Author:Alonso Cueto,Frank Wynne

Adrián Ormache, a high-flying lawyer with a beautiful wife and two daughters, leads a privileged and glamorous life in one of Lima’s wealthiest neighbourhoods. But when his mother dies, he discovers a letter amongst her possessions making shocking claims about her now long-dead husband, Adrián’s father – a commander in the army during the Peruvian Civil War of the 1980s.As well as being linked to atrocities committed against the ‘Shining Path’ guerrillas, it appears that he also kidnapped and kept a local girl, whose family now seeks retribution.
Shocked out of his comfortable existence, Adrián becomes obsessed with finding the girl at the heart of the mystery, and sets out to face the harrowing realities of Peru’s recent past, and uncover the truth about his father.
The Blue Hour is a magnificent novel that describes ten years of civil war and terrorism with lucidity and resonant fantasy.
—— Mario Vargas LlosaOne of the major novelists of his generation.
—— Diario de TarragonaThe legacy of the Peruvian government's bloody war against the Maoist Sendero Luminoso guerillas in the 1980s has informed much of the country's best modern fiction, from Mario Vargas Llosa's Death in the Andes to Santiago Roncagliolo's Red April. Alonso Cueto’s fine, prize-winning debut novel stands in that tradition ... The conflation of Adrian’s personal trauma with his nation’s dark history is beautifully, delicately done.
—— Financial TimesThe strength of the plot pivots on the lovers’ ambiguous feelings for one another: the intensity of their mismatched love and hatred is perfectly drawn. Cueto evokes the myriad of emotions … plausibly and effectively … Cueto manages to explore that quest both imaginatively and provocatively.
—— Times Literary SupplementThis is an intelligent novel … there are fine scenes, especially when Adrian travels north in search of Miriam and learns something of the horrors of the war between the government troops and the terrorists.
—— The ScotsmanAs absorbing for its sketches of Lima as for its story, this is a primer for both a nascent Latin American genre and a place dealing with near-history’s horrors.
—— MonoclePeruvian writer Alonso Cueto is one of the novelists spearheading his country’s literary renaissance, drawing on the aftermath of Peru’s devastating civil war to do so.
—— MetroStylish and mesmerising.
—— Sainsbury's MagazineThe glinting briskness of Davey's prose, the acuteness of her observations and the crispness of her wit keep the pages swiftly turning
—— Stephanie Cross , TLSDavey is a subtle and delicate writer, and this is an excellent study of modern alienation
—— William Leith , Evening StandardA subtle and beautifully written book that succeeds at the difficult task of capturing how real life actually feels
—— Emma Hagestadt , IndependentA powerful new African voice
—— Pride MagazineBulawayo's use of contemporary culture...as well as her fearless defense of the immigrant experience through honoring the cadence of spoken language, sets this book apart---on the top shelf
—— Oprah magazineA brilliantly poignant tale of what it is to be an outsider in a strange land
—— GlamourWritten in sharp, snappy prose, this is a raw and thought-provoking debut
—— Easy LivingEnthralling... a provocative, hauting debut from an author to watch
—— Elle (US)Original, witty and devastating
—— People MagazineHow does a writer tell the story of a traumatized nation without being unremittingly bleak? NoViolet Bulawayo manages if by forming a cast of characters so delightful and joyous that the reader is seduced by their antics at the same time as finding out about the country’s troubles… A debut that is poignant and moving but which also glows with humanity and humour
—— Leyla Sanai , Independent on SundayA novel that deals with the immigrant experience and torn identity is nothing new; what justifies the inclusion of We Need New Names on the shortlist for the Man Booker Prize is NoViolet Bulawayo’s command of Darling’s captivating voice, as she and her friends race through Paradise – “When we hit the bush we are already flying, scream-singing like the wheels in our voices will make us go faster” – a siren call of life and laughter more powerful than the hardships that blight her childhood.
