Author:Emily Hauser

Some three thousand years ago, in a time before history, the warriors of Greece journeyed to the ends of the earth in the greatest expedition the world had ever seen.
One woman fought alongside them.
Abandoned at birth on the slopes of Mount Pelion, Atalanta is determined to prove her worth to the father who cast her aside. Having taught herself to hunt and fight, and disguised as a man, she wins a place on the greatest voyage of that heroic age: with Jason and his band of Argonauts in search of the legendary Golden Fleece.
And it is here, in the company of men who will go down in history as heroes, that Atalanta must battle against the odds – and the will of the gods – to take control of her destiny and change her life forever.
With her unrivalled knowledge and captivating storytelling, Emily Hauser brings alive an ancient world where the gods can transform a mortal’s life on a whim, where warriors carve out names that will echo down the ages . . . and where one woman fights to determine her own fate.
In For the Winner, Emily Hauser tells the compelling story of the brave, strong and clever Atalanta as she seeks to take her rightful place in her father's life. Her many adventures with Jason and his Argonauts kept me utterly absorbed. Here is a heroine to cheer for, and a book to cherish.
—— Margot LiveseyOne of the most fascinating and innovative recent novelisations of the legendary journey of Jason and the Argonauts to capture the Golden Fleece seen from the eyes of the only heroine who, according to myth, took part: Atalanta. Although Jason and the Argonauts is one of the most famous stories of Greek mythology, the story of Atalanta has been less known or even neglected throughout the centuries. Emily Hauser's novel fills this gap with intellectual erudition, passion and paralleled imagination in order to give us, in the liveliest way possible, the story of an amazing female character and her journey from anonymity to immortality through her unbelievable heroic deeds.
—— Antony Makrinos, Fellow in Classics at UCLAn enchanting, dramatic novel that brings to life iconic mythic characters, including a woman whose voice had long been silenced.
—— Judith Starkston, author of HAND OF FIREFor the Winner is beautifully descriptive and full of historical detail, easily drawing the reader into a lost world of gods and heroes. By taking the viewpoint of Atalanta, a lesser known character from Greek myth, Hauser gives us a refreshingly original take on Jason's famous quest for the Golden Fleece.
—— Glyn Iliffe, author of KING OF ITHACAA brilliant, epic tale full of breath-taking action with a shining star at its centre, Atalanta, a female warrior of incredice force and drive. This gem of a book will leave you desperate for the next Emily Hauser novel.
—— Crystal King, author of FEAST OF SORROWHauser recreates one of the oldest tales in Greek myth with great skill and panache.
—— Sunday TimesAn enthralling re-telling of Greek myth . . . Hauser's rendering of Atalanta is captivating, the story-telling masterful and engaging. The ancient myths are in good hands!
—— Dr Michael Scott, Associate Professor of Classics and Ancient History at Warwick UniversityAn erudite page-turner.
—— LadyIt’s wonderful how Emily Hauser brings alive this Bronze Age world . . . this is immersive writing, marvellously descriptive and evocative . . . an elegant, exciting and in some ways moving story.
—— Kate Atherton , For Winter NightsIt is Atalanta, determined to prove herself every bit as good as a man, who turns this into a story which speaks to us . . . Despite the will of the gods, she is very clearly in charge of her own destiny. It is this mixture of feminism and self-determination which makes For the Winner a very modern and relevant novel.
—— Historical Novel SocietyA dark and magical modern take on age-old fairy tales.
—— Lauren James, author of The Loneliest Girl in the UniverseA beguiling mix of contemporary thriller and dark fantasy, coupled with stylish, sharp prose, makes this a dangerously addictive debut.
—— Fiona Noble , The Booksellera darkly enchanting debut
—— Daily MailAlbert is a natural storyteller who writes with the confidence of an old hand
—— Daily TelegraphA bewitching, elegant blend of contemporary thriller and dark fantasy
—— ObserverSimultaneously enticing and fearsome, much like the Hazel Wood of the title ... insidiously beautiful
—— GuardianThis eerie debut YA novel puts such a terrifying twist on classic bedtime stories, you'll not sleep a wink.
—— Heat MagazineBewitching
—— GuardianInsightful comic writing that manages to be both tender and biting
—— Independent on Sunday on 'Wild Abandon'A brilliant first novel by a young man of ferocious comic talent
—— The Times on 'Submarine'A beautiful, tragic and poignant novel.
—— Huston Gilmore , Daily ExpressIn this year’s hottest new releases.
—— The Week **Best Books 2018**Tender, wise and beautifully written, this is sad and deeply moving stuff from Barnes. Highly recommended.
—— Olaf Tyaransen , Hot PressAffecting.
