A moving debut from a writer of powerful descriptive range.

Heather Clay is a graceful and assured new writer with a great gift for character: the people in her fiction are as complex, beautiful and real as they are in life. Losing Charlotte is a spellbinding first novel.

Clay expertly describes a world where the natural rhythm of nature is the basis of life - something that is important to the central character until her life is turned upside down when she loses her beloved sister, Charlotte

Bold and confident

powerful: it shows the grief that overwhelms a parent at the death of a child and...the darkness that lies beneath the surface of a superficially happy family...There is no denying Pears' achievement in the character of Owen, a raw, desperate man even before he is filled with grief, and his deeply poetic descriptions of an old-fashioned life on the land.

A story of love and fatherhood that almost seems Hardyesque...set against the bucolic splendour of flashback scenes...[Owen's] kidnapping of his children may be shocking but it feels somehow legitimate, and his animal hunger for fatherhood is moving...Landed is a turbulent, haunting story, which forces the reader to examine different perceptions of goodness and responsibility. It explores the fragility of family life, using this to reflect on the opposition between society and the natural world. Pears's prose is quietly mellifluous, particularly when evoking the pastoral, and the multi-perspective device supports the plot well...Landed draws us painfully into Owen's predicament, his teetering between salvation and disaster.

A satire for the author's day and oh yes our own on the subtly crushing effects of corporate life which was always after all the genius of Perec to marry a deeply humane melancholy with dazzling formal experiments of which this one is also deftly recursive simulation of the choices facing the writer of fiction as the text circles back on itself with varied refrains...delectable and philosophical office farce.

Effervescent

Wickedly fizzing dialogue... delightful prose

Clever, well paced and structured

Intriguing first novel... The narrative voice floes with wit and vigour...his debut ties author and reader in engaging knots that echo the tangled webs connecting the gossipers and photographers and their privileged fodder

It's uncommonly well written, with a bountiful supply of manic energy... Would Paul Auster kill to write a book as playful, fast-paced and unashamedly populist as this? Doubtful, but somewhere there's a "Paul Auster" who might

Sparky debut

Benedictus takes us on a trail of the contentious highs and lows of the rich and famous in a mixture of dark humour and sharp dialogue. For Benedictus, and his valiant debut novel, more of the same please

The story of the ultimate celeb after-party, it's a knowing wink at publishing and celebrity culture - a high-concept first novel sitting just the right side of salacious

The Afterparty avoids smugness partly because it has more affection that vitriol for the culture that it mocks... It's very funny, but sad, too... Well-drawn characters, smart dialogue and a canny plot