Author:P.G. Wodehouse
This volume reprints two of Wodehouse’s earliest books which take the form of story sequences linked by a central character, a technique he used many times thereafter. Delightful in themselves, they are interesting chiefly as windows on a great writer’s early evolution.
In The Man of Means, he looks forward to Bertie Wooster and Ukridge, but also back to his Victorian models, in a fantastic tale of the little man struggling with fate. When a humble clerk comes into a fortune, he embarks on a series of misadventures which suggest that wealth is not necessarily an unmixed blessing. Here we see signs of the satirical writer Wodehouse might have become, and the spirit of Chaplin is not far away.
Wodehouse’s idyllic world can never stale. He will continue to release future generations from captivity that may be more irksome than our own. He has made a world for us to live in and delight in.
—— Evelyn WaughHe exhausts superlatives
—— Stephen FryThe author's eccentric voice is as engaging as ever... a fitting cap to a body of work as playful as it is wise
—— Financial TimesWith characteristic dry wit he proceeds to debunk the rosy romance of eternal life
—— The TimesA compelling work by a fine writer ... the unique Saramagoan style ... gives the impression of a thought experiment to which the writer is merely a catalyst. That impression is a carefully crafted one: true art conceals its art, wrote Ovid
—— New StatesmanThis is a beautifully constructed novel, the tone detached, ironic and playful, perfectly maintained throughout
—— The ScotsmanA fable-like tale which tips our world on its axis ... a beautiful book, which narrows down with elegance and assurance from wide-screen satire to a deeply strange love story, all the time probing the human condition with gentle compassion
—— MetroA genial mix of satire, fantasy and the comically prosaic
—— James Urquhart , Financial TimesI wish more novelists writing in English exhibited this much intellectual ambition, and this much humanity and elegance in realising it
—— Chris Ross , The GuardianA beautiful, hopeful novel
—— ObserverSuperb... [Ackroyd] makes the familiar deliciously mysterious
—— SagaIn a slender novel, London's great fictional mapper Peter Ackroyd has woven together a rich spread of tales of the city
—— Tina Jackson , MetroAckroyd writes about the capital, from Camden to Chelsea, like no-one else and he captures the sense of the sixties perfectly, with high-society and low-life London so dangerously close to each other. Full of twists and turns, this is Ackroyd's most exciting novel to date
—— Good Book GuideA classic Ackroyd tale that will not fail to please
—— Victoria Clark, 4 stars , LadyWith its distinctive language, structure and narrative approach, Lenin's Kisses presents a distictive version of 'rural china' and 'revolutionary China', even while establishing a new literary 'native China'
—— Contemporary Literature CommentaryYan Lianke sees and describes his characters with great tenderness . . . this talented and sensitive writer exposes the absurdity of our time
—— La CroixSophie Hannah is a real star.
—— Daily TelegraphSophie Hannah has quickly established herself as a doyenne of the 'home horror' school of psychological tension, taking domestic situations and wringing from them dark, gothic thrills.
—— Financial TimesHannah is a master of intense psychological thrillers . . . Full of twists and turns, and terrifying, too.
—— heatShe grips from start to finish - a grip which held me against my will because the sustained atmosphere of mild hysteria is hard to take . . . I couldn't put it down.
—— Literary ReviewPynchon’s latest novel is a historical romance set in during the internet’s infancy in the spring of 2001.
—— Jo Ellison and Violet Henderson , VogueBleeding Edge is a romp. On full display are Pynchon’s trademark linguistic and imaginative acrobatics… It may sound frivolous but an emotional maturity counterpoints the silly songs, deliberately bad puns, and pop-cultural references
—— Irish ExaminerWhen he’s in his hardboiled vein, [Pynchon] writes the most entertaining dialogue in any year.
—— Tom Stoppard , GuardianPynchon's best novel since Mason & Dixon, an exhilarating shaggy-dog private-detective story that punctured its own garrulous charm with sharp stabs of betrayal and threat. Astonishing, too, that that a 76-year-old should produce a novel with such wild and slangy bounce.
—— Tim Martin , TelegraphPynchon at his most hilarious, it gave way to more sombre realities involving a suspicious Silicon Alley tech company and its possible links to international terrorism and who knows what else.
—— UncutSuspenseful and darkly humorous.
—— Michael Dirda , Times Literary SupplementIntriguing, and probably the most straightforwardly readable of his books.
—— Gordon Brewer , HeraldA thrilling ride through the first tech bubble, filled with "bleeding edge" technology... Accomplished, funny and digressive.
—— Financial TimesPynchon's take on the attack on the Twin Towers. Will he reject the conspiracy theories of the "truthers" or spin some new conspiracies of his own? I think the answer is both. But I wouldn't swear to it.
—— Gordon Brewer , Scotsman· Pynchon delivered a piece of typically raggedy brilliance with Bleeding Edge.
—— Stuart Kelly , ScotsmanEngrossing, hilarious and shocking.
—— Jonathan Jones , GuardianPynchon’s high-energy writing crackles with dark wit and foreboding
—— Mail on SundayPlayful and paranoid New York noir
—— Adam Boulton , New StatesmanReaders will have to decide for themselves how they feel about an open-ended mystery, but for those who don’t care so much about the destination, the journey is more than worth it
—— Stephen Joyce , Nudge