Author:Carmen Martin Gaite
An impassioned correspondence between two former school friends as they reach crisis in middle age, from the prize-winning Spanish novelist Carmen Martin Gaite
Sofia is a mother of three grown-up children and trapped in a loveless marriage to Eduardo. Mariana is a successful psychiatrist, incapable of forming stable relationships with men.
As their lives reach crises in middle age, these two women, former school friends who had grown apart, reach out to each other through an exchange of impassioned letters in Gaite's effusive epistolary novel.
Mariana, a psychiatrist and TV pundit, flees Madrid for a friend's empty house in a coastal resort, where she obsesses over Raimundo, a suicidal, manic-depressive writer who seems part friend, part patient, part lover. Her old friend, Sofia, walks out on her vain, hypercritical husband, Eduardo, a business executive who talks only about money, and moves in with her three rebellious children, who share a disorderly apartment.
In alternating voices mixing letters with notebook excerpts and invented stories, the two women relentlessly analyze their relationships, erotic fantasies and trips abroad. Strewn with allusions to Kafka, Dali, Bunuel, Tagore and Katherine Mansfield, their outpourings incorporate meditations on memory, love, sex, the treacherous nature of words, chance and the difficulty of confronting one's past without embellishing it.
A chronicle of female friendship, expressed largely through an exhaustive exchange of letters between two women who resume their long-dormant intimacy when each must grapple with the demons of middle age and unravelling relationships. Sofia, a wife and mother who leaves her mercenary, emotionless husband, and Mariana, a psychiatrist who can't help obsessing over her depressive lover, share their views on sex, politics, literature, and many other topics in a discursive, allusive correspondence and communion that is, alternately, absorbingly dramatic and painfully dull. This ambitious 1992 novel from one of Spain's leading writers (now translated into English for the first time) was a major success in Gaite's homeland, but may find a relatively lukewarm response in a culture where feisty criticisms of lamebrained machismo are not a novelty.
—— KirkusLenin's Kisses is a grand comic novel, wild in spirit and inventive in technique. It's a rhapsody that blends the imaginary with the real, raves about the absurd and the truthful, inspires both laughter and tears... The publication of this magnificent work in English should be an occasion for celebration.
—— Ha Jin, author of WaitingThe award-winning novelist Yan Lianke is one of China's most interesting writers and a master of imaginative satire
—— Isabel Hilton , GuardianYan Lianke movingly chronicles the price that Communist China's rush to get rich has exacted from its vulnerable majority
—— SpectatorA hugely ambitious political fable ... a great ripping yarn
—— Xiaolu Guo , IndependentYan’s postmodern cartoon of the Communist dream caving to run-amok capitalism is fiendishly clever
—— New York Times Book ReviewYan, one of China’s most successful writers, is still gaining attention abroad, but this story of a village that decides to buy Lenin’s corpse is Yan at the peak of his absurdist powers. He writes in the spirit of the dissident writer Vladimir Voinovich, who observed that “reality and satire are the same”
—— Evan Osnos , New Yorker, Best Books of 2012I read Lenin’s Kisses, a fierce, funny, painful and playful novel by a great Chinese writer; Yan Lianke. It is much more than just a poignant, daring political parody: it is also a subtle study of evil and stupidity, misery and compassion
—— Amos Oz, New York TimesThis is a tale of modern China with all its wonders, marvels and absurdities and ironies roped together, making it a must-read. It’s little wonder that the author has won both China's equivalences of the National Book Award and the Pulitzer Prize.
—— Da Chen, author of My Last EmpressLenin's Kisses wickedly satirizes a sycophantic society where money and power are indiscriminately worshiped ... As the traveling circus gains fans across the country, it becomes clear that the officials behind the scenes, not the performers, are the true freaks
—— Clarissa Sebag-Montefiore , Wall Street JournalSprawling, sometimes goofy, always seditious novel of modern life in the remotest corner of China . . . Set Rabelais down in the mountains of, say, Xinjiang, mix in some Günter Grass, Thomas Pynchon and Gabriel García Márquez, and you’re in the approximate territory of Lianke’s latest exercise in épatering the powers that be . . . A satirical masterpiece
—— Kirkus ReviewsThe novel's depth lies in its ability to express an unbearable sorrow, even while constantly making the reader laugh out loud ... a truly miraculous novel
—— Ming Pao Weekly (Hong Kong)Yan Lianke weaves a passionate satire of today's China, a marvellous circus where the one eyed-man is king . . . Brutal. And wickedly funny
—— L'ExpressLenin's Kisses shines with both the lyrical flourishes of magical realism and the keenly sharpened knives of great satire. The reader joins the inhabitants of the village of Liven as they confront the great upheavals of 20th Century Chinese history armed with both whimsy and their obsessive determination to prevail. This tale is at once breathtaking and seriously funny. Anyone who wishes to understand the psychic world-view of the modern People's Republic of China must read this fine novel.
—— Vincent Lam, author of The Headmaster's WagerWith its distinctive language, structure and narrative approach, Lenin's Kisses presents a distictive version of 'rural china' and 'revolutionary China', even while establishing a new literary 'native China'
—— Contemporary Literature CommentaryYan Lianke sees and describes his characters with great tenderness . . . this talented and sensitive writer exposes the absurdity of our time
—— La CroixAn unconventional blur of fact and fiction, How Should a Person Be? is an engaging cocktail of memoir, novel and self-help guide
—— GraziaA candid collection of taped interviews and emails, random notes and daring exposition…fascinating
—— Sinead Gleeson , Irish TimesProvocative, funny and original
—— Hannah Rosefield , Literary ReviewA serious work about authenticity, how to lead a moral life and accept one’s own ugliness
—— Richard Godwin , Evening StandardAn exuberantly productive mess, filtered and reorganised after the fact...rather than working within a familiar structure, Heti has gone out to look for things that interest her and "put a fence around" whatever she finds
—— Lidija Haas , Times Literary SupplementA sharp, witty exploration of relationships, art and celebrity culture
—— Natasha Lehrer , Jewish Chronicle[Sheila Heti] has an appealing restlessness, a curiosity about new forms, and an attractive freedom from pretentiousness or cant…How Should a Person Be? offers a vital and funny picture of the excitements and longueurs of trying to be a young creator in a free, late-capitalist Western City…This talented writer may well have identified a central dialectic of twenty-first-century postmodern being
—— James Wood, New YorkerFunny…odd, original, and nearly unclassifiable…Sheila Heti does know something about how many of us, right now, experience the world, and she has gotten that knowledge down on paper, in a form unlike any other novel I can think of
—— New York TimesPlayful, funny... absolutely true
—— The Paris ReviewSheila's clever, openhearted commentary will draw wry smiles from readers empathetic to modern life's trials and tribulations
—— Eve Commander , Big Issue in the NorthAmusing and original
—— Mail on Sunday