Author:Judith Saxton
Book One in the compelling Neyler Quartet, following the triumphs and tragedies of a wealthy family through the first fifty tumultuous years of the twentieth century
Book One in the compelling Neyler Quartet
1901
Tina Rose is the beloved daughter of a wealthy Jewish family, while Edward grew up with an abusive father in the wilds of New Zealand.
Despite their differences, the two fall madly in love when Edward arrives in England, looking for a better future.
However, the consequences of their love affair are terrible for Tina as she is shamed by the father she adores, and Edward is sent away.
Against all the odds, Tina and Edward find each other again, and despite great hardship and tragedy, together they build a dynasty strong enough to withstand some of the worst catastrophes Britain has ever known.
The Pride is a magnificent start to a stunning family saga.
THE THIRD CLIFFEHAVEN NOVEL BY SUNDAY TIMES BESTSELLING AUTHOR ELLIE DEAN
June 1940. Rita Smith swore she would never lose heart . . . Despite losing her mother at a young age and her father away on important war work, seventeen-year-old Rita Smith has plenty of people to turn to in the close-knit community of Cliffehaven.
This compelling wartime tale will delight saga lovers.
—— Choice magazineMoving and heart-warming saga.
—— Peterborough Evening TelegraphOne of the country's most popular storytellers
—— Scottish Daily RecordBeautifully observed . . . [Anshaw] intimately dissects how one event or choice can alter the trajectory of a life, how a fork in the road can lead to wholly unexpected and divergent outcomes
—— Michiko Kakutani , The New York TimesA funny, vivid and pingingly true story about longing and the pain of love. Anshaw conveys beefy emotions and life-changing events with the most gossamer of touches
—— Rachel Johnson , VogueCarol Anshaw is one of those authors who should be a household name . . . [a] fine, eloquent novel
—— USA TodaySuperb . . . [Anshaw] has a knack for capturing a personality in a single phrase
—— Financial TimesMoving and engaging . . . Anshaw has written not only a funny, smart and closely observed story, but also one that explores the way tragedy can follow hard on celebration, binding people together even more lastingly than passion.
—— Sylvia Brownrigg , The New York Times Book ReviewWords used to praise Anshaw's earlier novels - witty, warm, intimate, poignant - apply equally well to her most compelling book yet, a wholly seductive tale of siblings, addiction, conviction, and genius . . . Masterful in her authenticity, quicksilver dialogue, wise humour, and receptivity to mystery, Anshaw has created a deft and transfixing novel of fallibility and quiet glory
—— BooklistA brilliant feat of storytelling . . . one of the most intensely vibrant novels I've ever read
—— Boston GlobeHere's passion and addiction, guilt and damage, all the beautiful mess of family life. Carry the One will lift readers off their feet and bear them along on its eloquent tide
—— Emma DonoghueSplendid . . . sits somewhere between a Jonathan Franzen novel and a collection of haiku
—— Entertainment WeeklyFunny, touching, knowing . . . a quiet, lovely, genuine accomplishment
—— Publishers WeeklyAnshaw is that rare, brilliant, witty writer whose prose is rich and buttery, and whose plotting is as well-conceived and seamlessly executed as that of the most intricate thriller
—— Chicago TribuneIf you love Jonathan Franzen, you'll love this compelling book
—— Entertainment WeeklyGraceful and compassionate . . . Writing with rueful wit and a subtle understanding of the currents and passions that rule us, Anshaw demonstrates that struggling to do one's best, whatever the circumstances, makes for a life of consequence
—— PeopleA fine novel . . . stunning . . . wise
—— TLSAnshaw submerges the reader in gorgeous detail
—— IndependentCarol Anshaw's writing is cool and funny, outraged and sympathetic by turns. The book is full of sharp observations and memorable phrases
—— Literary ReviewBeautiful prose
—— Independent on SundayBeautiful prose
—— Independent on SundayA series of beautifully detailed snapshots . . . an arresting examination of three intersecting lives, forcefully told
—— Telegraph