Author:Mike Leigh

40th anniversary edition with a new introduction by Mike Leigh.
Forty years on from its first performance at the Hampstead Theatre and original screening on BBC1 soon after, Mike Leigh's Abigail's Party - telling of two marriages spectacularly unravelling at an awkward neighbourhood drinks party - remains a pinnacle of British theatre.
Here is the original script, complete with a new introduction by Mike Leigh describing the play's unlikely genesis, how it came to be made and where he believes it fits within his oeuvre as one of the country's leading writers and directors.
'The play came from my intuitive sense of the spirit and the flavour of the times, and from a growing personal fear of, and frustration with the suburban existence' Mike Leigh, from his new introduction
'Leigh's play isn't simply about marriage and Essex, but also about the unhappy state of the realm' Guardian
A deep, dark, moving and beautifully-observed period piece.
—— GuardianGripping and heartfelt tale
—— Sunday WorldA heart-warming and a heart-breaking story, beautifully written and sensitive . . . compelling
—— Woman's WayA fascinating exploration of difficult subjects . . . Moriarty writes with compelling authority
—— Irish TimesThere is warmth and heart aplenty in this delicately told story
—— Irish Daily MailThere are joyful winks and allusions everywhere... an affectionate rebuke to Scots nationalists who pretend that questions of national identity are straightforward... 'hame' isn't so much where you're born, as where you hing yer bunnet'
—— Sam Kitchener , Daily TelegraphReal historical figures interact with the fictional ones, blurring the book’s boundaries. It’s an immersive world, from smoky pubs in 1960s Edinburgh, filled with arguing poets, to the lovely descriptions of the island of Fascaray... Settle in your own home and explore.
—— Emerald StreetUltimately, Hame is a novel about identity; both with specific regard to Scottish character and nationalism and to broader questions of how we attach ourselves to people over place, or vice versa, and of how we construct our personal life stories.
—— Will Gore , Evening StandardA remarkable performance.
—— Allan Massie , ScotsmanExploration of the idea that identity is a creative construct, not just the product of geography, but the imagination.
—— Claire Allfree , Daily MailHame is a sweet and quaint novel, full of just-in-time revelations and obvious fondness.
—— Stuart Kelly , GuardianHame is an ambitious and multi-layered tome… McAfee’s attention to detail is remarkable. She covers great swathes of history and goes to enormous lengths to flesh out even minor characters… McAfee’s deadpan humour means much of the book is wryly amusing.
—— Dani Garavelli , The HeraldIf Hame often comes over like a more cheerful version of a Sarah Moss novel, it’s also sneakily political at a time when a hard Brexit dangles the prospect of a Great British break-up… Be careful what you wish for – or at least how you wish for it – seems to be the message; but while Hame’s pivotal revelation first lands with the force of a raspberry blown in the face of nationalism, it’s typical of the novel’s generosity that it finally feels like more of a kiss.
—— Anthony Cummins , ObserverA clever patchwork blanket of narratives… It’s very convincing, despite being entirely fictional.
—— UK Press SyndicationGorgeous
—— Samantha Irby , Marie Claire USPartly a gentle satire and partly a genuine celebration of Scotland written by the London-born daughter of Scottish parents, Hame is written with wit and intelligence.
—— Alastair Mabbott , The Herald