Author:Susan Lewis

Kirsten Meredith is a successful, rich and beautiful woman who seems to have it all. But she is also a woman haunted by her past which threatens to ruin her life - a lingering past of loneliness and rejection. And most dangerous of all, of burning vengeance.
Lawrence McAllister is the man who walked out on her and broke her heart. Yet he is the only man who can help her fight her worst enemy - Dyllis Fisher, a woman who has vowed to destroy Kirsten's life at all costs. And in a world where bitter vengeance will know no limit, Kirsten needs all the help she can get...
A. L. Kennedy is one of the most brilliant writers of her generation
—— Sunday TelegraphThis woman is a profound writer
—— Richard FordKennedy is an exceptional writer... So I Am Glad is her best book
—— ObserverThe clarity, wit and description of her style are uplifting... A writer in her thirties, who is becoming one of Britain's best
—— The TimesOutstanding... A virtuoso performance brilliantly balancing insight and agony
—— Irish TimesA fitting monument to Tolstoy's battles with what it is that makes us human
—— Philip Womack , ObserverHe handles words like a great poet
—— ObserverHe comes near to defying all criticism
—— Sunday TimesA creature of pure light and joy
—— New StatesmanA comic genius recognised in his lifetime as a classic and an old master of farce
—— The TimesThe funniest writer ever to put words to paper
—— Hugh LaurieThis is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant
—— Dr Susan Richard, author of Lost and Found in RussiaAndrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.
—— The West AustralianCompleted in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.
—— Publishers WeeklyA 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.
—— Sydney Morning Herald