Riley writes with a kind of defeated ecstasy

Scrupulous performance

Although she works on a small canvas, Riley’s work is both intricate and expansive. Her prose is a continual joy to read, and the detail immensely satisfying: she can squeeze more resonance out of a misplaced apostrophe than others can from baroque, technicolour trauma

Never less than enthralling

Riley's appetite for risk-taking and vinegary apercus remains undiminished

This short novel laces its devastating observation of relationships with disturbing maturity. If next year's Orange judging panel doesn't take notice of Riley, it will have missed a trick

Wonderfully spare lyricism and deadpan wit

The dialogue feels very natural and her use of language is sharp and precise

Icily impressive

A short, sharp, shockingly brilliant peer down the pen of Aislinn Kelly

Riley's prose often sings, and there are moments of sheer dazzling brilliance here

There was another brilliant curio from Gwendoline Riley, Opposed Positions... Riley writes cool, faintly autobiographical novellas about enigmatic young women who drift, think and write; she wears her influences (Woolf, Fitzgerald, Camus) with impressive insouciance, and this is one of her best

[Riley] shows herself more than up to the job of writing the wasted hinterlands of the human heart

Clean, eminently readable prose and sometimes startling insights

The shifting, uncertain nature of human relationships – and their constant reinterpretation – is reflected in Riley’s understated prose, with moments of intense revelation thrown in like hand grenades.

This may be a tricksily metafictional novel but Royle hasn’t forgotten his readers.

5 stars, gripping, innovative and fluent.

Nicholas Royle has produced the holy grail: a literary page-turner. Although it’s published in January, I’ll be astonished if it doesn’t make the short list of many a prize at the end of the year.

A strange, unsettling brew that simply entertains at first before revealing darker and more dangerous depths as it progresses; a dark and delicious treat for lovers of literary fiction who like to have their grey cells tickled.

A vertiginous murder mystery with echoes of JG Ballard, David Lodge and Alain Robbe-Grillet

If writing about creative writing is to risk a novel eating itself, we can be thankful that a writer of Royle's skills put himself in charge of the banquet

A brilliant, eerie mix of campus meta-novel, whodunnit, failed-love story and existential contemplation

This just might be the exceptional book which should be judged by its cover

An ingenious tale

Cleverly metafictional, humorously perverse, and impressively original

Funny, charming and heart-warming

In this extremely bold, swashbuckling novel, romantic and disillusioned at once, intellectually daring and even subversive, Rachel Kushner has created the most beguiling American ingénue abroad, well, maybe ever: Daisy Miller as a sharply observant yet vulnerable Reno-raised motorcycle racer and aspiring artist, set loose in gritty 70s New York and the Italy of the Red Brigades

Riveting

Rachel Kushner's The Flamethrowers is remarkable for its expansiveness and for its exhilarating succession of ideas

National Book Award finalist Rachel Kushner brings NYC's art scene to life so well in The Flamethrowers you could get high off the paint

Fast-paced, sexy and smart

Electric...addictive...smart and satisfying

Captivating and compelling

This is a work of ferocious energy and imaginative verve, straining at the seams with ideas, riffs, jokes, set-pieces, belly-laughs, horror and heartbreak

Kushner writes with authority, passion and humour, her characters richly drawn and her story packed with delicious anecdotes and side lines from a wide array of memorable characters

Sexy and brilliant

Incandescent

Kushner's second novel comes loaded with recommendations and it's easy to see why…highly unusual and written with great seriousness and potency

It manages to relate the art scene in 1970s New York to the Red Brigades in Italy, with lots of motorbikes thrown in

Kushner’s writing is a kind of marvel

This novel has undeniable force and power… it’s beautifully written

You can feel the wind whipping through your hair, your pulse racing, as Kushner’s daring heroine, Reno, motorcycles across salt flats and down city streets, on the prowl for art, for love, for a cause

Kushner’s take on 1970s radicalism, art and politics is a big, absorbing read

A self-consciously cool mash-up of motorbikes, art and unpleasant Italian politics

In fiction I enjoyed Rachel Kushner's The Flamethrowers for its style and its daring

The Flamethrowers by Rachel Kushner manages to connect the art scene in New York in the 1970s with the Red Brigades in Italy, through the medium of motorcycles and drag car racing. Ambitious and beautifully written, it is one of the more surprising books I have read this year

Introducing a fresh new voice

A left-field and potentially ludicrous literary concept – a multigenerational transcontinental historical epic built around a speed-freak biker heroine – is executed with élan by American novelist Rachel Kushner … Genius

The novel, Kushner’s second, deploys mordant observations and chiseled sentences to explore how individuals are swept along by implacable social forces

A Bildungsroman set against the violence of the 20th century, The Flamethrowers is less a litmus test for misogyny than a standard for the recent historical novel

It should've won the National Book Award... It is second to none

Some of the prose is as thrilling as riding a motorbike on a mountain road with no lights

Has the kind of poise, wariness and moral graininess that puts you in mind of weary-souled visionaries like Robert Stone or Joan Didion

For a while last spring it seemed like every single person I knew in New York was reading The Flamethrowers, which is normally enough to put me off a book, but in this case I did read it and found that its ubiquity was more than justified. Then in September I happened to visit the Bonneville Salt Flats in Utah, where one of its most memorable set-pieces takes place, and I wanted to read it all over again. If I say it captures a young woman's experience of the downtown art world in the 1970s, I'm going to make it sound boring, but in fact it's superbly enjoyable

Much of what makes this book so magnificent is Kushner's astonishing observational powers; she seems to work with a muse and a nail gun, so surprisingly yet forcefully do her sentences pin reality to the page. I was pinned there too –– BEST BOOK OF 2013

A terrific, gripping, poetic book... Kushner's meandering plot and pacy pose has completely won me over

Kushner’s prose dazzles with invention