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Floating Island
Floating Island
Sep 2, 2025 3:05 PM

Author:Anna Ralph

Floating Island

They say it's coming back. Before long the moon will find a shadow under the lake. Bubbles will rise and the shadow will spread to a stain. Then, in the night, in the dark, the floating island will surface. Here again. As it was a year ago. The day Tom died.

It's almost a year since fifteen-year-old Matt and his younger brother, Tom, rowed out to the island. Matt, confined to a wheelchair and haunted by nightmares, can't remember what happened. Nor does he want to.

Only when Sarah Bell, a tough, Geordie girl with a no-nonsense approach, takes up the newly vacant position of Matt's carer, do things begin to change for him. At first, resentful of her presence, he tries to drive her away, but she isn't like the other carers. She isn't like anyone he's ever met.

Sarah's attention meanwhile, is focussed on Robert, Matt's psychiatrist. Mature, attractive and a world away from everything she knows, he seems to be exactly what she needs. But Robert, highly skilled at solving other people's problems, is struggling to deal with his own.

As the floating island returns to the surface of the lake, Robert forces Matt to confront the truth about his brother's death, but also, unknowingly, exposes him to an adult world of passion, guilt, and betrayal...

Reviews

Anna Ralph's debut novel is moving, astute and arrestingly readable. I couldn't put it down.

—— Miranda Seymour

Strong and evocative, with a rewarding depth of emotion ... a direct, sensuous feel which I liked very much; it has a touch of D.H. Lawrence about it. I felt as if I was standing - or sinking - on that floating island.

—— Helen Dunmore

A straightforward, frankly sensual debut that explores dependency, responsibility, guilt and desire with assured clarity

—— Guardian

Compassionate and beautifully written

—— Woman & Home

Intricately plotted and thick with intrigue, Savage Lands gives us an insight into an overlooked era

—— Stephanie Bishop , Times Literary Supplement

Clare Clark writes with the eyes of a historian and the soul of a novelist.

—— Amanda Foreman

This densely textured story forces readers to ask: who are the savages?

—— Elizabeth Buchan , Sunday Times Culture

As Clare Clark's third novel so lushly illustrates, Louisiana has never been the safest place to live... this eye-opening account of Louisiana's early history conjures up a nicely gothic landscape

—— Emma Hagestadt , Independent

'Splendid news...Captain Matthew Hervey of the 6th Light Dragoons and ADC to the Duke of Wellington is back in the saddle...A marvellous read, paced like a well-balanced symphony. This is more than a ripping yarn...I look forward enormously to hearing more of Hervey's exploits; he is as fascinating on horseback as Jack Aubrey is on the quarterdeck'

—— The Times

A book of great maturity, beautifully alive to the fragility of happiness and all forms of violence... Everyone should read Saturday

—— Financial Times

The supreme novelist of his generation

—— Sunday Times

Dazzling... Profound and urgent

—— Observer

A brilliant novel.It is McEwan writing on absolute top form

—— Daily Mail

Refreshing and engrossing, dense with revelation. Superb

—— Independent on Sunday

A rich book, sensuous and thoughtful... McEwan has found in Saturday the right form to showcase his dazzling talents

—— The Times

McEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing

—— Observer

Two characters so vibrant they step straight off the page

—— Yvonne Cassidy , The Tablet

McEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance

—— Tim Adams , Observer

McEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place

—— John Harding , Daily Mail

A tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly

—— Christopher Taylor , Sunday Telegraph

A fine book, homing in with devastating precision on a kind of Englishness which McEwan understands better than any other living writer, the Englishness of deceit, evasion, repression and regret. In On Chesil Beach McEwan has combined the intensity of his narrowly focused early work with his more expansive later flowered to devastating effect

—— Justin Cartwright , Independent on Sunday

McEwan is the kind of author who can say more in a sentence than most can say in a chapter...This is a thoughtful book which provokes thought. But more immediately than that, this is a book which, while managing to be very funny, gives us a wonderful and moving portrait of a specific time, and two of its hostages, and of how to make a mess of love

—— Keith Ridgeway , Irish Times

McEwan conveys the near-numinous significance of a single moment with quiet, almost unbearable grace

—— Metro

A heavenly read

—— Marie Claire
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