Author:Charles Dickens

2012 is the two-hundredth anniversary of the birth of one of our greatest and most important novelists, Charles Dickens. To celebrate we're publishing six of his works in this exclusive and sumptuous boxed set of lavish, clothbound editions, designed by Penguin's own award-winning Coralie Bickford-Smith.
Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design.
Stallings's new translation of Hesiod's Works and Days - witty, gritty, and unsettlingly relevant - is not to be missed. Toil; corruption in high places; injustice; the prevailing sense that things are getting worse - none of these prevents the Muses' chosen poets from doing their indispensable and soul-refreshing work
—— Rachel Hadas , The Times Literary SupplementA. E. Stallings brings Hesiod back to life in her rhyming translation of Works and Days, which mingles farming tips, myths and evocation of the seasons: 'when first the cuckoo cuckoos in the oak'. Stallings's lively and learned notes make it a treat
—— The TimesA. E. Stallings new verse translation of Works and Days for Penguin is a splendid development upon a recent flurry of Hesiod translation and poetic response ... Brilliantly sensitive ... Stallings's translation triumphs
—— The Oxonian ReviewMixing rhyme and assonance, this is a Works and Days for the age of rap. By translating Hesiod as poetry, Stallings encourages us to realize that the poem should not just be the object of scholarly study, but can be read aloud for fun
—— Armand D'Angour , The Times Literary SupplementStallings is a true poet ... She finds enormous breadth and depth of resource in her open couplets ... No reader of the best poetry should miss this Works and Days
—— Professor Peter McDonald , Literary MattersStallings makes a home for Hesiod in the English poetic landscape, where he can live the sort of idiosyncratic life that he enjoys in Greek, at once timeless and contemporary ... In prose, she makes for an appealing guide, elegant and accessible, intelligent and breezy ... A wonderful book
—— Christopher Childers , New CriterionA Brilliant rendition of a fountainhead epic ... For clarity and class and prosody that sings through its print, Stallings' Hesiod is unrivaled. Endear yourselves to the immortals and read this compelling translation that introduces with a formalist literary flourish that fragile Western Civilization which still, to this day, nurtures the best of artistic creation
—— Somerville TimesAn erudite page-turner.
—— LadyIt’s wonderful how Emily Hauser brings alive this Bronze Age world . . . this is immersive writing, marvellously descriptive and evocative . . . an elegant, exciting and in some ways moving story.
—— Kate Atherton , For Winter NightsIt is Atalanta, determined to prove herself every bit as good as a man, who turns this into a story which speaks to us . . . Despite the will of the gods, she is very clearly in charge of her own destiny. It is this mixture of feminism and self-determination which makes For the Winner a very modern and relevant novel.
—— Historical Novel SocietyA dark and magical modern take on age-old fairy tales.
—— Lauren James, author of The Loneliest Girl in the UniverseA beguiling mix of contemporary thriller and dark fantasy, coupled with stylish, sharp prose, makes this a dangerously addictive debut.
—— Fiona Noble , The Booksellera darkly enchanting debut
—— Daily MailAlbert is a natural storyteller who writes with the confidence of an old hand
—— Daily TelegraphA bewitching, elegant blend of contemporary thriller and dark fantasy
—— ObserverSimultaneously enticing and fearsome, much like the Hazel Wood of the title ... insidiously beautiful
—— GuardianThis eerie debut YA novel puts such a terrifying twist on classic bedtime stories, you'll not sleep a wink.
—— Heat MagazineBewitching
—— GuardianInsightful comic writing that manages to be both tender and biting
—— Independent on Sunday on 'Wild Abandon'A brilliant first novel by a young man of ferocious comic talent
—— The Times on 'Submarine'A beautiful, tragic and poignant novel.
—— Huston Gilmore , Daily ExpressIn this year’s hottest new releases.
—— The Week **Best Books 2018**Tender, wise and beautifully written, this is sad and deeply moving stuff from Barnes. Highly recommended.
—— Olaf Tyaransen , Hot PressAffecting.
—— Paddy Kehoe , RTE OnlineA brave and expansive work, compellingly told.
—— Susan Byron , Catholic HeraldA thoroughly rewarding book – a compassionate, touching and funny account… A profound book, it compels one to think about one’s own life.
—— Richard Hopton , Country & Town HouseA brilliant, rueful look at love.
