Author:Janet Davey

Anita Mostyn feels the need to take a holiday from her life. As a child, she was dismissed by her parents in favour of her more confident brothers, and as an adult, her choices are disapproved of – the small art gallery she works for, the friends she makes, the men she sees. On a whim, she takes up an offer to scout for holiday properties in Bulgaria, escaping the impending second wedding of her perfect brother. But as Anita navigates these difficult waters, a horrifying episode in her past – the thing she has really been trying to escape – comes back to haunt her.
A triumph
—— Susie Boyt , IndependentSo deliciously written that it's worth re-reading to savour the images she conjures up...it's a joy to read
—— Clare Colvin , Daily MailWe're lucky to have such an intelligent chronicler of our present - and of the dirty, noisy beauty of contemporary London
—— Tessa Hadley , GuardianEasy to read and oddly compelling...a memorable, and very clever, book
—— Lucy Atkins , Sunday TimesFunny and real as well as impressively sympathetic...this perceptive, engaging little novel says a great deal about human vulnerability, resilience and the passivity that too often goes unnoticed.
—— Eileen Battersby , Irish TimesThe book is studded with gem-like observations of this privileged English family, whose preoccupations are 'schooling, property and the form of things'. Davey brilliantly observes the mix of obstinacy and pride - the fortitude - required to survive such a heritage. By Battersea Bridge is itself a kind of verbal still life, with exquisite and revelatory strokes wherever you look
—— Jon Canter , LadyAnita is an immediately recognisable psychological type, the product of a pressurized upbringing… This personality type is realistically portrayed as every detail in the novel, down to the smell of boiling turkey stock in her ageing parents’ Hampshire home.
—— Ophelia Field , ObserverStylish and mesmerising.
—— Sainsbury's MagazineThe glinting briskness of Davey's prose, the acuteness of her observations and the crispness of her wit keep the pages swiftly turning
—— Stephanie Cross , TLSDavey is a subtle and delicate writer, and this is an excellent study of modern alienation
—— William Leith , Evening StandardA subtle and beautifully written book that succeeds at the difficult task of capturing how real life actually feels
—— Emma Hagestadt , IndependentA powerful new African voice
—— Pride MagazineBulawayo's use of contemporary culture...as well as her fearless defense of the immigrant experience through honoring the cadence of spoken language, sets this book apart---on the top shelf
—— Oprah magazineA brilliantly poignant tale of what it is to be an outsider in a strange land
—— GlamourWritten in sharp, snappy prose, this is a raw and thought-provoking debut
—— Easy LivingEnthralling... a provocative, hauting debut from an author to watch
—— Elle (US)Original, witty and devastating
—— People MagazineHow does a writer tell the story of a traumatized nation without being unremittingly bleak? NoViolet Bulawayo manages if by forming a cast of characters so delightful and joyous that the reader is seduced by their antics at the same time as finding out about the country’s troubles… A debut that is poignant and moving but which also glows with humanity and humour
—— Leyla Sanai , Independent on SundayA novel that deals with the immigrant experience and torn identity is nothing new; what justifies the inclusion of We Need New Names on the shortlist for the Man Booker Prize is NoViolet Bulawayo’s command of Darling’s captivating voice, as she and her friends race through Paradise – “When we hit the bush we are already flying, scream-singing like the wheels in our voices will make us go faster” – a siren call of life and laughter more powerful than the hardships that blight her childhood.
—— Lucy Scholes , Times Literary SupplementWhen a novel is praised by Helon Habila and Oprah Winfrey, you have to sit up
—— Katy Guest , Independent on SundayNoViolet Bulawayo has created a world that lives and breathes - and fights, kicks, screams and scratches, too. She has clothed it in words and given it a voice at once dissonant and melodic, utterly distinct
—— Aminatta FornaNoViolet Bulawayo's We Need New Names is an exquisite and powerful first novel, filled with an equal measure of beauty and horror and laughter and pain. The lives (and names) of these characters will linger in your mind, and heart, long after you're done reading the book. No Violet Bulawayo is definitely a writer to watch
—— Edwidge DanticatI knew this writer was going to blow up. Her honesty, her voice, her formidable command of her craft -- all were apparent from the first page.
—— Junot DiazI was bowled over... by NoViolet Bulawayo's shatteringly good first novel, We Need New Names
—— Anne Tyler, Good HousekeepingNoViolet Bulawayo is a powerful, authentic, nihilistic voice - feral, feisty, funny - from the new Zimbabwean generation that has inherited Robert Mugabe's dystopia
—— Peter Godwin, author of When a Crocodile Eats the SunA work of gritty naturalism
—— Adam Kirsch , ProspectWitty... ebullient... heartbreaking... our feisty heroine's sparkle never dims
—— iA truthful, profound snapshot of the kind of life that often gets overlooked. Moving, fresh, enlightening. A fantastic novel
—— Alice , Waterstone's AberystwythA fresh, engaging take on the relationship between rich and poor
—— WanderlustA bittersweet coming-of-age tale of displacement during the southern African nation's 'lost decade'
—— VoiceA tale of our time, a powerful condemnation of global inequality from the point of view of a 10-year-old in impossible circumstances... a stunning piece of literary craftsmanship
—— Weekly TelegraphBulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph.
—— Entertainment WeeklyWonderfully, this is a novel whipped with the complexities of African identities in a post-colonial and globalised world and its most compelling theme is that of contemporary displacement, a theme that will resonate with many readers
—— We Sat Down BlogThis is a young author to watch
—— Suzi Feay , Financial TimesThis is a very readable tale, thanks to some excellent writing and its central character: a likeable heroine in a difficult world
—— Sarah Warwick , UK Regional Press SyndicationWe Need New Names is a distinct and hyper-contemporary treatment of the old You Can’t Go Home Again mould, and the book has more than enough going for it to easily graduate from the Booker longlist to the final six
—— Richard Woolley , Upcomingdeeply felt and fiercely written first novel
—— ScotsmanBulawayo's novel may scream Africa, but her deft and often comic prose captures memories and tastes, among them the bitterness of disappointment, that transcend borders
—— Jake Flanagin , AtlanticBulawayo excels... there is an inevitable nod to Achebe and the verbal delights and child's-eye view of the world is redolent of The God of Small Things. Otherwise, the magic is all Bulawayo's own
—— Literary ReviewProof again that the Caine prize for African writers really knows how to pick a winner… [It’s] a tour de force. Ten-year-old Darling is an unforgettable and necessary new voice: add her to the literary cannon
—— Jackie Kay , ObserverThis brilliant novel was shortlisted for the Man Booker Prize
—— Marie Claire UKAn exceptionally fine novel, as powerful and memorable as Coetzee's magnificent Disgrace... We need new novels like this – authentic, original and cathartic
—— Judy Moir , HeraldThere is no doubt that a new star of African female writing is truly born. The one-to-watch
—— New AfricanFollow ten-year-old Darling from the Paradise shantytown to America in this searing indictment of Mugabe’s Zimbabwe
—— Patricia Nicol , MetroShocking, often heartbreaking – but also pulsing with energy
—— The TimesA poignant, witty, original and lyrical coming of age story
—— Caroline Jowett , Daily ExpressTalented and ambitious
—— Helon Habila , GuardianA powerful fictional condemnation of global inequality
—— Sunday TelegraphFrom the opening chapter…the first-person narrative achieves a breathtaking vibrancy, ambition and pathos
—— Irish ExaminerDeserved all the publicity it got
—— Michela Wrong , Spectator






