Author:Yiyun Li

'Profoundly moving. An astonishing book, a true work of art' Max Porter, author of Grief is the Thing with Feathers
From the critically acclaimed author of The Vagrants, a devastating and utterly original novel on grief and motherhood
'Days: the easiest possession. The days he had refused would come, one at a time. They would wait, every daybreak, with their boundless patience and indifference, seeing if they could turn me into an ally or an enemy to myself.'
A woman's teenage son takes his own life. It is incomprehensible. The woman is a writer, and so she attempts to comprehend her grief in the space she knows best: on the page, as an imagined conversation with the child she has lost. He is as sharp and funny and serious in death as he was in life itself, and he will speak back to her, unable to offer explanation or solace, but not yet, not quite, gone.
Where Reasons End is an extraordinary portrait of parenthood, in all its painful contradictions of joy, humour and sorrow, and of what it is to lose a child.
'A masterpiece. This book haunts me more than any other novel I've read in recent years' Garth Greenwell, author of What Belongs to You
'Heart-wrenching, fearless, and unlike anything you've ever read' Esquire
'I sit here shaken and, I think, changed by this work' Katherine Boo, author of Behind the Beautiful Forevers
'A devastating read, but also a tender one, filled with love, complexity, and a desire for understanding' Nylon
'The most intelligent, insightful, heart-wrenching book of our time' Sean Andrew Greer, Pulitzer Prize-winning author of Less
'Captures the affections and complexity of parenthood in a way that has never been portrayed before' The Millions
'Ethereal and electric, radiating unthinkable pain and profound love' Buzzfeed
an incredible piece of work
—— Chris Power, Open Booka disquieting, delicate, affecting book
—— Irish TimesOne of the most moving books I've ever read.
—— Leslie JamisonProfoundly moving. An astonishing book, a true work of art.
—— Max Porter, author of Grief is the Thing with FeathersThe writing is raw and deeply affecting.
—— The TimesHeart-rending
—— The Sunday TimesLi writes with a shimmering and deeply felt precision.
—— GuardianUnsentimental, brave and beautiful. An absolutely monumental book.
—— Daily MailThe most intelligent, insightful, heart-wrenching book of our time.
—— Andrew Sean GreerA masterpiece. This book haunts me more than any other novel I've read in recent years.
—— Garth GreenwellA highly unusual novel in which a writer confronts one of life's deepest sorrows in losing her child. . . Funny, touching and profoundly moving
—— Chigozie Obioma‘Getting inside a living person’s head sounds like a colossally bad idea, but Sittenfeld makes it convincing here, just as she did with a character based on First Lady Laura Bush in her 2008 novel, AMERICAN WIFE’
—— BBC CULTUREDeviously clever . . . Sittenfeld’s Hillary is both a player in the Game of Thrones and a romance novel heroine. She’s a brilliant badass who has found her voice and knows how to use it. She’s whoever she wants to be
—— THE OPRAH MAGAZINEAs Hillary finds her groove, so the momentum and entertainment builds, as does your admiration for how ingeniously and plausibly Sittenfeld has re-written the script
—— DAILY MAILA counterfactual novel ... throbs with energy
—— TLSA fascinating glimpse into an alternative future
—— DAILY MIRRORPacy... plenty of sex and gossip - and a cameo from a certain yellow-haired, orange-faced president-to-be... ripe for TV adaptation
—— SUNDAY TELEGRAPHA brilliantly smart re-imagining
—— WOMAN AND HOMESittenfeld's writing is so fine, her characters so vivid, her empathy so profound that she manages to absorb the reader on a level that transcends partisanship. In 2020, that was a remarkable achievement and an enormous gift to her readers
—— THE NEW YORKERIt ends up being a love letter to a type: the female intellectual, who is given none of the licence of her less talented male peers. At the end, i found myself saying Oh My God
—— OBSERVERA triumphant feminist reinvention. Sittenfeld is the bard of presidential female adjacents
—— VOGUERODHAM is wide- ranging political anthropology, concerned not so much with what makes Hillary tick as it is with the culture around her and how she might have shaped events, and been shaped by them, if the pieces of reality's jigsaw were rearranged just so. It's stippled with clever mischief
—— NEW YORK TIMESA smartly structured character study and a stay- up- all- night plot . . . A captivating and durable story containing rooms within rooms. RODHAM turns into a high- speed bildungsroman about a woman of formidable intellect and self- insight.
—— THE LOS ANGELES TIMESIt's the genius of Sittenfeld's prose that we come to understand this ambivalence,as well as the deep conflicts in this complicated character. In the longing and loneliness, the anger as well as ambition, this Hillary makes RODHAM a compelling portrait of a future that might have been.
—— THE BOSTON GLOBETantalizing . . . part thought experiment, part wish- fulfillment fantasy . . . delectably discussable, a book tailor- made for book clubs.
—— USA TODAYWildly compelling . . . What RODHAM is interested in is examining what feminine ambition looks like when it is untethered from a man. . . . Sittenfeld is free to invent, and the reality she builds is deliciously dishy.
—— VOXThought-provoking and compelling
—— SUNDAY EXPRESSA moving feat of feminist and novelistic imagination
—— THE TABLETFrom this memorable novel's eerie first paragraph to its enigmatic ending, Laura van den Berg has invented something beautiful indeed
—— LA TimesThis is one of my favorite novels of 2015, and we’re not even IN 2015 yet . . .The language is beautiful, spare, and carefully crafted, and the characters are fully realized and unforgettable. There is tension and redemption and insight and even humor in these pages, and they make for a really incredible read
—— BookriotSurreal adventures blend with a reflective and sad sensibility in van den Berg’s lyrical debut novel
—— Library JournalBoth novels offer precision of language and metaphor and scene even as what is being constructed feels messy, chaotic, sad, hopeless... Both orphaned and alone in the world, both so completely real, both telling a story that feels important and exciting to read. I feel lucky to have stumbled upon these books this year, and challenged by them to be better
—— The MillionsThis debut novel by acclaimed short story writer van den Berg tends to lean much closer to the realms of literary fiction with its complex psychology. . . Van den Berg's writing is curiously beautiful
—— Kirkusa strange beauty in this apocalyptic tale
—— Psychologies