—— Tom Gliatto , People MagazineMoving, funny, with ingenious emotional intelligence, it’s one to read and read again.
—— Craig Brown , Mail on Sunday, **Books of the Year**Barnes’s novel chronicles their romance with an austere tenderness
—— Jane Shilling , Daily Mail[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.
—— Alastair Mabbott , HeraldJulian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.
—— Victoria Hislop , Good HousekeepingA solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.
—— MonocleExquisitely written, flawlessly imagined, The Mermaid & Mrs Hancock's siren song - of courtesans and merchants, shipwrecks and wonders, love and grief, ambition and passion - will echo like the ocean in a seashell long after the last page is turned.
—— Katy Darby, author of The Whores' Asylum[A] gripping debut… independence, love, class, death and gender stereotypes — are skilfully explored here through a late 18th-century lens
—— Precious Adesina , Financial TimesBeautifully written, sinuous, enchanting, brilliantly researched, The Mermaid and Mrs Hancock goes deep into the eighteenth century - its grand front rooms, the secret places, the streets and the ocean that changed everything about Britain and it lays bare the hearts of a cast of unforgettable characters
—— Kate Williams, author of The Edge of the FallThis story really is spellbinding, an unforgettable jewel of a novel, filled to the brim with intelligence, heart and wit.
—— Vintage Life MagazineBeautifully written… By turns bawdy, witty and moving this is a glorious romp through Georgian London, in “the age of unlikely ascents”. With a truly gorgeous package á la The Essex Serpent, it deserves to be huge
—— Alice O'Keeffe , BooksellerDelightful… A gloriously immersive read, bringing Georgian London vividly to life… The Mermaid and Mrs Hancock impresses with Gowar’s attention to vivid and sensual detail
—— Alice O'Keeffe , BooksellerIts energy, characterisation and great sense of period completely seduced me.
—— Fanny Blake , Woman & HomeAn utterly absorbing read.
—— Jennifer McShane , ImageA gorgeously immersive novel.
—— Sarah Manning , RedStunning.
—— Louise Rhind-Tutt , iNewsIn 2018 [mermaids] are back in vogue.
—— ObserverA terrific debut
—— Press Association, Books to look out for 2018The Mermaid And Mrs Hancock is the rare book that actually lives up to its hype and I’d be surprised if it wasn’t this year’s The Essex Serpent. Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style, it’s historical fiction even for people who don’t like historical fiction.
—— Anna James , The PoolA tale of love, family and social status movingly told.
—— Sue Price , Saga MagazineAn absorbing tale of curiosity and obsession… Gowar’s prose is marvellous… There’s a beautiful balance of rhythm and intrigue, and an eye for what brings a book alive.
—— Galen O'Hanlon , The SkinnyThe most anticipated novel of the year.
—— Eastern Daily PressAn accomplished, captivating debut novel.
—— Charlotte Heathcote , Daily Express- The Mermaid and Mrs Hancock is a roistering, swaggering, bawdy novel… [a] confident and accomplished debut
—— The TimesLush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style.
—— Anna James , The PoolProse that’s as effervescent as it is intelligent.
—— Lucy Brooks , CultureWhisperGowar’s prose shimmers.
—— Benjamin Evans , The ObserverRich and humorous, it’s a heady period whirl with a magic realist twist.
—— Marianka Swain , Move to Town & CountryA highly impressing debut… An absorbing tale of sex, money, ambition and the lure of the new.
—— Nick Rennison , BBC History MagazineGowar’s wonderful novel expertly captures that sense of a more fluid society… An engrossing and well-paced novel, shot through with melancholy, yet filled with wonder and desire. The sort of book you lose yourself in for days.
—— Sarah Hughes , iImogen Hermes Gowar’s bawdy, picturesque romp through the heady miasma of Georgian London is easily one of the most wonderfully immersive, richly drawn books I’ve read in years… This piece of historical fiction is really something special… Some truly exquisite writing.
—— Lizzie Pook , StylistAll-consuming and spellbinding.
—— Time OutGowar's writing is energetic, and she has wonderful attention both to physical and emotional detail and to the circumstances that constrain lives
—— Optima MagazineThis glittering debut novel examines every rung of 18th-century London’s social ladder with keen wit and in delicious detail
—— People MagazineA Dazzling account of dreams and desire in Georgian London
—— Justine Jordan , Guardian, **Books of the Year**






