Awe-inspiring. Prepare to fall in love with epic fantasy all over again.

As good as I expected it to be . . . Erikson continues to showcase his talents as an impressive wordsmith . . . mesmerising and memorable. Add to this intense battles, witty banter, advanced warfare, new curses, new gods, and escapades with warrens and this world's supernatural and you'll see why I had such a good time.

It is beautiful, it is captivating and utterly enthralling . . . Erikson is unparalleled in both the scope of his imagination and the talent of his prose, but more importantly, he is as insightful and funny as Terry Pratchett ever was.

If The God Is Not Willing lacks the physical weight of the earlier Malazan books, it certainly doesn't lack the emotional heft . . . [this] is Erikson still at the top of his game, a lean, sharply honed and powerful addition to what is already in my mind the pre-eminent fantasy universe of the last few decades.

A determined, focused, well-paced and immensely rich novel of war, peace, hubris, consequence, sorcery and compassion . . . The God is Not Willing is Steven Erikson bringing his A-game, turned up to 11, and delivering what is comfortably one of his three or four best novels to date.

Could be Erikson's most accessible novel to date . . . a must for all Malazan fans.

Erikson burnishes his reputation as a superior epic fantasy world-builder in this trilogy debut, a spin-off of his Malazan Book of the Fallen series . . . a treat both for Erikson's returning readers and lovers of George R.R. Martin-style epic fantasy who have yet to discover his work.

The best novel involving theatre since Angela Carter’s Wise Children… This novel achieves what no real actor’s memoir could… Enright triumphs as a chameleon: memoirist, journalist, critic, daughter – her emotional intelligence knows no bounds.

Sentence after sentence is laid down with the solidity of a line of bricks, transforming ordinary life into something beautiful and strange… Every word feels right.

Anne Enright's Actress remains vivid in my mind many months after reading. No one is better on mothers and daughters. Actress is absorbing, entertaining and beguiling and stole the show for me in 2020.

When you hit the last page of Anne Enright's Actress you take a breath and dive straight back in again. Showcasing her mastery of the sentence and her extraordinary emotional intelligence...it's moving but never sentimental, funny but never pastiche.

Enright is quick, knowing, enjoyably sharp... There are leaps of joy in Actress... It sparkles with light, rapid, shrugging wit; cliches are skewered in seconds… The magic of pre-war touring players, holding audiences rapt in country halls, is richly done.

This book could easily, and mistakenly, be lumped together with other #MeToo novels; work that seems to feed the patriarchy rather than challenge it. Enright, sensibly, doesn’t care if she has your sympathy – she’s too cold, too sharp…so effective. No one understands rage, or the lucid, bleached moments that follow it, better than Enright… If these stories took a physical form, I imagine they would be a well-dressed woman screaming into a silk pillowcase. Which is to say, I love them.

Actress by Anne Enright is a brilliant, lyrical, powerful novel... It's dazzlingly sharp and unnervingly intimate.

Anne Enright's Actress is up there as one of my favourites this year.

Enright focuses on the complexities of human connection… gradually the subtleties form into something profound and complex…witty and really rather brilliant.

Actress is yet another typically luminous story from Irish author Anne Enright… a raw, tender portrayal of a woman undone by her work, and the men who control it. Seamlessly wrought, it is quite bewitching.

Anne Enright has an unmistakable diction and a genius for arresting detail. Her novel, a daughter’s account of her once-famous actress mother’s life, is a many-sided thing… Actress is especially good in its evocation of an Ireland and a Dublin that is vanished, highly developed in civility and language, voracious for gossip, sociable, religious, hypocritical, louche, drunken and with a sensitivity to the nuances of speech.

The narrative dances through plays, boozing and parties… Enright dwells, intriguingly, on passivity, a state common in acting, womanhood and living in Ireland… a winning read.

Actress is a remarkably positive story of female creativity, courage, survival and love… a tour de force of half-concealed effects and slow-burning revelations that splutter suddenly into flame.

Brilliantly and delightfully done… [Actress] is always interesting, and…very enjoyable.

[A] literary force to be reckoned with... [Anne Enright] is one of Ireland's most significant authors - and Actress will be a must-read for many in 2020.

A delicate, knotty reflection on familial relationships… brilliant.

Another compelling effort filled with Enright’s trademark psychological insight.

Absorbing… Enright’s prose is so beautiful that even the shadows are graced with flickers of light… Actress is an elegant novel.

A warm and generous portrait of a relationship between a daughter and her famous mother… skilfully interwoven with Norah’s own story, and the twists and turns of her own life and marriage.

Gripping drama and a pitch-perfect evocation of the stages of Seventies Dublin and London’s West End.

A potent brew of fame, sexual power, hypocrisy and bad men.

A powerful novel.

Actress is a fabric of musings… The characters in Enright’s novels are absorbing because they seem recognisable in an unassuming way: they’re as lovely, boring and complex as the people outside the books.

Enright, herself a former actress, captures all the comedy and pathos that comes from living the strange, unreal life of an actor.

A raw, tender portrayal of a woman undone by her work, and the men who control it. Seamlessly wrought, it is quite bewitching.

Actress is a poignant tale of the vicissitudes of fame and its effects on the loved ones of the famous.

Compelling.

The next stage in an illustrious writing career… stuffed full of dark wit, memorable lines and striking images.

Enright is to Dublin as Didion is to California.

I've just started reading Anne Enright's Actress. I very much enjoyed her previous novel, The Green Road. This one has glorious lines even in the opening pages.

I would definitely recommend Actress by Anne Enright, it is her at her very best.

Few reviews said how absolutely hilarious [Actress] is. Enright skewers beautifully those creepy provincial aesthetes of Dublin of the sixties and seventies.

Enright is formidable in combining the concrete detail of lives – think of the extraordinary array of sibling portraits in her last novel, The Green Road – with an acute understanding of the inchoate lives of families: the push and pull of loyalty; the projection of desires; the smothering of disappointment and unhappiness. Here she conjures [a] rollicking story.

A rich, impressively imagined work about a stage and screen star who may never have existed but seems considerably more human than many real-life figures as seen through their own eyes or those of any but the finest biographers.

This story is about mothers and daughters, but also secrets in families and women in Ireland. It's an easy read, with a quintessentially Irish tone... It's brilliant.

Anne Enright's brilliant novel is a darkly glittering account of the cost to both the mother and her daughter of Katherine's complicated fame.

A gem from a former Booker winner.

Anne Enright['s]...writing is simply glorious. Comedy and tragedy in one.