Pyrotechnic brilliance

Ambitious, powerful... There is much to enjoy and admire in this novel... Flanagan writes with a startling brilliance

A fiercely well-observed account of the psychological twists and turns, the stress points and the double-binds, of familial love

Richard Flanagan is one of the greatest writers at work in the world today - I admire him and his writing immensely. The Living Sea of Waking Dreams is a haunting, urgent and important book about our broken and confusing age

Striking... brilliantly done... Flanagan is wise enough to place his wider concerns, and the accompanying magic realism within the sturdy framework of a conventional family narrative

Magnificent... Flanagan hasn't just written about the space between living and dying; in writing about the things that are disappearing from the world he's captured something fundamental about the moment we're living in

Pure and simple... A book in which workaday realism is increasingly marbled with magical effects... What impresses most, however, is that Flanagan's novel doesn't end in condemnation. It keeps searching for the proper form for love

Flanagan has delivered a book that both distills the literary qualities for which he has been celebrated for more than a quarter of a century and recasts our ideas about the kind of writer he is and what he can do. This novel is a revelation and triumph, from a writer demonstrating, yet again, the depths of his talent, while revelling in a new, unfamiliar register. It is at once timely and timeless, full of despair but leavened by hope, angry and funny and sad and a bit magical... What an astonishing book this is

An extraordinary tour de force, utterly compelling... It's a heartfelt, urgent plea to restore our connection to the world before it's too late

Utterly dazzling

Fascinating

[Flanagan's] prose has a pyrotechnic brilliance

There's much beauty and hope to be found in The Living Sea of Waking Dreams

I really enjoyed the authentic wartime detail in this book.

The ideal ghost story for Halloween ... Full of suspense ... If you loved Woman in Black, you'll love this atmospheric tale.

This book is spooky, erotic and evocative. We loved it.

A magnificently grotesque fantasia.

Like all great Gothic works, Luckenbooth deals in duality: good/evil, light/dark ... Fagan comes at Edinburgh like a voracious lover, eager to explore both its conspicuous beauty and its secret places ... Fagan's writing sparkles most when she is describing landscape ... Luckenbooth is a horror story, originally and beautifully told.

[Fagan's] sinuous, supernatural story unwinds down nine decades ... Her narrative weaves between the real and the spirit world.

Luckenbooth is a compulsive study of our entanglement with place and each other. Brimming with character, subversion and decadence, Fagan builds a striking portrait of the Scottish city's deep-seated repression and toxicity and the grand strength of its inhabitants as they push the city into a modern age. An exhilarating, courageous story of the need to expose the evils of our communal past, Luckenbooth is nothing short of a masterpiece.

An exuberant, raucous book.

Brilliantly strange ... From the start, Luckenbooth gives the feel of a legend or fairy story ... Time periods slip about, gleefully penetrating one another. A multistorey horror story reveals itself obliquely in fragments across a number of years and viewpoints, weirdly paced, the action rushed and breathless, generalised, then freezing for a moment on an unexpected scene or event ... Everyone in the novel is a chimera of one sort or another, caught between forms, illuminated from inside by the light of their own unkempt ideas and desires ... Fagan's booth of stories - her Cornell box of frenzies, tragedies and delights - offers the present moment in the endless war between love and capital. It's brilliant.

Masterly ... A lesser writer would struggle to control this cacophony of voices but what marks out Luckenbooth is the fierce intelligence driving Fagan's tale ... This is a mad god's dream of a book - it deserves to be shortlisted for every prize going this year.

Impossible to adequately describe this extraordinarily inventive novel. You'll just have to read it yourself. Early days, I know, but suffice to say this one's already heading for my books of the year list together with both my Women's Prize for Fiction and Booker Prize wish lists.

One of the hottest titles right now, Jennie Fagan's Luckenbooth has won all round acclaim.

The novel unfolds like a set of dark short stories, with a different character narrating or guiding each one. But there's a twist: Luckenbooth is not just haunted by the realities of time and history, but also by the strong musk of the gothic imagination ... Thickly worked and carefully assembled, the novel functions as a claustrophobic chiller and as a testament to lives led beyond the margins and in the shadows.

Luckenbooth ... is littered with lines like this. The sort of lines that demand to be read and reread: splendid in isolation, electric in combination. Fagan writes with drama. She can pick out the fine detail, in neat brush strokes, no doubt, but it is in drawing her arm back and attacking a story with great, sweeping lyricism that she propels Luckenbooth forward, dragging the reader through the 20th century, as experienced by a compelling cast of characters.

Slips and slides through layers of history, tears in the fabric of time and a series of strange shape shifting characters - it's a wonderful work that is a trip into a spectral interzone but also staged in a warped reality - great writing and a major talent.

A novel for readers with sophisticated tastes.

Uniquely gripping visions of the hidden social, economic and spiritual forces at play in 20th-century Edinburgh.

Dazzlingly ambitious.

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble

Prize-winning author Jenni Fagan does not disappoint with her latest novel, Luckenbooth, which is easily her most compelling yet. In her usual poetic style, Fagan tells of a nine-storey Edinburgh tenement just off the Royal Mile that is creaking with secrets. Throughout this haunting novel, characters' secrets and memories live on in the howling gales of the spirit world, desperate to re-enter their lives. The narrative takes us through eight decades - from 1910 to 1999 - working its way up all nine floors of the building in hopscotch fashion, allowing for an intriguing interpretation of 20th-century life in the capital. Prepare to be transported into a Fagan's weird and wonderful imagination. It is a whirlwind read and one that I could not put down until the final page had turned.

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble.

An Edinburgh tenement building is haunted by tall stories and unnerving strangers, from William Burroughs to the devil's daughter, in this weird and wonderful gothic confection.

Her "world building" is highly effective, and each character fully inhabits their decade. Fagan's writing is anchored in societal issues, the wrongs done and the ways individuals have challenged those wrongs and asserted their individuality and sexuality in ways that might make them seem misfits, outcasts. Fagan certainly pulls no punches and is determined that these passionate, authentic stories should not be confined to the periphery.

A deliciously weird gothic horror

An ambitious and ravishing novel that will haunt me long after