Lane is undeniably an accomplished writer...and his achievement here is his evocation of a forbidding landscape as the element in which these embittered characters have their being...It is fitting that Lane's oracular first novel ends not conclusively but with a hint of the continuation of the kind of story it has told so well

Set in 1958, with flashbacks to the Depression and settler eras, this impressive tale of redneck life in British Columbia exudes suffering and menace.

The tale, with Tom and Eddy at its heart, is one of loathing, neglect, abuse and brutality, with little redemption except the powerful, vivid quality of the writing itself...Lane is talented and five decades as a poet are evident in his prose: rich and evocative, yet always precise.

the writing is beautiful.

[a] formidable debut.

Occasionally a novel comes out of nowhere and blows you away. This is one of those...The writing is reminiscent of Cormac McCarthy at times, spare and beautifully crafted; at other points it recalls William Faulkner. This is an impressive debut from a name to watch

Acclaimed Canadian poet Patrick Lane has struck out in a new direction, completing his debut novel...I was hugely excited by the prospect, and the novel - an uncompromising family story set in the 1950s - does not disappoint

Lane's exquisite craftsmanship is on display...particularly his unerring instinct for images that wound and enlighten in equal measure

Patrick Lane made his name as a poet. Goodness, can you tell. He has a fierce eye for detail and imagery...Breathtaking...Not only a searing portrait of a time and place...but also a noir-ish thriller...A really impressive debut

A rich variant on Cormac McCarthy's biblically cadenced western noir and Flannery O'Connor's Southern gothic.

Faulkneresque.

It is powerfully and ... grippingly written... the descriptions of the natural world are very fine...Lane does have the knack of making his characters come to life

Meanwhile, the acclaimed Canadian poet Patrick Lane has struck out in a new direction, completing his debut novel, Red Dog, Red Dog. As a long-term fan of the sheer variety and ambition of Canadian writing, I was hugely excited by the prospect, and the novel - an uncompromising family story set in the 1950s - does not disappoint. It will appear in this country from Heinemann in May

Not since reading John McGahern's That They May Face The Rising Sun have I come across a novel which so surely places the lives of its characters in the context of their landscape; but whereas with McGahern that landscape was local, intimate, and rewarding to those who worked it well, Patrick Lane's land is wild and barren, unforgiving, and populated by a scarred and hunted people.
Red Dog, Red Dog is a shock of a novel; immaculately crafted, deeply thoughtful, and with a broken-hearted wisdom about the ways in which damage can fall through the generations. There is little to celebrate in the world these characters inhabit, but much to admire about the way Lane has revealed it to his readers. A work of great and unconsoled love

scenes are finely drawn and convincing.

This is a young writer with talent to burn

Told with quiet, characterful poise, the noel succeeds in evoking not only Australia's epic geographical landscape, but its literary terrain too summoning echoes of some of that country's finest writers,

This is a highly accomplished first novel. Evie Wyld is not a show off writer. She has a clean, clear prose style which is exactly right in the service if her story, and the best ear for dialogue in a long time.

Wyld's debut novel dissects the misery that seeps inexorably from one generation to the next

Wyld can write very well, in a vivid descriptive style reminiscent of Tim Winton's.

Wyld's superb skills at portraying a hot, dusty landscape and her psychological insight will pull you inexorably in.

Superb assured first novel about fathers and sons. Pitch-perfect prose

A very impressive first novel. Wise and wry, it uses its Australian bush setting to great effect, Wyld's protagonists fleeing there from wars, both literal and familial. She writes great characters and makes you love them as she nails them.

This is a sad yet beautiful story of fathers and sons, their wars and the things they will never know about each other