Author:Wallace Stegner,Jane Smiley

A novel of the friendships and woes of two couples, which tells the story of their lives in lyrical, evocative prose by one of the finest American writers of the late 20th century.
When two young couples meet for the first time during the Great Depression, they quickly find they have much in common: Charity Lang and Sally Morgan are both pregnant, while their husbands Sid and Larry both have jobs in the English department at the University of Wisconsin. Immediately a lifelong friendship is born, which becomes increasingly complex as they share decades of love, loyalty, vulnerability and conflict. Written from the perspective of the aging Larry Morgan,Crossing to Safety is a beautiful and deeply moving exploration of the struggle of four people to come to terms with the trials and tragedies of everyday life.
With an introduction by Jane Smiley.
Wallace Stegner (1909-1993) was the author of, among other novels, Remembering Laughter, 1937; A Shooting Star, 1961; Angle of Repose (Pulitzer Prize), 1971; The Spectator Bird (National Book award), 1977; Recapitulation, 1979. Three of his short stories have won O.Henry prizes, and in 1980 he received the Robert Kirsch award from the Los Angeles Times for his lifetime literary achievements. His collected stories were published in 1990.
Jane Smiley is the author of many novels and works of non-fiction, including, most recently, "Thirteen Ways of Looking at the Novel", about the history and anatomy of the novel. Her most recent novel is "Good Faith". She won the Pulitzer Prize in 1992 for "A Thousand Acres", and was shortlisted for The Orange Prize in 2001 for Horse Heaven.
A charming comedy about the serious emotional issues facing a group of friends ...in a case of Godly intervention, and the result is no less enjoyable for being implausible. IN A WORD: Divine
—— The Sunday Age (Aus)'ADMIT IT, at some stage you've been rude to a friendly Indian manning an international call-centre phone. In this funny yet poignant novel, call-centre colleagues all have love issues...a light-hearted book, but the dialogue is good and the characters well developed and believable'
—— Herald Sun'The blurb say this book was a bestseller in India. It's not hard to see why... the novel has some cutting things to say about globalisation and modernisation, wrapped in the light and fluffy pastry of a romantic comedy. At the end you might even feel sorry for the Indian cold-callers who have just interrupted your TV viewing ...'
—— M-PreviewFiltered by some excellent editing, [these letters] are full of interest
—— Mail on SundaySophie Ratcliffe has done an exemplary job in editing these letters
—— Sunday TelegraphRatcliffe sees him through to the end with affection. Hers is a model edition, tracing the rise and fall of a writer who allowed his imagined world to eclipse the real
—— Sunday TimesThis authoritative edition of generous selections - from "Plum's" prolific pen, from schooldays at Dulwich College in 1899 throughout his long Anglo-American career as a novelist and musical comedy lyricist to his last letters from Long Island in 1975 - is acutely attuned to his contradictions of character and his desire to please at the expense of absolute veracity. The letters, gossipy in the kindliest, amused/bemused manner, bear true witness to the wide-ranging influences on Wodehouse's' best-known novels and best-loved characters.
—— The TimesIn this new collection . . . Sophie Ratcliffe has rolled up her sleeves and waded into the fray . . . she has succeeded marvellously. When it comes to the world of Wodehouse, Ratcliffe knows her stuff. She has embroidered this plump selection of letters with an illuminating but unobtrusive critical apparatus.
—— Literary ReviewA lovely new book
—— Craig Brown , Daily MailAn intriguing picture of a great 20th-century writer . . . In its peculiar English way, it has a strange intimacy, the perverse fruit of Wodehouse's instinctive, Jeevesian, discretion.
—— Robert McCrum , GuardianThey give real insight into the man behind Jeeves and Wooster
—— Alan Titchmarsh , Sunday Express (Book of the Year)This rich debut couldn't be further from the straightforward 20th-century American family saga it appears at first to be . . . Spanning many decades, it is an intricate portrait not only of complex family ties, but also of one quietly strong woman who heads this complicated tribe of siblings, children and friends. With each chapter narrated by one of Hattie's children, the power of Brooklyn author Ayana Mathis' novel is in its ability to create distinctive yet precise characters brimming with recognisable humanity.
—— Psychologies MagazineHopelessly romantic and hopelessly moving. A mix of lovestory thriller and historical fiction. Engrossing.
