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Vainglory
Vainglory
Dec 2, 2025 4:51 AM

Author:Ronald Firbank

Vainglory

The fairly young and entirely alive Mrs Shamefoot wants nothing more than to have a memorial stained-glass window erected in her honour in an English cathedral. From this premise, the inimitable Ronald Firbank extends his witty, eccentric Vainglory, with a crowded cast of hilariously drawn characters - Winsome Brooks, Lady Anne Pantry, Miss Wookie, Mrs Barrow of Dawn and Mrs Steeple - a riot of parties, and a bottomless sense of the ridiculous. Admired by Auden, Forster and Waugh, Firbank's fine comic skill, quick-fire dialogue and descriptive flights of fancy are perfectly captured in Vainglory, his first and longest novel, as well as in two novellas included here: Inclinations and Caprice.

Reviews

Bowen is "the link that connects Virginia Woolf with Iris Murdoch and Muriel Spark."

—— Victoria Glendinning

Ironic comedy as well as tragedy, The Death of the Heart tells a story as old as wickedness: the world's betrayal of innocence

—— TIME Magazine, 1939

Bowen had a genius for conveying the reader straight into the most powerful and complex regions of the heart

—— New York Times

Gripping, suspenseful and deeply compassionate

—— Kirkus Review

This is a moving and important story about the brutality that takes place when dictators rule and hatred mounts. But it is ultimately uplifting when, united by football, a group of South African refugees reach the Street Soccer World Cup final.

—— Vanessa Lewis , Bookseller

Wonderful. A must-read for anyone who loves international YA fiction . . . very brave

—— Goodreads

Gut-wrenching . . . plenty of material to captivate readers: fast-paced soccer matches every bit as tough as the players . . . heartbreaking twists of fate, that will endure in readers' minds

—— Publishers Weekly

I found this story incredibly troubling and moving; Deo and Innocent will stay with you.

—— Clare Poole , The Bookseller

A tough and heart-rending story, but one that needs telling

—— Booktrust

Very stylish, observant and oh so spiky, this is an incredible, often uncomfortable novel that you just can't put down... Modern, vibrant, funny and dark 5/5

—— thebookbag.com

Lee's the real deal - a British writer on the cusp of greatness... A brilliant powerful dissection of modern Britain.

—— Henry Sutton , Daily Mirror

an excellent novel… A harrowing look at the sleazy underbelly of the corporate world that never pulls its punches.

—— Alex Preston , FHM

A tense and disturbing novel.

—— Richard Susskind , The Times

A quite superb piece of work.

—— Huffington Post

Sparky... modern... brilliant

—— Claudia Winkleman , BBC Radio 2 Arts Show

[A] discomforting and acute tragicomedy ... The bleaker and darker his book becomes, the better it gets, building to a shocking and expertly executed conclusion. Tipped for the top on publication of his first novel, Lee here confirms his talent

—— Daily Mail

For all painful events it covers, this is a joyful book. Lee educates us in the beautiful mess of humanity surrounding this tragic event. Joy is one of the best new novels this year.

—— We Love This Book

A black comedy of exuberance and bite … original, and brilliantly executed; the characters’ voices … ventriloquised with flair … This is the wittiest, most addictive piece of literary yuppie-bashing since Martin Amis’s Money. Lee is a writer to keep an eye on.

—— Independent

A major new voice in British fiction.

—— Guardian

A brilliant book... Jonathan Lee is one of those rare, agile writers who can take your breath away.

—— Catherine O’Flynn, author of What Was Lost

[Joy] displays a real flair for narrative and characterisationHighly accomplished…The closest comparison that can be made is with Joshua Ferris’s Then We Came to the End, which shares a similarly bravura command of narrative voice…Exquisitely and surprisingly written…it proves that Lee is a significant talent and that his future work should be well worth awaiting.

—— Observer

Lee’s writing is witty and engaging, containing something of the wearied disgust of Raymond Chandler’s prose…These four voices confiding in the counsellor are entertainingly distinct…The novel’s outstanding achievement, however, is the central, spiralling narrative that Jonathan Lee threads among these personal accounts: the intimate story of how Joy came to fall, a forensic portrayal of despair that shows Lee to be an exceptional, brave prose stylist. The dark revelations in the book’s final pages are disturbing while not gratuitous, but Lee also allows some credible room for optimism among these cluttered lives. Funny and humane, Joy is an enormously impressive piece of storytelling

—— Tom Williams , Literary Review

Lee's the real deal - a British writer on the cusp of greatness. This novel follows the aftermath of lawyer Joy Stephen's apparent suicide. The corporate and personal explode in a brilliant powerful dissection of modern Britain.

—— Henry Sutton, The Mirror

Jonathan Lee’s second novel, Joy charts the final day in the life of a high-flying young lawyer. Lee writes with extraordinary vividness, with prose so sharply defined it takes your breath away.

—— Observer

With its supple prose, ingenious structure, wit and slow-burn sympathy, Joy is a sly miracle of a novel.

—— A.D. Miller

[One] of Britain’s most exciting writers… I loved how Jonathan Lee’s Joy gradually unravels through different characters…The ending of Joy is brilliantly shocking. I finished it three weeks ago and it’s still playing on my mind… Something about Joy’s slow and brooding story really affected me…Lee manages to make every voice distinct…It is Joy’s complexity which keeps you reading…[A] wonderful book.

—— Stylist

Lee constructs office scenes easily, weaving together numerous characters and dialogues with flairthe writing crackles.

—— Independent on Sunday
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