Author:Kevin Barry,Kevin Barry

Shortlisted for the 2011 Costa First Novel Award
Winner of the Authors' Club Best First Novel Award
Forty years in the future. The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are the posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin' that the city really lives.
For years, the city has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there's trouble in the air. They say his old nemesis is back in town; his trusted henchmen are getting ambitious; and his missus wants him to give it all up and go straight... And then there's his mother.
The most arresting and original writer to emerge from these islands in years
—— Irvine WelshHilarious and unpredictable - and always brilliant
—— Roddy DoyleAstonishing.This marks him out as a writer of great promise
—— GuardianBeautiful, arresting, precise...a compelling creation
—— Irish TimesAn electrifying masterpiece
—— Joseph O'ConnorCity of Bohane is a book fizzing with energy, juiced up on the possibilities of language and replete with a plot
—— Glasgow HeraldExuberant, spine-tinglingly atmospheric... This hyper-real world stuffed with overblown violence and all manner of cartoon-like grotesques is certainly a highly entertaining place to lose yourself in
—— MetroExhilarating ...this novel confirms the arrival of a fresh and original voice in Irish literature... Hugely entertaining and original
—— Irish Sunday TimesThe prose is sizzling, its molecules rocked by the force of collision...outrageously talented author...The power of the writing - of the writer's imagination - is the siren call that hooks you...It stuns you with its daring...but it works
—— ScotsmanAddictive first novel...this slangy, plosive-packed prose is what makes the book a success...an expert manipulation of syntax keeps things zingy...it is a plus point that the dystopia bears no allegorical weight, thriving purely as an imaginary realm to be taken at face value
—— Sunday TimesThis is a darkly funny tale of gangland warfare in Ireland that reads like a fast-paced film
—— CosmopolitanIt's hilarious and visceral
—— Financial TimesThe plot is engrossing, with strong bones, yet sinuous and surprising... Barry plays with words with a manic joy and its this use of language that draws the reader in
—— Time OutHe makes a bold statement, not only about his considerable talent but also his plot to upend the realm of modern Irish literature with a work of such singular scope and voice that it is bound to be the talk of book circles this year and possibly beyond
—— Independent on SundayvVolent and bleak and yet somehow full of romance, the driving story and powerful use of language make for a heady experience
—— Erica Wagner , The Times, Books of the YearRampaging
—— Sebastian Barry , Guardian, Books of the YearKnocked me out, big time... The characters are demented but also weirdly familiar; an amazing book altogether
—— Maeve Higgins , Irish Times, Books of the YearHumour, moxie and a real love of the lingo... A riot of music, gang warfare and a hilarious patois
—— John Butler , Irish Times, Books of the YearBohane is a post-apocalyptic, low-tech, dog-eat-dog Irish city - and it's mesmerising. The characters' coarse language is vividly poetic, and there's a peculiar optimism about their lives that comes of living in an atmosphere of heart-stopping brutishness. A unique and fascinating book
—— Claire Looby , Irish TimesThe slangy prose is this novel by the winner of the 2012 Sunday Times EFG Private Bank Award… is what makes this book such a success. A raw slab of life from a hellish future.
—— Anthony Cummins , The Sunday TimesBarry’s vernacular, like his plot, is a wonderful blend of past, present and imagined future. His characters all have different voices, and his free indirect style changes as it moves across the city. That Barry has control over all these registers, and makes them hi9s own, is quite astonishing. This debut novel marks him out as a writer of great promise.
—— Scarlett Thomas , GuardianKevin Barry’s race gangland thriller blends vivid characterisation with a Joycean exuberance of language.
