Author:Stephen Baxter,Laurel Lefkow,William Dufris,Michael Roberts,Vincent Marzello,Frank Lazarus,Russell Bentley,William Roberts,Mel Taylor,Rolf Saxon

An alternative history of the US space programme, dramatised by Dirk Maggs.
After the moon, Mars… What if John F. Kennedy survived the assassination attempt and developed the space programme?
President Nixon, with the help of former president JFK, has just green-lit NASA’s first manned expedition to Mars. Aboard the expedition is Natalie York, a geologist who risks everything she loves for the chance to go to space; Phil Stone, former X-15 test pilot; and Ralph Gershon, a Vietnam War hero intent on being the first African American to reach another planet.
Exploring mankind’s ambitions in space, Voyage chronicles the incredible story of what could have been.
Also included is an one-hour bonus programme featuring Dirk Maggs in conversation with Stephen Baxter, 20 years after Voyage was recorded. This wonderful, intimate conversation between the two friends is peppered with memories of the recording, the production process, and what inspired Stephen to pen such a well-loved story.
Cast:
Natalie York...Laurel Lefkow
Mike Conlig...William Dufris
Gregory Dana...Michael Roberts
Joe Muldoon...Vincent Marzello
Chuck Jones...Frank Lazarus
Jim Dana...Russell Bentley
Ben Priest...William Roberts
Ralph Gershon...Mel Taylor
Phil Stone...Rolf Saxon
Based on the novel by Stephen Baxter
Produced and directed by Dirk Maggs
Music by Wilfredo Acosta
An immediately convincing evocation of time and place, as well as character, colour, sultry heat and complex emotions... Moving effortlessly between the late 1950s and Elvis's straitened upbringing, it vividly conveys his world
—— Sunday TimesThis is an impressive, deceptively gentle novel, full of quiet music and even quieter tragedy
—— Claire Allfree , Daily TelegraphOne of the best books about a rock star I've ever read
—— David HepworthBethan Roberts grew up in a house filled with Elvis’s music and pored over her mother’s Elvis annuals and scrapbooks as a child… its emotional range rings true and its fidelity to a certain strain of wistful melancholy might go deeper than facts... an understated, thoughtful novel about a man who wore suits fashioned from gold leaf on stage, which occasionally prompts the reader to burst into song.
—— Susie Boyt , Financial TimesGraceland is an astonishing literary achievement. Bethan Roberts somehow manages to unlock the mystery to that beautiful sadness in the voice of Elvis. Utterly heartbreaking.
—— Jake ArnottRoberts has done her research and is a loving curator of the legend, but she’s strong, too on the tiny sensual details, which intensify the up-close feel of this sensitive, measured novel
—— Stephanie Cross , Daily MailRoberts is an exceptionally tender and empathetic writer, and the story of Elvis Presley and his relationship with his mother is one ripe for her skills… both epic and intimate
—— GraziaOne is always in safe hands with Bethan Roberts, especially when the subject is love.
—— Lynne TrussA beautifully captured portrait
—— Joanne Finney , Good HousekeepingExtraordinarily moving
—— ChoiceRoberts is skilled at evoking the sexy, squalid atmosphere of Memphis in the 1950s. There’s a down-at-heel glamour that the reader can smell and taste
—— Alan Murrin , Times Literary SupplementFrench offers a masterclass in unreliability . . . dissolving the boundaries between genre and literary fiction
—— Sunday TimesHer best book. Really, it is not a crime novel: as ever, Tana's scope is so much broader than that. It's a book about identity, childhood, luck and family...I absolutely loved it.
—— Gillian McAllisterInspires cultic devotion in readers...most crime fiction is diverting; French's is consuming
—— The New YorkerA brilliant examination of male privilege and family secrets
—— What to Look Forward to in the World of Books 2019 , GuardianA darkly addictive story of family secrets
—— Best Books of 2019 , i paperTana French's writing is lyrical but sharp, her eye for detail exquisite, her storytelling skills incredible - I need to read her backlist right away!
—— Sara Manning , Red MagazineAnother one of her rich psychological thrillers that will work its way under your skin
—— Lucy Mangan , StylistFrench is a poet of mood and a master builder of plots
—— Maureen Corrigan , The Washington PostA spectacularly talented writer
—— Louise O'Neill, author of 'Asking for It'Tana French is one of those rare writers whose publication date you put in your diary. Her effortless verve, insight and black wit still glimmer from every page.
—— Kate Riordan, author of 'The Girl in the Photograph'A hugely satisfying door-stopper of a novel, full of ambiguity, nuance and building menace. To read French is to experience that sense of utter disorientation that comes from the ground shifting constantly beneath your feet. Totally absorbing
—— Tammy CohenTana French's best and most intricately nuanced novel yet. . . Get ready for the whiplash brought on by its final twists and turns
—— New York TimesA beautifully written, highly intelligent meditation on family relationships, the human mind, social politics and much more, often leavened with good jokes
—— Sunday ExpressA brave and expansive work, compellingly told.
—— Susan Byron , Catholic HeraldA thoroughly rewarding book – a compassionate, touching and funny account… A profound book, it compels one to think about one’s own life.
—— Richard Hopton , Country & Town HouseA brilliant, rueful look at love.
—— Tom Gliatto , People MagazineMoving, funny, with ingenious emotional intelligence, it’s one to read and read again.
—— Craig Brown , Mail on Sunday, **Books of the Year**Barnes’s novel chronicles their romance with an austere tenderness
—— Jane Shilling , Daily Mail[Barnes’s] facility for writing artfully conceived and executed novels about unfulfilled, disappointed lives has risen to almost unassailable heights.
