Author:Audre Lorde

One of the BBC's '100 Novels That Shaped Our World'
If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive
A little black girl opens her eyes in 1930s Harlem, weak and half-blind. On she stumbles - through teenage pain and loneliness, but then to happiness in friendship, work and sex, from Washington Heights to Mexico, always changing, always strong. This is Audre Lorde's story. A rapturous, life-affirming autobiographical novel by the 'Black, lesbian, mother, warrior poet', it changed the literary landscape.
'Her work shows us new ways to imagine the world ... so many themes of Audre's work have endured' Renni Eddo Lodge, author of Why I'm No Longer Talking to White People About Race
'I came across Audre Lorde's Zami, and I cried to think how lucky I was to have found her. She was an inspiration' Jackie Kay
A wonderful… vividly peopled novel… De Bernières is a generous storyteller
—— Violet Hudson , Daily TelegraphThis tragicomic romp has a winning glint in its eye, delivering oodles of
Downton-esque entertainment as it portrays a changing Britain poised uneasily on the brink of modernity
Richly enjoyable…it is written with such vitality….I would guess that many readers, once they have launched themselves into it, will read it straight through
—— Allan Massie , ScotsmanMore than any other American novelist, O'Hara has both reflected his times and captured the unique individual for generations to come
—— Los Angeles TimesA real achievement ... I found this so compelling that I read this book in one sitting.
—— Clare Poole , The BooksellerI defy anyone to put this book down before you’ve got to the end. I really mean that.
—— Ann Giles , BookwitchThe Last Minute shows a realistic cross-section of life in Britain today, and most of us will recognise ourselves in one or two of these people. I won’t call them characters. They were always people. A little reminiscent of Under Milk Wood in the way the story darts between all of them, except faster.
—— BookwitchIt’s a wonderfully exhilarating book and not like anything else. I salute a truly adventurous writer.
—— Adele Geras , Awfully Big ReviewsIt begins at the end, with the unconfirmed reports of an explosion – or explosions – in an ordinary British town. And so the countdown begins. Chapter by chapter, we edge closer tot he tragedy. The updates become shorter and more urgent until we're seconds away from disaster. This is powerful stuff.
—— Philip Ardagh , GuardianEleanor Update is known for originality, and this compelling new work is surely unique
—— Linda Newbery , Armadillo MagazineThe Last Minute is not like anything you will have read before, for its concept is quite unique. Eleanor Updale demonstrates a tour de force in writing with this tale... It is hard to imagine how difficult it must be to write such a book, as the elaborateness of the plot is quite exceptional.
—— Library MiceA brilliant book for many reasons: the first being that it was really well written, the writing wasn't boring or slow and each character had a different background story and encountered one another so that there were no unnecessary and irrelevant people.
—— Tjala , Children's Books - The GuardianHer control of the unfolding story is superb (we know from a live news report at the start that there has been an explosion) and this highly original, absorbing book showcases the skillful versatility of the author of Johnny Swanson and the Montmorency series.
—— Sally Morris , Daily MailAn extraordinary book that covers just one minute of many people's lives which will all intertwine and end in a catastrophic disaster...This is another exceptional book that stands out from the crowd with its individuality and brilliance and should not be missed!
—— Askews & Holt Library Services - Children's NewletterI thought this book was unique...I would definitely recommend it to anyone who would like to try a different type of book...10/10!
—— Children's Books - The GuardianThis is, simply put, one of the most incredible books I've ever read.
—— Carly Bennett , Writing from the TubGreatly executed...you can have your kids entertained for hours with this book
—— Jasper de Joode , Fantasy Book ReviewSurprising, gorgeously written, and profoundly unsettling, this genderfluid retelling of Oedipus Rex will sink into your bones and stay there.
—— Carmen Maria MachadoHypnotic, disquieting and thrilling. A concoction of folklore, identity and belonging which sinks its fangs into the heart of you.
—— Irenosen OkojieEverything Under seeped through to my bones. Reaching new depths hinted at in Fen, language and landscape turn strange, full of creeping horror and beauty. It is precise in its terror, and its tenderness. An ancient myth masterfully remade for our uncertain times.
—— Kiran Millwood HargraveA fantastically dark reinvention of the myth of Oedipus… a complicated but deeply satisfying novel.
—— StylistThis is a thrilling novel… Like Daisy Johnson’s startling debut, the short-story collection Fen, this lyrical, multi-layered novel explores her deep love and understanding of the natural world and shadowy people eking out a living close to it. She writes beautifully and vividly… with a brooding atmosphere that draws the reader into an uncanny and menacing watery world. It is exquisitely written, but very affecting.
—— Rebecca Wallersteiner , LadyExplores femininity, family and identity with a timeline and narrators that eddy and clash like sticks thrown into a river... like a current, it soon carries you away.
—— Natalie Bowen , Scotsman[Daisy Johnson's] first collection Fen drew comparisons to Angela Carter and Graham Swift and there is an otherworldly, folkloric tinge to her inventive first novel although it is set in modern-day, rural England... Beautiful.
—— Alice O'Keeffe , Bookseller *Editor's Choice*Everything Under is an unusual and eerily atmospheric read from new talent Daisy Johnson.
—— Good HousekeepingEncompassing myth, fairy tale and haunting language, Johnson's earthy and timeless depictions of gender and sexuality turn an old tale into something entirely current.
—— New StatesmanImpressive.