—— Sally Cousins , TelegraphThis just might be the exceptional book which should be judged by its cover
—— Liam Heylin , Irish ExaminerAn ingenious tale
—— ObserverCleverly metafictional, humorously perverse, and impressively original
—— Courtney Garner , YorkerFunny, charming and heart-warming
—— Good Housekeeping UKIn this extremely bold, swashbuckling novel, romantic and disillusioned at once, intellectually daring and even subversive, Rachel Kushner has created the most beguiling American ingénue abroad, well, maybe ever: Daisy Miller as a sharply observant yet vulnerable Reno-raised motorcycle racer and aspiring artist, set loose in gritty 70s New York and the Italy of the Red Brigades
—— Francisco Goldman, author of Say Her NameRiveting
—— TimeRachel Kushner's The Flamethrowers is remarkable for its expansiveness and for its exhilarating succession of ideas
—— Mark West , The ListNational Book Award finalist Rachel Kushner brings NYC's art scene to life so well in The Flamethrowers you could get high off the paint
—— Entertainment WeeklyFast-paced, sexy and smart
—— CosmopolitanElectric...addictive...smart and satisfying
—— Oprah MagazineCaptivating and compelling
—— The BookbagThis is a work of ferocious energy and imaginative verve, straining at the seams with ideas, riffs, jokes, set-pieces, belly-laughs, horror and heartbreak
—— BooktrustKushner writes with authority, passion and humour, her characters richly drawn and her story packed with delicious anecdotes and side lines from a wide array of memorable characters
—— Tracy Eynon , We Love This BookSexy and brilliant
—— Sunday Times StyleIncandescent
—— ImageKushner's second novel comes loaded with recommendations and it's easy to see why…highly unusual and written with great seriousness and potency
—— GuardianIt manages to relate the art scene in 1970s New York to the Red Brigades in Italy, with lots of motorbikes thrown in
—— Nick Barley , HeraldKushner’s writing is a kind of marvel
—— Richard Fitzpatrick , Irish ExaminerThis novel has undeniable force and power… it’s beautifully written
—— Tim Martin , TelegraphYou can feel the wind whipping through your hair, your pulse racing, as Kushner’s daring heroine, Reno, motorcycles across salt flats and down city streets, on the prowl for art, for love, for a cause
—— The Oprah MagazineKushner’s take on 1970s radicalism, art and politics is a big, absorbing read
—— Financial TimesA self-consciously cool mash-up of motorbikes, art and unpleasant Italian politics
—— Nick Curtis , Evening StandardIn fiction I enjoyed Rachel Kushner's The Flamethrowers for its style and its daring
—— Colm Toibin , ObserverThe Flamethrowers by Rachel Kushner manages to connect the art scene in New York in the 1970s with the Red Brigades in Italy, through the medium of motorcycles and drag car racing. Ambitious and beautifully written, it is one of the more surprising books I have read this year
—— Gordon Brewer , ScotsmanIntroducing a fresh new voice
—— Justine Jordan , Guardian OnlineA left-field and potentially ludicrous literary concept – a multigenerational transcontinental historical epic built around a speed-freak biker heroine – is executed with élan by American novelist Rachel Kushner … Genius
—— Kevin Maher , The TimesThe novel, Kushner’s second, deploys mordant observations and chiseled sentences to explore how individuals are swept along by implacable social forces
—— New York TimesA Bildungsroman set against the violence of the 20th century, The Flamethrowers is less a litmus test for misogyny than a standard for the recent historical novel
—— Hannah Rosefield , Literary ReviewIt should've won the National Book Award... It is second to none
—— New York MagazineSome of the prose is as thrilling as riding a motorbike on a mountain road with no lights
—— Nicky Dunne , Evening StandardHas the kind of poise, wariness and moral graininess that puts you in mind of weary-souled visionaries like Robert Stone or Joan Didion
—— Dwight Garner , New York TimesFor a while last spring it seemed like every single person I knew in New York was reading The Flamethrowers, which is normally enough to put me off a book, but in this case I did read it and found that its ubiquity was more than justified. Then in September I happened to visit the Bonneville Salt Flats in Utah, where one of its most memorable set-pieces takes place, and I wanted to read it all over again. If I say it captures a young woman's experience of the downtown art world in the 1970s, I'm going to make it sound boring, but in fact it's superbly enjoyable
—— Ned Beauman , EsquireMuch of what makes this book so magnificent is Kushner's astonishing observational powers; she seems to work with a muse and a nail gun, so surprisingly yet forcefully do her sentences pin reality to the page. I was pinned there too –– BEST BOOK OF 2013
—— Kathryn Schulz , New York MagazineA terrific, gripping, poetic book... Kushner's meandering plot and pacy pose has completely won me over
—— Thomas Quinn , Big IssueKushner’s prose dazzles with invention
—— Emily Rhodes , Spectator






