Slick and polished...immersive productions of much-loved novelisations...long may we enjoy them

One of those wise books where you want to underline every sentence

Her reflections on domesticity, freedom and romance are so beautiful, I found myself underlining multiple sentences a page. Wry, warm and uplifting, it's a book I'll return to again and again.

The narrator of Real Estate is drily funny, irreverent, curious, even wise; she makes the reader want her for a companion . . . each of the books [in Levy's living autobiography series] bears several re-readings; together, they offer one version of how a woman might continually rewrite her own story.

Levy is experimenting with language in subversive ways

This is a work about what it means to be a writer: its reinventions, isolations, self-interrogations, its shifting penury and riches, both emotional and financial. . . [Levy's living autobiography series is] a glittering triple echo of books that are as much philosophical discourse as a manifesto for living and writing.

Lyrical sentences come naturally, full of cadence . . . She's particularly touching on the love between mothers and daughters, and funny too . . . Real Estate is a book to dive into. Come on in, the water's lovely.

Her voice - at once jokey and elliptical - is so casually intimate that it feels like catching up with an old friend . . . In three moving memoirs, Levy has perfectly fused the act of writing with the art of living.

Levy's intellectual energy is as frenetic as [the] dance floor, her memoirs a string of disparate pearls that entwine travelogue with philosophy and memory with literature

Expect fierce prose and bold meditations on what it means to be a woman.

Pankaj Mishra writes with great intelligence and lyrical beauty about the perennial struggle for dignity and stability in a rapidly changing world - and how, in this process, identities are reinvented, reclaimed or renegotiated

Pankaj Mishra kept us waiting 20 years for a new novel, and it becomes apparent, as soon as you pick up Run and Hide, that time has honed one of our greatest writing talents. The narrative draws you in more keenly than any boxset and the prose shimmers with wisdom. Marvellous

Run and Hide is achingly irresistible and terrifyingly bracing - like seeing yourself or your world, without illusion, for the first time. It is the coup de literature our demented age needs from one of the finest, bravest writers we have

I was left hoping I won't have to wait another 20 years for Mishra's next novel

Run and Hide, is an exciting follow-up to his 1999 debut, The Romantics . . . Mishra brings to bear both the high style of his fiction and the clarity of his criticism for an affecting, world-spanning story about capitalism, art, and globalization

Run and Hide is savage and tender, and shockingly spiritual. This book may not change your life but it'll entertain the hell out of you

There is tragedy when a spurned and forsaken world turns out to be a paradise in disguise, and when it calls its children home, the children are too unmoored, too compromised to return. That is the monumental, ultra-modern drama Pankaj Mishra unfolds in Run and Hide, a novel of devastating loss and moral collapse worthy of Henry James

An intense, probing novel examines rampant materialism and spiritual bankruptcy

Mishra offers a deeply critical portrait of what he terms the 'IIT generation' of educated Indians who made their fortunes in a rapidly changing India and globalizing world and of the personal and social costs of those changes . . . A vivid, multifaceted study

Indian author Pankaj Mishra has dedicated his career to analyzing the psychology of Asia's rising masses, particularly its young men. His latest work, a novel, Run and Hide, is his most searing look at the subject yet

A beautifully written novel that captures the complexities and challenges of growing up in India and the simultaneous struggle to find meaning and a way forward in life

A well-written and engaging tale

There is more than a whiff of The Great Gatsby . . . Mishra's satire recalls Tom Wolfe or Bret Easton Ellis

Whether writing about a Himalayan village or cosmopolitan London, Pankaj Mishra combines a powerful historical understanding of the contemporary world with psychological insight and a deep feeling for landscape. In Run and Hide, he has created an absolutely new kind of immigrant story-one in which achieving your wildest dreams might mean giving up everything, even once you return home

There is an arresting contrast in style between the political writings on which [Mishra's] reputation is chiefly built and the more introspective mode on display in his memoir and fiction. Those weaned on the gripping velocity and adamantine syntax of Mishra's essays may be surprised by the assiduous lucidity and serene poise of his new novel Run and Hide

Mishra is a masterful eyewitness to the modern world, equally unafraid of nuance, earnestness and absurdity. [Run and Hide] is a slow, careful book about a fast and reckless world. This is not a destination novel; it is a journey novel. One well worth taking

Mishra has a bit of Balzac in him-for instance, his belief that character reveals itself through surface detail, if that detail is observed ruthlessly enough . . . Run and Hide is a novel of modern India that takes some of the big-picture phenomena from Age of Anger and-as good social novels have always done-gets us to engage on the level of feeling by returning those abstractions to human scale

Mishra is a superb journalist, and the sensory vitality of his second novel is a reminder that fiction is the ultimate information compressor. Unleashed in the realm of human feeling, Mishra's keen observational powers are spectacularly alive

Keyes is an exceptional storyteller and her ability to blend comedy, high drama and emotional depth is second to none. Empathetic, insightful, romantic and witty, Again, Rachel is again a delight from start to finish.

Again, Rachel is a tour de force. A fearless novel about loving and losing and hoping. It's perfection

A brilliant reminder of just how comforting it can be to return to characters that once captured our hearts.

Set to be one of the biggest books of the year

Joyful, wise, empathetic, funny, sexy, and so thoughtful on addiction, too

Darkly comic . . . Just as tender, heartbreaking and laugh-out-loud funny as her first outing

Again, Rachel is like a six hundred page hug and is Marian Keyes at her hilarious yet heartbreaking best

I loved Again, Rachel. Such a beautiful, wise, powerful book

Rachel somehow helps us all to find our better, truer selves. I've still got 100 pages to go, but part of me wishes it was 1,000

Keyes is a giant of Irish writing who has not so much defined a genre, as she has created it

Perceptive, hilarious and deeply moving, this is a wise and insightful look at modern life

Switch the phone to silent, banish all distractions: it's time for a book binge

Fabulous. I loved becoming reacquainted with the Walsh family

A masterclass in creating the perfect follow-up story . . . This sequel shone

Included in 'Best Paperbacks of April 2023'

There aren't many books that come along . . . where on one page you can be laughing hysterically, and then you turn the page and you're nearly in tears for the opposite reason. This is that book. Beautifully told. Loads of warmth, loads of humour.

She is a genius stylist. Her characters are so vivid, her situations feel so real and authentic. This is my favourite book of hers.

Amazing

Enticing

There's light and dark in all Keyes' novels, equal measures of hilarity and heartbreak

Hard to put down

Lovable, funny. Doesn't disappoint

Keyes at the peak of her powers

Praise for Marian Keyes

Messy, tangled complex humans who reminded me that few of us ever really sort out our lives at all

A novel that is warm and witty but never afraid to tackle the big stuff

Magnificently messy lives, brilliantly untangled. Funny, tender and completely absorbing!

Keyes knows how to make serious issues relatable - and get a few grownup laughs, too

There should be a word to describe the sadness and satisfaction you feel when you read the last page of a Marian Keyes novel: the ending is perfect but you still want more, more, more

Charming, funny and poignant. But also profound, heartbreaking

Keyes at her best: capturing everyday voices with humour and empathy with writing that you'll devour in a weekend. Just pure and simple joy

Funny, thought-provoking and will get you right in the feels

Sensitive, funny, wonderful, immensely touching

Marian Keyes's gift for storytelling is utterly magnificent

Rachel Walsh is back with a bang. Wickedly shrewd and fun