—— Daily TelegraphEverything Under is otherworldly and captivating… a book that is as beautifully human as it is delightfully strange.
—— Caught by the RiverBarbed, gripping and marvellously written.
—— Mark Hudson , Tablet, *Summer Reads of 2021*A lovely novel following the author’s usual theme of hope and regret, renewal and contentment
—— Hello!Tyler has the ability to bring character to life in just a few sentences
—— Claire Allfree , MetroAnne Tyler’s astute new novel Clock Dance is fuelled by kindness, kindness that begins tentatively with false starts and blind spots and grows into the extravagant all-encompassing sort
—— Susan Boyt , Financial TimesI loved Clock Dance
—— Cressida Connolly , SpectatorWarmly appealing and sharply observant...combines comic relish with psychological and social shrewdness. Characters pulse with lifelikeness. Dialogue crackles with authenticity. Changes brought about by time are fascinatedly and fascinatingly observed
—— Sunday TimesA moving, often spiky study of relationships and the far-reaching effects of trauma
—— Daily TelegraphA thought-provoking story that resonates with emotional depth
—— Neil Armstrong and Hephzibah Anderson , Mail on Sunday, *Summer reads of 2019*Moshfegh’s characters are often so funny in and about their unhappiness that we don’t want them to escape it, or not yet… My Year of Rest and Relaxation is written in multiple modes at once: comedy and tragedy and farce, blurring into one another, climbing on top of one another.
—— Anne Diebel , London Review of BooksA shocking, hilarious and strangely tender novel.
—— Jenna Rak , Glamour MagazineI love this book. It's funny, I find it intriguing and Moshfegh has a dark voice. I started reading her and thought, 'This sounds like a female Bret Easton Ellis'.
—— Ellie Bamber , StylistEnthralling. The voice is compelling and witty, drawing one into the experience.
—— Shamika Tamhane , Cherwell NewspaperThe black comedy draws you in and the mysteries, twists and turns keep you there.
—— Wendy Bristow , Planet Mindful, *Summer Reads of 2019*Whip-smart and bleakly funny.
—— Chloe Ashby , MonocleThe most inspiring novel of recent years.
—— Eva Wiseman , ObserverDepressing, dystopian, dry and dark, but also strangely comforting and full of the joy of innocent fantasy of withdrawing from a hostile world.
—— Sam Knowles and Sam Waters , NARCMoshfegh's stunning 2018 novel has a haunting ending... [and] relentlessly vicious humour.
—— Gwendolyn Smith , iThis razor sharp satirical novel has achieved near mythical status... [a] compelling and clever take on a female character that isn't afraid to speak her mind
—— GlamourOttessa is one of our newest, most dazzling, daring and outrageous voices in literature
—— Gwendoline Christie , VogueA very compelling read… hilarious and depressing and rage-inducing in equal measures.
—— Valerie O’Riordan , BookmunchAbsorbing.
—— The Week - Novel Of The WeekLyrical, bleakly comic and, ultimately, intensely affecting
—— Stephanie Cross , The LadyIt is a necessary and compelling book, and this year’s must read
—— Anne Enright , GuardianRachel Kushner’s exhaustive research into what goes on within these walls
—— Strong WordsKushner’s high-definition, high-impact prose is as electrifying as it is daring
—— Anthony Cummins , Daily MailThe momentum of the novel resides in its prose, the spring and sass of a voice so vivid it can largely dispense with the mechanics of plot
—— Nat Segnit , Times Literary SupplementA salty and hilarious novel from one of America's best living novelists.
—— Daily TelegraphRachel Kushner's The Mars Room should be a favourite [to win the Man Booker Prize]. If you like your escapism as gritty as it gets, prepare to be hooked by this unflinching account of a female prisoner serving a double life sentence... The Mars Room is rarely easy reading, but the furore of voices and violence and injustice throws you right into the story and keeps you immersed there.
—— Culture WhisperKushner’s novel is a timely reminder that a country’s authoritarian tendencies can be most easily measured by the number of people it deems unworthy of freedom
—— Emily Witt , London Review of BooksRachel Kushner knows how to sniff out a good character.
—— Sunday TimesRachel Kushner’s The Mars Room immerses you in the life of a high-security women’s prison in California, its central character Romy – accused of killing her stalker – both gritty and fragile. This was not a subject I thought would grip me, but in Kushner’s firm hands I was entranced. Much of the book is autobiographical – while never in prison herself, Kushner was the daughter of Beatniks and allowed to roam the dodgier areas of San Francisco as a teenager. The characters range from bullet-headed killers to a well-meaning male teacher whose ambiguities are brilliantly done. Romy’s trans friend Conan, “shoulders as broad as the aisle, and a jawline beard”, is delightfully free of the politically correct, while the style veers excitingly from straight narrative to scribbled lists like whimpers of despair.
—— Adam Thorpe , Times Literary Supplement **Books of the Year 2018**Rachel Kushner's The Mars Room was a hot favourite on this year's Booker shortlist, and it's easy to see why… Kushner's atmospheric writing is compelling to the last.
—— Irish Independent, *The best reads of 2018: Our critics name their top picks*Kushner’s writing is the most marvellous I read this year… time and again I found myself rereading paragraphs of The Mars Room for her perfectly turned sentences, the music of her prose
—— Neil D. A. Stewart , Civilian, **Books of the Year**[A] brilliantly compelling read
—— Sunday Times