Author:Italo Calvino
Why Read the Classics? is an elegant defence of the value of great literature by one of the finest authors of the last century. Beginning with an essay on the attributes that define a classic (number one - classics are those books that people always say they are 'rereading', not 'reading'), this is an absorbing collection of Italo Calvino's witty and passionate criticism.
Italo Calvino, one of Italy's finest postwar writers, has delighted readers around the world with his deceptively simple, fable-like stories. Calvino was born in Cuba in 1923 and raised in San Remo, Italy; he fought for the Italian Resistance from 1943-45. His major works include Cosmicomics (1968), Invisible Cities (1972), and If on a winter's night a traveler (1979). He died in Siena in1985, of a brain hemorrhage.
I thank Heaven for small mercies. The first of these is Rumpole
—— Clive JamesRumpole is simply one of the great fictional characters of modern English literature
—— Marcel Berlin , Sunday TimesThe best mock heroic fatty since Falstaff
—— Alan CorenTwisted, funny, sci-fi and high-concept. It’s a great, great book
—— Rebecca Romijin-Stamos , IndependentA brilliant wacky ideas-monger
—— ObserverA cool writer, at once throwaway and passionate and very funny
—— Financial TimesThese father-son stories bring us the first meeting with one of Nordic literature’s most lovable characters, Arvid Jansen. A mixture of Alfons Åberg, Ingemar from My Life as a Dog and in part Oskar from The Tin Drum ... New readers should begin nowhere but here
—— Euroman (Denmark)There is both humour and tenderness in Per Petterson’s debut collection from 1987 … Petterson masters the art of writing simply of big subjects. As a reader, you have to read slowly and attentively to register everything, or read the book twice, which you gladly will
—— Kristeligt Dagblad (Norway)If you loved Out Stealing Horses, you won’t be disappointed by his razor-sharp debut… The language is simple, beautiful and cleansed of literary affectation. There is not a single superfluous word
—— Ekstrabladet (Denmark)There is both humour and tenderness… Petterson masters the art of writing simply of big subjects. As a reader, you have to read slowly and attentively to register everything, or read the book twice, which you gladly will
—— Kristeligt Dagblad (Norway)Dreamy and evanescent, [the stories] recall the opening pages of James Joyce’s A Portrait of the Artist as a Young Man
—— Jon Michaud , Washington PostFull of heartache and the ways in which we hurt each other, and ourselves... Fans of Kennedy's quirky expressionism won't be disappointed.
—— Sunday TimesEvidence that, at her best, there’s no-one to touch Kennedy.
—— Neil Stewart , CivilianFull of challenges and beauty.
—— StylistThis is a sure-footed and intelligently organized collection. These small pieces encompass an extensive emotional territory
—— Chris Power , GuardianAn arresting collection that blends poetic imagery, raw emotion and cerebral insight
—— Juanita Coulson , LadyAs subtle as the colour of Kitsune's silk
—— M John Harrison , GuardianRussell is an amazing storyteller, and this book certainly whets the appetite for her next offering
—— Irish Times‘[Barrett] cuts across all kinds of boundaries of class and education to produce immensely tender portraits of living characters.
—— Anne Enright , Irish ExaminerThis is an exceptional debut, and one of the best collection of short stories that I have read in years.
—— Louise O’Neill, 5 stars , Irish PostAn exciting debut
—— Sunday TimesI don’t think I’ve ever read a better collection by somebody I had never heard of
—— William Leith , Evening StandardA technically-assured collection that never disappoints
—— Country & Town House