Author:Judith Krantz

Everyone in the world of fashion has been waiting for months, impatient to learn the names of the three American unknowns who will be picked to go to Paris to star in the début spring collection of brilliant, bad-boy designer Marco Lombardi. No-one is more anxious than Frankie Severino, twenty-seven years old and second in command at the modeling agency owned by her best friend and former model Justine Loring.
When the three names are announced, Frankie is stunned - all are under contract to Justine Loring. This outrageous and inexplicable stroke of good luck forces Justine to admit to Frankie that it's no accident. Jacques Necker - the Swiss billionaire launching Lombardi - is her father, the man who deserted her mother before she was born. Justine has consistently refused to meet him, and the Lombardi contest has been his attempt to lure her to Paris. But Justine won't play his game. She sends Frankie in her place as chaperone for the three young women.
Frankie and her charges spend two intrigue-filled weeks in Paris as the adventure-bound girls get ready to face the challenge of a runway show where they will be surrounded by the top models in the world. Under the magical spell of Paris in winter, all of them, including Frankie, become restless, rebellious and wildly romantic.
How it is done I only wish I knew
—— Dorothy Parker , EsquireFor all their satire and dark implications, the novels of the Bridge family remain in the memory as triumphs of faultless realism. Mr. Connell's art is one of restraint and perfect mimicry
—— The New York TimesIt is very, very funny, often moving and sad, and written with an uncompromising realism that one rarely comes across. To me the Bridges were a revelation: I cannot recommend them too highly
—— Daily TelegraphGripping, suspenseful and deeply compassionate
—— Kirkus ReviewThis is a moving and important story about the brutality that takes place when dictators rule and hatred mounts. But it is ultimately uplifting when, united by football, a group of South African refugees reach the Street Soccer World Cup final.
—— Vanessa Lewis , BooksellerWonderful. A must-read for anyone who loves international YA fiction . . . very brave
—— GoodreadsGut-wrenching . . . plenty of material to captivate readers: fast-paced soccer matches every bit as tough as the players . . . heartbreaking twists of fate, that will endure in readers' minds
—— Publishers WeeklyI found this story incredibly troubling and moving; Deo and Innocent will stay with you.
—— Clare Poole , The BooksellerA tough and heart-rending story, but one that needs telling
—— BooktrustVery stylish, observant and oh so spiky, this is an incredible, often uncomfortable novel that you just can't put down... Modern, vibrant, funny and dark 5/5
—— thebookbag.comLee's the real deal - a British writer on the cusp of greatness... A brilliant powerful dissection of modern Britain.
—— Henry Sutton , Daily Mirroran excellent novel… A harrowing look at the sleazy underbelly of the corporate world that never pulls its punches.
—— Alex Preston , FHMA tense and disturbing novel.
—— Richard Susskind , The TimesA quite superb piece of work.
—— Huffington PostSparky... modern... brilliant
—— Claudia Winkleman , BBC Radio 2 Arts Show[A] discomforting and acute tragicomedy ... The bleaker and darker his book becomes, the better it gets, building to a shocking and expertly executed conclusion. Tipped for the top on publication of his first novel, Lee here confirms his talent
—— Daily MailFor all painful events it covers, this is a joyful book. Lee educates us in the beautiful mess of humanity surrounding this tragic event. Joy is one of the best new novels this year.
—— We Love This BookA black comedy of exuberance and bite … original, and brilliantly executed; the characters’ voices … ventriloquised with flair … This is the wittiest, most addictive piece of literary yuppie-bashing since Martin Amis’s Money. Lee is a writer to keep an eye on.
—— IndependentA major new voice in British fiction.
—— GuardianA brilliant book... Jonathan Lee is one of those rare, agile writers who can take your breath away.
—— Catherine O’Flynn, author of What Was Lost[Joy] displays a real flair for narrative and characterisation…Highly accomplished…The closest comparison that can be made is with Joshua Ferris’s Then We Came to the End, which shares a similarly bravura command of narrative voice…Exquisitely and surprisingly written…it proves that Lee is a significant talent and that his future work should be well worth awaiting.
—— ObserverLee’s writing is witty and engaging, containing something of the wearied disgust of Raymond Chandler’s prose…These four voices confiding in the counsellor are entertainingly distinct…The novel’s outstanding achievement, however, is the central, spiralling narrative that Jonathan Lee threads among these personal accounts: the intimate story of how Joy came to fall, a forensic portrayal of despair that shows Lee to be an exceptional, brave prose stylist. The dark revelations in the book’s final pages are disturbing while not gratuitous, but Lee also allows some credible room for optimism among these cluttered lives. Funny and humane, Joy is an enormously impressive piece of storytelling
—— Tom Williams , Literary ReviewLee's the real deal - a British writer on the cusp of greatness. This novel follows the aftermath of lawyer Joy Stephen's apparent suicide. The corporate and personal explode in a brilliant powerful dissection of modern Britain.
—— Henry Sutton, The MirrorJonathan Lee’s second novel, Joy charts the final day in the life of a high-flying young lawyer. Lee writes with extraordinary vividness, with prose so sharply defined it takes your breath away.
—— ObserverWith its supple prose, ingenious structure, wit and slow-burn sympathy, Joy is a sly miracle of a novel.
—— A.D. Miller[One] of Britain’s most exciting writers… I loved how Jonathan Lee’s Joy gradually unravels through different characters…The ending of Joy is brilliantly shocking. I finished it three weeks ago and it’s still playing on my mind… Something about Joy’s slow and brooding story really affected me…Lee manages to make every voice distinct…It is Joy’s complexity which keeps you reading…[A] wonderful book.
—— StylistLee constructs office scenes easily, weaving together numerous characters and dialogues with flair…the writing crackles.
—— Independent on Sunday






