A magnificent addition to the canon of seafaring writing, a brilliant new reworking of the ancient theme...the pages glow with wonderfully imagined pictures... The language is all you could hope for in a sea novel: sinewy and simple, often surprisingly beautiful

Carsten Jensen is unquestionably one of the most exciting authors writing in Scandinavia today. I always look forward hugely to his books. He is, in my opinion, an utterly unique story-teller

An epic tale

A novel of immense authority and ambition and beauty, by a master storyteller at the height of his powers. This is a book to sail into, to explore, to get lost in, but it is also a book that brings the reader, dazzled by wonders, home to the heart from which great stories come. Meet Carsten Jensen halfway and you're spellbound

Impressive... one of the more engrossing literary voyages of recent years... rich, powerful and rewarding

In the original Danish, Vi de druknede has already won the Danske Banks Litteraturpris, Demark's equivalent of the Man Booker. Now it has been unleashed on the English-speaking world, many more accolades will surely follow

We, The Drowned is first and foremost a novel about the sea, a novel which has practically been written in cooperation with the great authors of the nineteenth century - Conrad, Melville, Stevenson... We, The Drowned is the best novel I have read in ages.

Manoeuvres easily between intimacy, subtlety and contagious pleasure in the greater narrative, the cock-and-bull story and the grotesque details... a counterpart to Gabriel García Márquez and One Hundred Years of Solitude.

A fiercely romantic novel that spans over 100 years of Danish history of war and love... Large in size, but even larger in scope because of its storytelling and writing.

Epic tale

A rollicking debut by Jensen, the latest in a lineage of authors of maritime sagas stretching from Homer to Patrick O'Brien

Carsten Jensen took the seafaring history of small Danish port and made of it a mighty ocean-going vessel of stories about a whole world in motion.

Beautifully translated and packed with enough drama, suspense and philosophical speculation for myriad lesser novels, We, The Drowned is bold, brilliant, unmissable stuff.

An epic drama of adventure, courage, ruthlessness and passion... A life-changing experience for all

I was swept away (pun noted but not intended) by this wonderful book. I didn't want it to end and thankfully, given its length, it didn't do so for some considerable time. It was voted the greatest Danish book of the last 25 years. I have no idea what sort of competition it was up against but its victory doesn't surprise me: it is one of the best books I have read in the past 25 years as well.

McEwan is word-perfect at handling the awkward comedy of this relationship and, as ever, turning it into something far more disturbing

Two characters so vibrant they step straight off the page

McEwan's brilliance as a novelist lies in his ability to isolate discrete moments in life and invest them with incredible significance

McEwan's style is lean and clear...every sentence feels carefully crafted, the words all perfectly in place

A tightly focused human drama... McEwan gives the reader access to both characters' thoughts with his usual skill, and the comedy of embarrassment, or of the kind of erotic misunderstanding that Milan Kundera used to specialise in, quickly disappears as the marital bed begins to seem more and more ominous... The bedroom scene itself is carried off brilliantly

A fine book, homing in with devastating precision on a kind of Englishness which McEwan understands better than any other living writer, the Englishness of deceit, evasion, repression and regret. In On Chesil Beach McEwan has combined the intensity of his narrowly focused early work with his more expansive later flowered to devastating effect

McEwan is the kind of author who can say more in a sentence than most can say in a chapter...This is a thoughtful book which provokes thought. But more immediately than that, this is a book which, while managing to be very funny, gives us a wonderful and moving portrait of a specific time, and two of its hostages, and of how to make a mess of love

McEwan conveys the near-numinous significance of a single moment with quiet, almost unbearable grace

A heavenly read