Author:Colin McAdam

A place of pressure and contradictions, St Ebury is an exclusive boarding school for the children of Canada's elite, where boys must act as men while navigating their adolescence.
One of only a handful of girls at the school, Fall is the most beautiful. Noel, a clever, ghostly loner, watches her, certain that one day Fall will come to know him deeply. But like everyone else, she is drawn to Julius, the confident and magnetic son of the American ambassador to Canada. They fall in love and Noel keeps watching.
In their final year, the boys room together and as Julius grows closer to Fall, Noel's enthusiasm for their relationship shades into something darker as he imagines himself as a confidante to Julius, sensing that the time has come for him to enter Fall's life forever.
A sensitive, honest and horrifying portrait of everyday life in an elite, expensive boarding school
—— Josh Lacey , GuardianThe intensity of the passions depicted in the novel is not so much matched by the writing itself as generated by it... In it we experience, like a new discovery, the appalling kinship between uncontrollable love and equally uncontrollable lovelessness
—— Paul Binding , Times Literary SupplementExperimental and certainly ambitious
—— Doug Johnstone , Big Issuethe writing is beautiful.
—— Kate Saunders , The Times[a] formidable debut.
—— Catherine Taylor , GuardianOccasionally a novel comes out of nowhere and blows you away. This is one of those...The writing is reminiscent of Cormac McCarthy at times, spare and beautifully crafted; at other points it recalls William Faulkner. This is an impressive debut from a name to watch
—— Waterstone's Books QuarterlyAcclaimed Canadian poet Patrick Lane has struck out in a new direction, completing his debut novel...I was hugely excited by the prospect, and the novel - an uncompromising family story set in the 1950s - does not disappoint
—— Alex ClarkLane's exquisite craftsmanship is on display...particularly his unerring instinct for images that wound and enlighten in equal measure
—— Globe and MailPatrick Lane made his name as a poet. Goodness, can you tell. He has a fierce eye for detail and imagery...Breathtaking...Not only a searing portrait of a time and place...but also a noir-ish thriller...A really impressive debut
—— MetroA rich variant on Cormac McCarthy's biblically cadenced western noir and Flannery O'Connor's Southern gothic.
—— Montreal GazetteFaulkneresque.
—— Toronto StarIt is powerfully and ... grippingly written... the descriptions of the natural world are very fine...Lane does have the knack of making his characters come to life
—— Allan Massie , ScotsmanMeanwhile, the acclaimed Canadian poet Patrick Lane has struck out in a new direction, completing his debut novel, Red Dog, Red Dog. As a long-term fan of the sheer variety and ambition of Canadian writing, I was hugely excited by the prospect, and the novel - an uncompromising family story set in the 1950s - does not disappoint. It will appear in this country from Heinemann in May
—— Alex Clark , Waterstone’s Books QuarterlyNot since reading John McGahern's That They May Face The Rising Sun have I come across a novel which so surely places the lives of its characters in the context of their landscape; but whereas with McGahern that landscape was local, intimate, and rewarding to those who worked it well, Patrick Lane's land is wild and barren, unforgiving, and populated by a scarred and hunted people.
Red Dog, Red Dog is a shock of a novel; immaculately crafted, deeply thoughtful, and with a broken-hearted wisdom about the ways in which damage can fall through the generations. There is little to celebrate in the world these characters inhabit, but much to admire about the way Lane has revealed it to his readers. A work of great and unconsoled love
scenes are finely drawn and convincing.
—— Scottish Sunday HeraldThis is a young writer with talent to burn
—— Emma Hagestadt , IndependentTold with quiet, characterful poise, the noel succeeds in evoking not only Australia's epic geographical landscape, but its literary terrain too summoning echoes of some of that country's finest writers,
—— Hephzibah Anderson , Daily MailThis is a highly accomplished first novel. Evie Wyld is not a show off writer. She has a clean, clear prose style which is exactly right in the service if her story, and the best ear for dialogue in a long time.
—— Susan Hill , The LadyWyld's debut novel dissects the misery that seeps inexorably from one generation to the next
—— Anna Scott , GuardianWyld can write very well, in a vivid descriptive style reminiscent of Tim Winton's.
—— Christina Koning , The TimesWyld's superb skills at portraying a hot, dusty landscape and her psychological insight will pull you inexorably in.
—— Louise Doughty , PsychologiesSuperb assured first novel about fathers and sons. Pitch-perfect prose
—— Woman & HomeA very impressive first novel. Wise and wry, it uses its Australian bush setting to great effect, Wyld's protagonists fleeing there from wars, both literal and familial. She writes great characters and makes you love them as she nails them.
—— Rachel Seiffert , Sunday Herald, Christmas round upThis is a sad yet beautiful story of fathers and sons, their wars and the things they will never know about each other
—— NI Homes






