Author:Mary Selby

In the quiet village of Great Barking, strange doings are afoot.Up at the Hall the squire, Sir George, seems to have exhausted his wife Angela - leaving her quite unable to contemplate the rigours of hosting the annual village fête in the Hall grounds.Caroline, the doctor's wife, has her time taken up with her three tiny children, but feels that as a newcomer to the village she should offer her own rather more modest garden as the venue for this important local affair. But who is to open it?Will Sir George's elderly mother, now somewhat unpredictable, be asked, as tradition dictates?Or should Sarah Struther, the voluptuous lady potter who prefers to work unencumbered by clothing and who has just been featured in a smart Sunday newspaper, be invited?
The village fête committee decides that a commission to Sarah to fashion a special pot for the fête, to be entitled The Organ (suggesting the need for funds to combat dry rot in the organ loft) may be a better idea, little suspecting that the title may be open to misconstruction.And in the churchyard the tall privet bush has been lovingly fashioned by old Jacob Bean into a shape so curious that coachloads of sightseers start arriving to view it...
A thoroughly enjoyable tongue-in-cheek look at village life...terrific fun
—— Daily ExpressFor all their satire and dark implications, the novels of the Bridge family remain in the memory as triumphs of faultless realism. Mr. Connell's art is one of restraint and perfect mimicry
—— The New York TimesIt is very, very funny, often moving and sad, and written with an uncompromising realism that one rarely comes across. To me the Bridges were a revelation: I cannot recommend them too highly
—— Daily TelegraphGripping, suspenseful and deeply compassionate
—— Kirkus ReviewThis is a moving and important story about the brutality that takes place when dictators rule and hatred mounts. But it is ultimately uplifting when, united by football, a group of South African refugees reach the Street Soccer World Cup final.
—— Vanessa Lewis , BooksellerWonderful. A must-read for anyone who loves international YA fiction . . . very brave
—— GoodreadsGut-wrenching . . . plenty of material to captivate readers: fast-paced soccer matches every bit as tough as the players . . . heartbreaking twists of fate, that will endure in readers' minds
—— Publishers WeeklyI found this story incredibly troubling and moving; Deo and Innocent will stay with you.
—— Clare Poole , The BooksellerA tough and heart-rending story, but one that needs telling
—— BooktrustVery stylish, observant and oh so spiky, this is an incredible, often uncomfortable novel that you just can't put down... Modern, vibrant, funny and dark 5/5
—— thebookbag.comLee's the real deal - a British writer on the cusp of greatness... A brilliant powerful dissection of modern Britain.
—— Henry Sutton , Daily Mirroran excellent novel… A harrowing look at the sleazy underbelly of the corporate world that never pulls its punches.
—— Alex Preston , FHMA tense and disturbing novel.
—— Richard Susskind , The TimesA quite superb piece of work.
—— Huffington PostSparky... modern... brilliant
—— Claudia Winkleman , BBC Radio 2 Arts Show[A] discomforting and acute tragicomedy ... The bleaker and darker his book becomes, the better it gets, building to a shocking and expertly executed conclusion. Tipped for the top on publication of his first novel, Lee here confirms his talent
—— Daily MailFor all painful events it covers, this is a joyful book. Lee educates us in the beautiful mess of humanity surrounding this tragic event. Joy is one of the best new novels this year.
—— We Love This BookA black comedy of exuberance and bite … original, and brilliantly executed; the characters’ voices … ventriloquised with flair … This is the wittiest, most addictive piece of literary yuppie-bashing since Martin Amis’s Money. Lee is a writer to keep an eye on.
—— IndependentA major new voice in British fiction.
—— GuardianA brilliant book... Jonathan Lee is one of those rare, agile writers who can take your breath away.
—— Catherine O’Flynn, author of What Was Lost[Joy] displays a real flair for narrative and characterisation…Highly accomplished…The closest comparison that can be made is with Joshua Ferris’s Then We Came to the End, which shares a similarly bravura command of narrative voice…Exquisitely and surprisingly written…it proves that Lee is a significant talent and that his future work should be well worth awaiting.
—— ObserverLee’s writing is witty and engaging, containing something of the wearied disgust of Raymond Chandler’s prose…These four voices confiding in the counsellor are entertainingly distinct…The novel’s outstanding achievement, however, is the central, spiralling narrative that Jonathan Lee threads among these personal accounts: the intimate story of how Joy came to fall, a forensic portrayal of despair that shows Lee to be an exceptional, brave prose stylist. The dark revelations in the book’s final pages are disturbing while not gratuitous, but Lee also allows some credible room for optimism among these cluttered lives. Funny and humane, Joy is an enormously impressive piece of storytelling
—— Tom Williams , Literary ReviewLee's the real deal - a British writer on the cusp of greatness. This novel follows the aftermath of lawyer Joy Stephen's apparent suicide. The corporate and personal explode in a brilliant powerful dissection of modern Britain.
—— Henry Sutton, The MirrorJonathan Lee’s second novel, Joy charts the final day in the life of a high-flying young lawyer. Lee writes with extraordinary vividness, with prose so sharply defined it takes your breath away.
—— ObserverWith its supple prose, ingenious structure, wit and slow-burn sympathy, Joy is a sly miracle of a novel.
—— A.D. Miller[One] of Britain’s most exciting writers… I loved how Jonathan Lee’s Joy gradually unravels through different characters…The ending of Joy is brilliantly shocking. I finished it three weeks ago and it’s still playing on my mind… Something about Joy’s slow and brooding story really affected me…Lee manages to make every voice distinct…It is Joy’s complexity which keeps you reading…[A] wonderful book.
—— StylistLee constructs office scenes easily, weaving together numerous characters and dialogues with flair…the writing crackles.
—— Independent on Sunday