—— Paddy Kehoe , RTE OnlineA brave and expansive work, compellingly told.
—— Susan Byron , Catholic HeraldA thoroughly rewarding book – a compassionate, touching and funny account… A profound book, it compels one to think about one’s own life.
—— Richard Hopton , Country & Town HouseA brilliant, rueful look at love.
—— Tom Gliatto , People MagazineMoving, funny, with ingenious emotional intelligence, it’s one to read and read again.
—— Craig Brown , Mail on Sunday, **Books of the Year**Barnes’s novel chronicles their romance with an austere tenderness
—— Jane Shilling , Daily Mail[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.
—— Alastair Mabbott , HeraldJulian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.
—— Victoria Hislop , Good HousekeepingA solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.
—— MonocleExquisitely written, flawlessly imagined, The Mermaid & Mrs Hancock's siren song - of courtesans and merchants, shipwrecks and wonders, love and grief, ambition and passion - will echo like the ocean in a seashell long after the last page is turned.
—— Katy Darby, author of The Whores' Asylum[A] gripping debut… independence, love, class, death and gender stereotypes — are skilfully explored here through a late 18th-century lens
—— Precious Adesina , Financial TimesBeautifully written, sinuous, enchanting, brilliantly researched, The Mermaid and Mrs Hancock goes deep into the eighteenth century - its grand front rooms, the secret places, the streets and the ocean that changed everything about Britain and it lays bare the hearts of a cast of unforgettable characters
—— Kate Williams, author of The Edge of the FallThis story really is spellbinding, an unforgettable jewel of a novel, filled to the brim with intelligence, heart and wit.
—— Vintage Life MagazineBeautifully written… By turns bawdy, witty and moving this is a glorious romp through Georgian London, in “the age of unlikely ascents”. With a truly gorgeous package á la The Essex Serpent, it deserves to be huge
—— Alice O'Keeffe , BooksellerDelightful… A gloriously immersive read, bringing Georgian London vividly to life… The Mermaid and Mrs Hancock impresses with Gowar’s attention to vivid and sensual detail
—— Alice O'Keeffe , BooksellerIts energy, characterisation and great sense of period completely seduced me.
—— Fanny Blake , Woman & HomeAn utterly absorbing read.
—— Jennifer McShane , ImageA gorgeously immersive novel.
—— Sarah Manning , RedStunning.
—— Louise Rhind-Tutt , iNewsIn 2018 [mermaids] are back in vogue.
—— ObserverA terrific debut
—— Press Association, Books to look out for 2018The Mermaid And Mrs Hancock is the rare book that actually lives up to its hype and I’d be surprised if it wasn’t this year’s The Essex Serpent. Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style, it’s historical fiction even for people who don’t like historical fiction.
—— Anna James , The PoolA tale of love, family and social status movingly told.
—— Sue Price , Saga MagazineAn absorbing tale of curiosity and obsession… Gowar’s prose is marvellous… There’s a beautiful balance of rhythm and intrigue, and an eye for what brings a book alive.
—— Galen O'Hanlon , The SkinnyThe most anticipated novel of the year.
—— Eastern Daily PressAn accomplished, captivating debut novel.
—— Charlotte Heathcote , Daily Express- The Mermaid and Mrs Hancock is a roistering, swaggering, bawdy novel… [a] confident and accomplished debut
—— The TimesLush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style.
—— Anna James , The PoolProse that’s as effervescent as it is intelligent.
—— Lucy Brooks , CultureWhisperGowar’s prose shimmers.
—— Benjamin Evans , The ObserverRich and humorous, it’s a heady period whirl with a magic realist twist.
—— Marianka Swain , Move to Town & CountryA highly impressing debut… An absorbing tale of sex, money, ambition and the lure of the new.
—— Nick Rennison , BBC History MagazineGowar’s wonderful novel expertly captures that sense of a more fluid society… An engrossing and well-paced novel, shot through with melancholy, yet filled with wonder and desire. The sort of book you lose yourself in for days.
—— Sarah Hughes , iImogen Hermes Gowar’s bawdy, picturesque romp through the heady miasma of Georgian London is easily one of the most wonderfully immersive, richly drawn books I’ve read in years… This piece of historical fiction is really something special… Some truly exquisite writing.
—— Lizzie Pook , StylistAll-consuming and spellbinding.
—— Time OutGowar's writing is energetic, and she has wonderful attention both to physical and emotional detail and to the circumstances that constrain lives
—— Optima MagazineThis glittering debut novel examines every rung of 18th-century London’s social ladder with keen wit and in delicious detail
—— People MagazineA Dazzling account of dreams and desire in Georgian London
—— Justine Jordan , Guardian, **Books of the Year**