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Winter Games
Winter Games
Mar 17, 2026 12:19 AM

Author:Rachel Johnson

Winter Games

Winter Games is a dazzling tale of secrets and betrayal: perfect reading for fans of The Bolter by Frances Osborne, and the writing of the Mitfords.

Munich, 1936. She doesn't know it, but eighteen-year old Daphne Linden has a seat in the front row of history. Along with her best friend, Betsy Barton-Hill, and a whole bevy of other young English upper-class girls, Daphne is in Bavaria to improve her German, to go to the Opera, to be 'finished'. It may be the Third Reich, but another war is unthinkable, and the girls are having the time of their lives. Aren't they?

London, 2006. Seventy years later and Daphne's granddaughter, Francie Fitzsimon has all the boxes ticked: large flat, successful husband, cushy job writing up holistic spas . . . The hardest decision she has to make is where to go for brunch - until, that is, events conspire to send her on a quest to discover what really happened to her grandmother in Germany, all those years ago.

'A rip-roaring read' Evening Standard

'There's never a dreary moment in this blast of a book . . . Johnson's descriptions are irresistibly exuberant . . . As addictively, fizzily invigorating as the Alpine air itself' Daily Mail

'Johnson delivers a genuine sense of time and place . . . there isn't a dull sentence in this sure-footed novel' Jenny Colgan, Telegraph

'An excellent romp. Full of 'tally-ho' Mitfordian charm . . . a witty, fast read' Red

'Excellent on period detail, the blundering innocent abroad and young heartbreak' Sunday Times

'The Jane Austen of W11' Scotsman

Rachel Johnson is a journalist who has written two previous novels and two volumes of diaries. The Mummy Diaries, Notting Hell, Shire Hell and A Diary of The Lady are all available now from Penguin.

Reviews

A rip-roaring read

—— Evening Standard

There's never a dreary moment in this blast of a book . . . Johnson's descriptions are irresistibly exuberant . . . As addictively, fizzily invigorating as the Alpine air itself

—— Daily Mail

Johnson delivers a genuine sense of time and place . . . there isn't a dull sentence in this sure-footed novel

—— Jenny Colgan , Telegraph

Excellent on period detail, the blundering innocent abroad and young heartbreak

—— Sunday Times

An excellent romp. Full of 'tally-ho' Mitfordian charm . . . a witty, fast read

—— Red

An edifying moral lesson as well as a tale of inter-generational sleuthing

—— Spectator

The Jane Austen of W11

—— Scotsman

Johnson is excellent on period detail and captures the flavour of an era when the storm clouds were gathering

—— Mail on Sunday

A wonderfully majestic and evocative tale of 18th century Russia at a key moment in history

—— Candis Magazine

An intensely written, intensely felt saga of the early years that shaped the 18th century's famous czarina, Catherine the Great. Her survival in the treachery of the Russian court was an amazing feat, and Eva Stachniak captures the fluidity and steeliness that propelled Catherine from a lowly German duchess to one of the towering figures of the century

—— Karleen Koen, author of Through a Glass Darkly

A riveting reconstruction of a crucial era in Russian history… shows iconic figures of the period as real people

—— BBC History Magazine

Covering the twenty years that turned Catherine the Great from a young bride on approval to the legendary Empress of Russia, Eva Stachniak's novel gives a magical insight into the hopes and fears that haunted the corridors of the St Petersburg palace. It brings alive the very tastes and textures of the mid-eighteenth century

—— Sarah Gristwood, author of Arbella and The Girl in the Mirror

An intimate portrait of 18th century girl-power

—— Independent

A wry moral tale exploring the little evasions and compromises of everyday life. Translator Agnes Scott does justice to Solstad’s measured voice

—— Emma Hagestadt , Independent

This short-but-striking novel quickly reveals itself to be…crime fiction, yes, but also a subtle and deeply introspective consideration of the inertia of lonely middle-age, its philosophy existentialist in the manner of Jean Paul Sartre, Ingmar Bergman and certain novels of Georges Simenon. The result is a highly complex and accomplished work

—— Billy O'Callaghan , Irish Examiner

Intriguing tale… Solstad expertly navigates the bizarre mind of a clever but lonely man locked in an existentialist nightmare

—— Telegraph

This is no straightforward crime novel…an exploration of guilt, inaction and moral quandaries

—— Nic Bottomley , Bath Life
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