Author:Tim Pears

Brought up in the Anglo-Welsh borders by an affectionate but alcoholic and feckless mother, Owen Ithell's sense of self is rooted in his long, vivid visits to his grandparents' small farm in the hills.
As an adult he moves to an English city where he builds a new life, working as a gardener. He meets Mel, they have children. He believes he has found happiness - and love - of a sort.
But a tragic accident changes the course of his life and the lives of those he loves is changed forever. Owen is haunted by suicidal thoughts. In his despair, he resolves to reconnect with both his past and the natural world, and with his children he embarks on a long, fateful journey, walking to the Welsh borders of his childhood.
Powerful, richly evocative and perfectly poised between the hope of redemption and the threat of irrevocable tragedy, Landedis Tim Pears' most assured and beguiling novel to date.
This novel really sang to me....artfully sculpted, more layered, more powerfully elegiac. This is a really beautiful novel.
—— Barbara TrapidoPears is a remarkable prose stylist...Landed offers rich pickings.
—— The TimesPears is back on top form in this beautifully crafted story...Thrillingly well-observed...The ending is a powerful blend of poignancy and moral ambivalence... If one of the tasks of a novelist is to open our eyes to the world around us, Pears has executed that task with rare aplomb.
—— Sunday TelegraphBeautifully and evocatively written
—— Scotsmanpowerful: it shows the grief that overwhelms a parent at the death of a child and...the darkness that lies beneath the surface of a superficially happy family...There is no denying Pears' achievement in the character of Owen, a raw, desperate man even before he is filled with grief, and his deeply poetic descriptions of an old-fashioned life on the land.
—— Daily TelegraphA story of love and fatherhood that almost seems Hardyesque...set against the bucolic splendour of flashback scenes...[Owen's] kidnapping of his children may be shocking but it feels somehow legitimate, and his animal hunger for fatherhood is moving...Landed is a turbulent, haunting story, which forces the reader to examine different perceptions of goodness and responsibility. It explores the fragility of family life, using this to reflect on the opposition between society and the natural world. Pears's prose is quietly mellifluous, particularly when evoking the pastoral, and the multi-perspective device supports the plot well...Landed draws us painfully into Owen's predicament, his teetering between salvation and disaster.
—— Times Literary SupplementA satire for the author's day and oh yes our own on the subtly crushing effects of corporate life which was always after all the genius of Perec to marry a deeply humane melancholy with dazzling formal experiments of which this one is also deftly recursive simulation of the choices facing the writer of fiction as the text circles back on itself with varied refrains...delectable and philosophical office farce.
—— Steven Poole , GuardianEffervescent
—— iWickedly fizzing dialogue... delightful prose
—— Jonathan Gibbs , IndependentClever, well paced and structured
—— Keith Miller , Times Literary SupplementIntriguing first novel... The narrative voice floes with wit and vigour...his debut ties author and reader in engaging knots that echo the tangled webs connecting the gossipers and photographers and their privileged fodder
—— James Smart , GuardianIt's uncommonly well written, with a bountiful supply of manic energy... Would Paul Auster kill to write a book as playful, fast-paced and unashamedly populist as this? Doubtful, but somewhere there's a "Paul Auster" who might
—— Alastair Mabbott , HeraldSparky debut
—— Jonathan Barnes , Literary ReviewBenedictus takes us on a trail of the contentious highs and lows of the rich and famous in a mixture of dark humour and sharp dialogue. For Benedictus, and his valiant debut novel, more of the same please
—— Ben Bookless , Big IssueThe story of the ultimate celeb after-party, it's a knowing wink at publishing and celebrity culture - a high-concept first novel sitting just the right side of salacious
—— ElleThe Afterparty avoids smugness partly because it has more affection that vitriol for the culture that it mocks... It's very funny, but sad, too... Well-drawn characters, smart dialogue and a canny plot
—— Anthony Cummins , The Times