—— ObserverA novel full of passion, conspiracy, hope, despair, suffering and redemption... transcends the boundaries of genre, being at once thriller and political drama, horror and romance. His ability to paint the tyrannical Stalin in such a way as to make the reader quake with fear is matched by his talent for creating truly heartbreaking characters: the children who innocently find themselves...behind the dank walls of the dreaded Lubyanka prison; their parents, torn between the need to be seen as loyal Bolsheviks and the love they have for their families ... One Night in Winter is a gripping read and must surely be one of the best novels of 2013.
—— Steve Emmett, NY JOURNAL OF BOOKSDelicately plotted and buried within a layered, elliptical narrative, One Night in Winter is also a fidgety page-turner which adroitly weaves a huge cast of characters into an arcane world.
—— Time OutEngrossing novel… based on similar real events and certainly his ease with the setting and historical characters is masterly…the invented characters are well-drawn too.
—— Scotland on SundaySebag's new novel draws in the reader and renders time meaningless. Brilliantly depicted.
—— Jewish ChronicleOne Night in Winter entertains and disturbs and seethes with moral complexities: how far would we go to preserve a secret or protect a loved one? All aspects of this “intensified life” are captured in this intricate, at times sobering, but always absorbing novel.
—— The AustralianA novel of passion, fear, bravery, suffering and survival ... novel mostly about love ... predictably terrifying — but the novel’s romantic soul tempers the terror and makes for a gripping read ... pitch-perfect.
—— The SpectatorEngrossing
—— The ScotsmanThis gripping novel is a chilling reminder of the darkest days of Communist Russian, and the power one man can wield over a nation’s lives.
—— Daily MailA gripping thriller about private life and poetic dreams in Stalin’s Russia… A gripping page-turner… Whether its subject is power or love, a darkly enjoyable read.
—— The GuardianA compelling and uplifting story of love and endurance.
—— Country LifeA compelling read.
—— IndependentThis is one of those rare and thrilling books that you devour hungrily but hope will never end.... If there is one book you must read this year, let it be this one. One Night In Winter is one of the most engaging, gripping and heartbreakingly tragic novels of 2013.
—— CultureFly BlogA compelling, cleverly plotted novel.
—— BBC History MagazineThis moving novel from Simon Sebag Montefiore will have you gripped to the end.
—— GraziaThis bone-chilling story; with lashings of snow and sec, offers us a vividly engrossing portrait of Soviet Russia.
—— TatlerA bleak and well-plotted thriller.
—— Irish Business PostSimon Sebag Montefiore uses all his deep knowledge of Russia’s history to build a bleak and well- plotted thriller
—— Sunday Business PostMixing real figures with fictional creations is a challenge for any historical novelist, but the vivid cameos here, particularly of Stalin and his dissolute son, Vasily, give this page-turner the grim stamp of authenticity.
—— IndependentOne Night in Winter is compulsively involving and readers do not need to bring much previous knowledge of Russian 20th-century history, or the ambience of the time. The author meticulously supplies both.
—— The TimesThis is a gripping and cleverly plotted read
—— The Sunday TimesA seriously enjoyable romp
—— Seven magazine, Sunday TelegraphThis gripping novel – a combination of political thriller, love story and historical fiction – is a chilling reminder of how totalitarian regimes corrupt everything they touch, especially human relationships.
—— Daily Mail, You MagazineIt is an eminently readable tunic-ripper, and strangely affecting.
—— Daily TelegraphA masterpiece of historic fiction
—— Sunday MailThis is a tale of passion, power and politics that I simply couldn’t put down.
—— SunThe author draws nuanced people about who the reader cares and villains who repel with their casual disregard for human life. He gives an insight into the machinations of the Stalinist state and provides little details that lift the book out of the ordinary
—— The Irish TimesThere aren’t many writers as confident and competent in fiction as in non-fiction but Simon Sebag Montefiore is one of them. A gripping yarn and a good history at the same time.
—— Vince CableA political novel captures the nightmarish world of post-World War II Russia. As Stalin twists the Childrens Case to his own ends, the truly magnetic power of ONE NIGHT IN WINTER becomes clear. The stirring of our deepest fears and their unexpected resolution - at this, Montefiore is the master. In the hands of the right author, Stalin, endangered children and Moscow 1945 are enough to make a novel.
—— Washington PostEnthralling.Mr Montefiore is masterly at sketching scenes (passionate, melancholy or menacing) and limning characters. Not until the book's epilogue are the ultimate secrets revealed: the calculated or heedless acts of young and old who cast their fates with love.
—— Wall Street Journal






