A joy. Warm, funny, clever

An engaging, emotionally stimulating, chuckle-out-loud read

A creation of some genius. Dunthorne is a naturally comic writer

Just as funny and acutely perceptive [as] Submarine

Occupying a terrain that lies between the very British humour of Jonathan Coe and the zeitgeisty ambition of Douglas Coupland . . . insightful comic writing . . . that manages to be both tender and biting

The Discworld novels have always been among the most serious of comedies, the most relevant and real of fantasies...Pratchett has been rightly praised for comic invention and whimsy; he does not always get enough credit for the psychological comedy of embarrassment which makes us blush with self-recognition...at once hilariously cynical and idealistically practical.

Confident, meticulous plotting, her strong imagination and her precise, evocative prose. Like The Hamilton Case, The Lost Dog opens up rich vistas with its central idea and introduces the reader to a world beyond its fictional frontiers

The Lost Dog is a haunted work, it's characters uneasy ... de Kretser's characterisations are beautifully achieved, with even minor figures vividly realised

Clever, engrossing novel... beautifully shaded

The richness of her prose and the deceptive simplicity of her storytelling make this novel deserving of repeated readings

Scattered throughout are brief dramas or anecdotes, involving a variety of odd and often funny characters

she writes humorously and touchingly about the less portentous garish kitsch and personal clutter that they bring with them

Those childhood ghosts which linger into adulthood are sensitively conjured by Michelle de Kretser... This search for an animal becomes a ravishing search through the fears, hopes and attachments that make us human

Told with subtlety

Sparky... modern... brilliant

[A] discomforting and acute tragicomedy ... The bleaker and darker his book becomes, the better it gets, building to a shocking and expertly executed conclusion. Tipped for the top on publication of his first novel, Lee here confirms his talent

For all painful events it covers, this is a joyful book. Lee educates us in the beautiful mess of humanity surrounding this tragic event. Joy is one of the best new novels this year.

A black comedy of exuberance and bite … original, and brilliantly executed; the characters’ voices … ventriloquised with flair … This is the wittiest, most addictive piece of literary yuppie-bashing since Martin Amis’s Money. Lee is a writer to keep an eye on.

A major new voice in British fiction.

A brilliant book... Jonathan Lee is one of those rare, agile writers who can take your breath away.

[Joy] displays a real flair for narrative and characterisation…Highly accomplished…The closest comparison that can be made is with Joshua Ferris’s Then We Came to the End, which shares a similarly bravura command of narrative voice…Exquisitely and surprisingly written…it proves that Lee is a significant talent and that his future work should be well worth awaiting.

Lee’s writing is witty and engaging, containing something of the wearied disgust of Raymond Chandler’s prose…These four voices confiding in the counsellor are entertainingly distinct…The novel’s outstanding achievement, however, is the central, spiralling narrative that Jonathan Lee threads among these personal accounts: the intimate story of how Joy came to fall, a forensic portrayal of despair that shows Lee to be an exceptional, brave prose stylist. The dark revelations in the book’s final pages are disturbing while not gratuitous, but Lee also allows some credible room for optimism among these cluttered lives. Funny and humane, Joy is an enormously impressive piece of storytelling

Lee's the real deal - a British writer on the cusp of greatness. This novel follows the aftermath of lawyer Joy Stephen's apparent suicide. The corporate and personal explode in a brilliant powerful dissection of modern Britain.

Jonathan Lee’s second novel, Joy charts the final day in the life of a high-flying young lawyer. Lee writes with extraordinary vividness, with prose so sharply defined it takes your breath away.

With its supple prose, ingenious structure, wit and slow-burn sympathy, Joy is a sly miracle of a novel.

[One] of Britain’s most exciting writers… I loved how Jonathan Lee’s Joy gradually unravels through different characters…The ending of Joy is brilliantly shocking. I finished it three weeks ago and it’s still playing on my mind… Something about Joy’s slow and brooding story really affected me…Lee manages to make every voice distinct…It is Joy’s complexity which keeps you reading…[A] wonderful book.

Lee constructs office scenes easily, weaving together numerous characters and dialogues with flair…the writing crackles.