—— Alastair Mabbott , HeraldJulian Barnes writes shockingly well about emotion… The Only Story is devastating and wonderful.
—— Victoria Hislop , Good HousekeepingA solemn-ish meditation on the fallibility of memory… A love story – bitter and sweet in parts – unfurls.
—— MonocleStrange, unsettling — eerily beautiful, discomfiting, stay-up-late-addictive, sometimes hair-raising... Always, it’s Hadley’s high-res magnification on the interplay of marital (and friendship, and parental) dynamics that supplies her work’s steady gold.
—— Joan Frank , San Francisco Chronicle[Hadley’s] prose is a form of civilised conversation... Late in the Day is a very good novel indeed… [Hadley] knows when to let silence speak, and she has the rare gift of writing dialogue which both rings true and hints at what had been left unsaid but is keenly and sometimes painfully felt.
—— Allan Massie , ScotsmanA clever, compassionate novel that sings to the possibility of renewal in late middle-age.
—— Claire Allfree , Daily Mail[A] splendid, perceptive book… Hadley has expertly examined the complications and intimacies of marriage and family in such novels as The Past, The Master Bedroom and Clever Girl. In Late in the Day she continues her persistent exploration of human frailty and resilience, moving easily between the present and the past to reveal the hard edges and silent compromises that shape all relationships.
—— Minneapolis Star TribuneHer prose has the penetrating quality of Henry James at his most accessible… and is alert, as Virginia Woolf and Elizabeth Bowen were, to how time sculpts, warps or casually destroys us... A quiet triumph.
—— Michael Upchurch , Seattle TimesLate in the Day is confident, brilliant, dark and interesting.
—— Iona McLaren , Daily TelegraphTessa Hadley’s brilliant new novel – an event that always sparks joy… [– is an] elegantly written, ironically witty book… [Hadley] is constantly being favourably compared to Virginia Woolf – as well as Jane Austen and Henry James.
—— Jackie McGlone , Herld ScotlandThis is not a novel filled with incident, its pleasures are perception, insight and the intense examination of emotions… A very grown-up read.
—— Eithne Farry , Sunday ExpressTessa Hadley’s compelling new novel, Late in the Day, is a subtle, delicate evocation of modern life… Hadley’s observation is pin-sharp: whether describing a contemporary student’s house, a late-night drive, or simply a quiet room with only the reading light turned on, there is a shapely intelligence at work… There is something of Iris Murdoch’s fierce attention to the physical here.
—— Philip Womack , IndependentTessa Hadley has become literary fiction’s chronicler-in-chief of the lives and loves of the English middle classes… Conveying their lifestyle with shrewd economy… Hadley relies on patient, persuasive observation to draw us into a satisfying family drama of hopes and regrets as viewed from the fag end of middle age.
—— Anthony Cummins , MetroTessa Hadley’s great success as a novelist lies in… examining her characters with an unusual degree of psychological subtlety. Her particular strength is to combine a deep excavation of human frailty with compassion for its effects.
—— Andrew Motion , GuardianClever and thoughtful… [Late in the Day] is wholly impressive.
—— Ella Walker , UK Press SyndicationHadley… [is] authoritative and powerful… a complex story structure juxtaposing present and past and featuring carefully timed revelations.
—— Michele Roberts , TabletThis is the perfect example of domestic fiction done well… Hadley's prose is measured, spare and utterly perceptive of the human condition.
—— Culture CallingExtraordinarily skilled and penetrating.
—— Philip Hensher , iThe language is poetic and beautifully crafted… [and it] is the measured intimacy of Hadley's language that allows her to capture in so few words, the whirring emotions that stir beyond the surface.
—— MancunionCrisp, considered prose.
—— Franklin Nelson , Cherwell NewspaperExquisitely written… A slow burn that’s as elegant as it is crushingly emotional.
—— Sunday Powell , Sunday TelegraphLate in the Day… [is] beautifully written with moments of real tenderness — I found it immensely enjoyable and thought-provoking.
—— Sharon White , Financial Times, *Summer Reads of 2019*A wonderfully involving, intelligent and subtle.
—— Sunday Times, *Summer Reads of 2019*One of the best literary offerings so far this year.
—— UK Press Syndication, *Summer Reads of 2019*A prime study of the modern condition.
—— Conrad Landin , Camden New JournalTessa Hadley is one of those rare authors who keep getting better and better… the writing is joyous, and the conclusion will set your heart singing.
—— Stephanie Cross , Daily Mail, *Books of the Year*Hadley’s prose is so elegant, her quiet observations on ageing, adultery, motherhood and art so penetrating, it is pure reading pleasure.
—— iUnflinching, intelligent and fascinating
Hadley’s elegant sentence-making is pure joy, combining scathing observation with careful compassion in a novel.
—— Claire Allfree , Metro, *Books of the Year*A stunning read by a masterly writer.
—— Emma Lee-Potter , Daily ExpressLate in the Day will delight fans of Tessa’s work and is an excellent introduction to her style for those unfamiliar with her novels. It’s a gentle yet impactful and deeply thought-provoking book that will leave you reflecting on your own choices and relationships – and makes a perfect beginning to a new year of reading.
—— Charlotte Griffiths , Cambridge EditionA brilliant, beautiful novel populated by multifaceted characters and lit by Hadley's insight and skill.
—— BN1Reflective, poignant and beautifully written, it reminds us that the constant in life is change.
—— Jane Shilling , Daily MailCompelling.
—— Eithne Farry , Daily Mirror[A] compelling novel… Hadley captures the way old feelings, longings and hidden secrets unravel tight-knit relationships.
—— Andreina Cordani and Eithne Farry , Daily Express