—— Lucy Scholes , Times Literary SupplementWhen a novel is praised by Helon Habila and Oprah Winfrey, you have to sit up
—— Katy Guest , Independent on SundayNoViolet Bulawayo has created a world that lives and breathes - and fights, kicks, screams and scratches, too. She has clothed it in words and given it a voice at once dissonant and melodic, utterly distinct
—— Aminatta FornaNoViolet Bulawayo's We Need New Names is an exquisite and powerful first novel, filled with an equal measure of beauty and horror and laughter and pain. The lives (and names) of these characters will linger in your mind, and heart, long after you're done reading the book. No Violet Bulawayo is definitely a writer to watch
—— Edwidge DanticatI knew this writer was going to blow up. Her honesty, her voice, her formidable command of her craft -- all were apparent from the first page.
—— Junot DiazI was bowled over... by NoViolet Bulawayo's shatteringly good first novel, We Need New Names
—— Anne Tyler, Good HousekeepingNoViolet Bulawayo is a powerful, authentic, nihilistic voice - feral, feisty, funny - from the new Zimbabwean generation that has inherited Robert Mugabe's dystopia
—— Peter Godwin, author of When a Crocodile Eats the SunA work of gritty naturalism
—— Adam Kirsch , ProspectWitty... ebullient... heartbreaking... our feisty heroine's sparkle never dims
—— iA truthful, profound snapshot of the kind of life that often gets overlooked. Moving, fresh, enlightening. A fantastic novel
—— Alice , Waterstone's AberystwythA fresh, engaging take on the relationship between rich and poor
—— WanderlustA bittersweet coming-of-age tale of displacement during the southern African nation's 'lost decade'
—— VoiceA tale of our time, a powerful condemnation of global inequality from the point of view of a 10-year-old in impossible circumstances... a stunning piece of literary craftsmanship
—— Weekly TelegraphBulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph.
—— Entertainment WeeklyWonderfully, this is a novel whipped with the complexities of African identities in a post-colonial and globalised world and its most compelling theme is that of contemporary displacement, a theme that will resonate with many readers
—— We Sat Down BlogThis is a young author to watch
—— Suzi Feay , Financial TimesThis is a very readable tale, thanks to some excellent writing and its central character: a likeable heroine in a difficult world
—— Sarah Warwick , UK Regional Press SyndicationWe Need New Names is a distinct and hyper-contemporary treatment of the old You Can’t Go Home Again mould, and the book has more than enough going for it to easily graduate from the Booker longlist to the final six
—— Richard Woolley , Upcomingdeeply felt and fiercely written first novel
—— ScotsmanBulawayo's novel may scream Africa, but her deft and often comic prose captures memories and tastes, among them the bitterness of disappointment, that transcend borders
—— Jake Flanagin , AtlanticBulawayo excels... there is an inevitable nod to Achebe and the verbal delights and child's-eye view of the world is redolent of The God of Small Things. Otherwise, the magic is all Bulawayo's own
—— Literary ReviewProof again that the Caine prize for African writers really knows how to pick a winner… [It’s] a tour de force. Ten-year-old Darling is an unforgettable and necessary new voice: add her to the literary cannon
—— Jackie Kay , ObserverThis brilliant novel was shortlisted for the Man Booker Prize
—— Marie Claire UKAn exceptionally fine novel, as powerful and memorable as Coetzee's magnificent Disgrace... We need new novels like this – authentic, original and cathartic
—— Judy Moir , HeraldThere is no doubt that a new star of African female writing is truly born. The one-to-watch
—— New AfricanFollow ten-year-old Darling from the Paradise shantytown to America in this searing indictment of Mugabe’s Zimbabwe
—— Patricia Nicol , MetroShocking, often heartbreaking – but also pulsing with energy
—— The TimesA poignant, witty, original and lyrical coming of age story
—— Caroline Jowett , Daily ExpressTalented and ambitious
—— Helon Habila , GuardianA powerful fictional condemnation of global inequality
—— Sunday TelegraphFrom the opening chapter…the first-person narrative achieves a breathtaking vibrancy, ambition and pathos
—— Irish ExaminerDeserved all the publicity it got
—— Michela Wrong , Spectator