irish Daily MailThere are joyful winks and allusions everywhere... an affectionate rebuke to Scots nationalists who pretend that questions of national identity are straightforward... 'hame' isn't so much where you're born, as where you hing yer bunnet'
—— Sam Kitchener , Daily TelegraphReal historical figures interact with the fictional ones, blurring the book’s boundaries. It’s an immersive world, from smoky pubs in 1960s Edinburgh, filled with arguing poets, to the lovely descriptions of the island of Fascaray... Settle in your own home and explore.
—— Emerald StreetUltimately, Hame is a novel about identity; both with specific regard to Scottish character and nationalism and to broader questions of how we attach ourselves to people over place, or vice versa, and of how we construct our personal life stories.
—— Will Gore , Evening StandardA remarkable performance.
—— Allan Massie , ScotsmanExploration of the idea that identity is a creative construct, not just the product of geography, but the imagination.
—— Claire Allfree , Daily MailHame is a sweet and quaint novel, full of just-in-time revelations and obvious fondness.
—— Stuart Kelly , GuardianHame is an ambitious and multi-layered tome… McAfee’s attention to detail is remarkable. She covers great swathes of history and goes to enormous lengths to flesh out even minor characters… McAfee’s deadpan humour means much of the book is wryly amusing.
—— Dani Garavelli , The HeraldIf Hame often comes over like a more cheerful version of a Sarah Moss novel, it’s also sneakily political at a time when a hard Brexit dangles the prospect of a Great British break-up… Be careful what you wish for – or at least how you wish for it – seems to be the message; but while Hame’s pivotal revelation first lands with the force of a raspberry blown in the face of nationalism, it’s typical of the novel’s generosity that it finally feels like more of a kiss.
—— Anthony Cummins , ObserverA clever patchwork blanket of narratives… It’s very convincing, despite being entirely fictional.
—— UK Press SyndicationGorgeous
—— Samantha Irby , Marie Claire USPartly a gentle satire and partly a genuine celebration of Scotland written by the London-born daughter of Scottish parents, Hame is written with wit and intelligence.
—— Alastair Mabbott , The Herald






